Three Swedish Girls

Today’s review(s) are for the extended / sub-titled version of “The Millenium Series“. “Millenium” is a six-part television series made in Sweden based on the novels written by Stieg Larsson.  The six parts were combined into three “movies”, each movie consisting of two parts from the series with each part running about 90 minutes for a total of about nine(9) hours.  The English version was released under the name: “Dragon Tattoo Trilogy: Extended Edition”.  I watched the sub-titled version, not the one with the dubbed English.
The three “movies” have the corresponding names to the first three novels in the book series.  I understand the book series was originally intended to run to ten books, but the author (Larsson) died unexpectedly.  The “movie” titles are: “The Girl with the Dragon Tattoo“; “The Girl Who Played with Fire“; and, “The Girl Who Kicked the Hornets’ Nest“.
The two main characters in all three of the movies are Lisbeth Salander – played by Noomi Rapace, and Mikael Blomkvist – played by Michael Nyqvist. Salander is a twenty-something Goth hacker who works as a “researcher” for a Swedish security firm.  Basically, she’s a private-eye with computer skills.  Blomkvist is “famous” journalist and part owner of a do-gooder “investigative” magazine called “Millennium”.
The first movie (“Dragon Tatto“) has Blomkvist setup to take the fall for a false libel charge.  In between his conviction and his lockup he is hired by a wealthy Swedish capitalist who wants Blomkvist to investigate the disappearance of his niece several decades ago.  He is getting old and just wants to know what happened to her before he dies.
Anyway, Blomkvist enlists Salander’s help and they solve the mystery and Salander saves Blomkvist’s life in the process.  Closing the quality circle, they also prove the libel charge was a setup and the rich guy commits suicide to avoid going to prison himself.
The second movie (“Played with Fire“), has Millennium investigating sex trade in Sweden for the publication of an expose implicating some government (and police) officials.  The reporter and his girl friend are murdered, as is Lisbeth’s “guardian” and Lisbeth is implicated in the deaths of all three.
This time, Blomkvist comes to Lisbeth’s rescue gathering evidence she is innocent.  Basically, some of the men involved in the sex trade are also involved with (and being protected by) the government officials.  The main “bad-guy” turns out to be a Russian spy who flipped to get Swedish government protection.  In turn, the government looked-the-other-way for over three decades of criminal behavior (drugs, sex trafficking, and gun running).  The bad-guy also turns out to be Lisbeth’s father.  In the end, both Lisbeth and her dad are captured by the police.
The third movie (“Hornets’ Nest“), has Lisbeth on trial for the attempted murder of her father and the possible murder of the other three (the journalist, girl friend, and guardian) from the second movie.  The “government” agents seek to kill Lisbeth and her father to silence them both.  They succeed in killing the dad, but not Lisbeth.
Ultimately, Blomkvist convinces some of the police and another secret group in the Swedish “Constitutional Protection Division” of Lisbeth’s innocence and together they gather the evidence to arrest all the baddies.  There is also another issue which gets wrapped up at the end of the movie.
Final recommendation: High to Very highly recommended with the qualification that all three are rated “R” and there are extremely violent and sexual (nudity) scenes in the first and second movie.  This is not a movie series for prudes or for anyone squeamish about nudity, rape, abuse of authority or violence (depicted) against women.  The “redeeming” factor, if you need that kind of thing, is that all of the bad guys get theirs in the end.  Although some are only shown arrested and disgraced, most have “untimely” deaths.
One cultural note: this is my first exposure to a Swedish production (TV or movie) and, other than the fact that I do not care for sub-titles, I found it a very entertaining production which reminded me of the first Jason Bourne movie in how the movie “looked” – not quite TV, not quite movie; just a funky realism look.  The “only” other “Swedish” thing I remember seeing has been the “Wallander” police series.  That series was shot in Sweden, but was actually a BBC production and started Kenneth Branagh in the title role – so I don’t think that counts as “Swedish”.
I have had this version for several weeks and just never got around to watching it.  I then got an offer from Vudu to buy the “English Dubbed” version for $10.  I didn’t even know the version I had wasn’t already dubbed.  I watched the first movie (parts 1 and 2 of the 6-part series) and decided to pick up the dubbed version as well.  I don’t speak Swedish, but I noticed what appeared to be discrepancies between what the actors were saying and what I was reading – at least some of the words sounded a LOT like other English words to me.  Since I’ve invested the extra money, I’ll watch the dubbed versions, but I’ve no idea when (or if) I’ll get around to reviewing them.
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On This Day In:
2018	Four Loves
	Favorite Westerns
2017	Faith In Science
2016	What The World Calls
2015	Say What?
2014	Start Today
2013	Fly!!
2012	Greater Love
2011	Before

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Basic Training (In Films)

Caution: this is a relatively long post reviewing two movies…  You’ve been warned.
Today’s reviews are re-watches from my childhood:  “Tribes” (1970) and “The D.I.” (1957).  Both are movies about being in Marine Corps Boot Camp.  “The D.I.” was released when I was two years old, so I obviously never saw it on original release, but I remember seeing it in my early teens.  “Tribes” I saw on its original TV broadcast.  I recently discovered / watched both movies on YouTube.
“The D.I.” — movie review
If you’ve ever wondered what “Dragnet” would look like if it were turned into Marine Corps Boot Camp, this is the movie for you.  The movie stars Jack Webb (who also produced and directed the film) as Sergeant Jim Moore who is a Drill Instructor (“D.I.”) at Paris Island.  His job is to turn civilians into Marines and he has a problem in the person of Private Owens (played by Don Dubbins).  Whenever Owens feels he’s under pressure, he quits / gives up.  The company Captain (Lin McCarthy) feels Moore is getting soft and orders Moore to bring Owens around or get rid of him.
There are (of course) side issues:  one – Moore is falling for a shop clerk (Jackie Loughery) named “Annie”, which is wrecking his “tough-guy” Marine self-image;  and, two – Owens’ mother (Monica Lewis) appeals to Moore that she coddled Owens and she lost her husband (in WWII) and her two older sons (in Korea).  She wants Moore to make her son into a Marine or he won’t be able to live with himself.
This movie is shot in black and white and it is fairly dark.  I guess as a nod to realism, the movie has a scene with Moore and Annie which (shockingly) edges very close to date rape.  It doesn’t happen, but I was surprised it was even implied in a movie from that period.  Incidentally, in real life, Loughery married Webb the following year (1958).  Despite this being a “Webb” movie (“Just the facts, Ma’am…”), from the 50’s, it is also a happily ever after ending movie – for the Private / mom and the Sergeant / clerk.  Who woulda guessed?
Final recommendation: moderate to strong.  Viewed as a “Webb” production, this is a classic.  As a period piece, I would say it’s still pretty much a classic.  This movie was my first introduction to the concept of “Basic Training / Boot Camp”, and I remember it had a fairly strong effect on my impressionable mind.  Don’t get me wrong, this movie is not a cinematic “classic” and it’s really only a fair movie, but, in watching it, it reminded me of the simpler times of my childhood when things did seem more “black-and-white”.
“Tribes” — movie review
“Tribes” is not strictly speaking a “real” movie.  Back in the 1970’s, one of the main TV networks (ABC) used to run what it called the: “ABC Movie of the Week“.  Some of the ninety minute movies were pretty good and some even became TV series in their own right.
“Tribes” is a movie about a free-spirited (that’s “hippie”) individual who joins the Marine Corps and who has to go to (and survive) Boot Camp.  It stars Jan-Michael Vincent as the free-spirited Private Adrian, Darren McGavin as Gunnery Sergeant Thomas Drake, and Earl Holliman as Chief Drill Instructor (and Drake’s boss) Master Sergeant Frank DePayster.
The movie always seemed to me to be a message about the changing times of the 1960’s / 1970’s in America.  You’ve got two straight-arrow Marine lifers, but one has a streak of decency and the other does not.  Ultimately, the leadership abilities of the young recruit pushes not only his platoon to excel, but also to win over the D.I. nominally there to break his individuality and “turn him into” a Marine who will follow orders.
Final recommendation: strong to highly recommended.  I was very surprised how much of this movie I could recall after nearly 50 years from my first (and only) viewing.  LoL – this movie also introduced me to meditation / alternative states of consciousness and boxers vs briefs.
I am very biased towards this movie as it had a personal effect on me when I was in Basic Training for the Army four years later.  When I was learning to fire the M16, I asked my Drill Sergeant why we used “human” silhouettes instead of “bulls-eye” targets, he replied, “because we want you to learn to shoot at people.”  He went on to explain Fort Ord (where I had my Basic Training) had the highest casualty and injury statistics of any of the training facilities which sent soldiers to Vietnam.  It was determined this was because “West Coast” city boys didn’t shoot at other humans instinctively.  Using silhouettes, trained them to shoot as a reaction instead of pausing to take aim.  Fortunately, I never had to put this to the test…
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On This Day In:
2018	Being President Doesn’t Make You Presidential
	Day 27: 4 Weeks / 55lbs
2017	I’m Seeing It, Too
2016	Personal Decisions
2015	Verbal Fluency
2014	Familiar
2013	Unbending
2012	Simple Sayings
2011	Wupped Again?
2010	3 and 1…
	Musical Notes…
	Doubt Tries…
	Northwest Passages – Evening Two
	The Beierly’s Web Site

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Another P&P Review

“The Lizzie Bennet Diaries”  (2012 – 2013)  —  YouTube series review
It is a truth universally acknowledged, that a single viewer in possession of a good internet connection, must be in want of a new adaptation of Pride & Prejudice.
At any rate, as an addict to P&P, I certainly am, “in want” that is…
For about the last year or so, I have fallen into the well which is YouTube.  I am beginning to fear it (my addictions to YouTube and P&P) is like the prison exit in the third episode of the “Batman Trilogy: The Dark Knight Rises”  – you can climb and climb, but eventually you slip and fall back in.
Periodically, YouTube feeds me a morsel of P&P as a temptation to restart my viewing addiction.  And, once again, it succeeded.  Over the weekend, I re-watched the 1995 BBC version of P&P starring Colin Firth.  I have already reviewed this version, but not individually, so I’ll have to add that to my list of things to do (sometime).  Anyway, after coming back to YouTube, they were prompting me to go see a clip from another version (2003 – P&P: A Latter-Day Comedy) which I have not seen nor was I aware of.  …And, then there was a link to “The Lizzie Bennet Diaries” (https://www.youtube.com/watch?v=KisuGP2lcPs).  Huh?  “What’s that?”, I ask.
My interest piqued, I clicked, and so began another marathon session of P&P.  The series is presented in 100 (yes, one-hundred) vlogs episodes, each running between a few minutes and 8-ish minutes.  (There are also a number of side vlogs, which I have not yet viewed.)  The series is meant to be a multi-media / channel creation with the characters (and actors) also having social media presence on other sites: FaceBook, Twitter, etc., which serves as an adaptation of the classic romantic novel: “Pride And Prejudice“, written by Jane Austen.
The series stars Ashley Clements as Elizabeth “Lizzie” Bennet; Julia Cho as Charlotte Lu (Charlotte Lucas in the book) is Lizzie’s best friend and often the director / editor of her vlog; Laura Spencer as Jane Bennet, the eldest of the Bennet daughters; Mary Kate Wiles as Lydia Britney Bennet, the youngest Bennet child (the flirtly one); Christopher Sean as Bing Lee (Charles Bingley in the book) is a young, wealthy (eligible) Asian-American medical student who has moved into The Netherfield House in the same neighborhood as the Bennets; Jessica Jade Andres as Caroline Lee (Caroline Bingley in the book) is Bing Lee’s sister; Maxwell Glick as Ricky Collins (William Collins in the book) is a former classmate of Lizzie and Charlotte’s, who asks that he be addressed only as Mr. Collins; Daniel Vincent Gordh as William Darcy (Fitzwilliam Darcy in the book); Wes Aderhold as George Wickham (the cad in the book and adaptations); Craig Frank as Fitz Williams (Col. Fitzwilliam in the book) is Darcy’s friend and colleague; and, Allison Paige as Georgiana “Gigi” Darcy (Georgiana Darcy in the book).
Obviously, as a vlog / diary, this version is set in modern times and therefore has many alterations in the details of the story to make it conform to the “PC” standards of our time.  However, never fear, the basic romance / love story is the same: boy and girl meet, boy and girl seem to dislike each other.  After much travail, love wins out…  Happily ever after.  Blah, blah, blah…  Whatever, right?
Yes.  Pretty much.  But does it work and is it entertaining?  That would be a YES and a certainly!  I thoroughly enjoyed the series and plan to revisit the channel to catch the side lines and other bits which I skipped in order to race through the main story.  It turns out there is a “real” company called Pemberley Digital (http://www.pemberleydigital.com) which exists to adapt classic works into new media format(s).  Who knew?  (By the way, Pemberley is the name of the estate Darcy lives at in the P&P book.)
Final recommendation: very highly recommended!!  Even with the “modernization”, the series follows quite closely to the original book and the three sisters are actually outstanding actors in their respective roles – with special kudos to Ashley Clements who is outstanding throughout the series and Mary Kate Wiles who really hit it out of the park in the last few episodes.  If you are a P&P fan, you will definitely want to check this out on YouTube.  It is also available on DVD’s, but I’m not sure what extra value you get for your $60.  There must be some great bloopers and behind the scene gags for that price.
LoL, now I want to go find some of the other P&P adaptations which I was not even aware of until I started researching this post.
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On This Day In:
2018	Does Fatalism Equal Mental Health?
2017	Choice
2016	Growing Worlds
2015	Change The Tide
	Martyr, n.
2014	You, Too!
2013	Bitter Stand
2012	Lost For Words
2011	On Market Reactions…

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Iterum Vale Tres*

“Goodbye, Mr. Chips”  (1934©)  —  book review
Like a dog with a fresh bone, sometimes I find it hard to let go…
Over this last weekend, I indulged my OCD and read the short novel “Goodbye, Mr. Chips” (1934©), written by James Hilton.  Amazon says the paperback is seventy pages, but there are eighteen chapters and most seem less than a full page long.  I read the novella in under two hours.  The book is in public domain, so you can download it and read it for free.
The book has a number of adaptations, including movies made in 1939 (a drama) and 1969 (a musical – review here), a TV series from 1984 (BBC) and a TV movie from 2002 (ITV).  More on these later…  (OCD remember).
The author, James Hilton was the son of a school headmaster and he attended a public boarding school.  Note: a “public” school in England is a “private” school in the U.S. Hilton is said to have based the work on both his father and a master (“teacher / instructor”) at his own school (although it is believed to be mostly based on the teacher at the school he attended).
The main character of the novel and movies, Mr. Chipping, spends the majority of his life (50-plus years) teaching Latin (and Greek) at a single school (Brookfield School) and the book is a reminiscence of his time there.  There are two notable occurrences: one is the meeting of a best-friend Herr (Max) Staefel, the school’s German language teacher and the second is a chance meeting with a young lady who ultimately becomes his wife.  The “shock” of the wedding is not just the marriage of a “confirmed” bachelor, but that the bride is considerably younger than the groom (on the order of 23 years) AND she is as attractive as he is staid.  The book is unclear how long they are wed (roughly one year to eighteen months) as she passes away in childbirth (on 1 April – “April Fool’s Day”).  Chipping stays long enough at the school that he instructs four generations of one family and, on his deathbed, only his housemaid is aware that he was ever married (over thirty years before the death scene).  This results in the famous lines that it was a shame he never had any sons of his own who might have attended the school.  Chipping’s dying response is that indeed he did, thousands of them – and all boys.
Final recommendation: very highly recommended!  I would recommend reading this very short book before viewing any of the four adaptations, but I have seen all of them (three of them in the last week) and you won’t be put off by reversing my call.
“Goodbye, Mr. Chips” (1984)  —  TV series review
This version of the novella was on the BBC in six half-hour episodes (roughly three hours run time) and starred Roy Marsden as Chipping and Jill Meager as his wife.  I am fairly certain this is the first version I saw of the adaptations as I have a distinct memory of the cricket scene which appears in the this version.  I believe I saw this version on PBS, and probably first viewed it with my new (British) wife in 1985, the summer after we married.  The series is available on YouTube, which is where I watched it this weekend.
Final recommendation: strong to highly recommended.  As stated above, this was my first exposure to the “Chips” story, so it has a special place in my heart / memory.  I will add this version is closer to the actual time frame depicted in the book and the first (1939) movie version.  It also is much closer to being an anti-war movie than the book or other adaptations.  Finally, in this version, Katherine (Bridges) Chipping is an unemployed governess living with her aunt in London, as opposed to the stage singer / dancer portrayed in the 1969 musical adaptation.
“Goodbye, Mr. Chips” (2002)  —  TV movie review
Staring Martin Clunes (of Doc Martin fame) as Mr. Chipping and Victoria Hamilton as Katherine (Bridges) Chipping.  This version appeared on ITV and Masterpiece Theater as a two hour “TV movie”.  I watched it on YouTube where it runs as six episodes of approximately 15 min.  This version is not only an anti-war movie, it is also anti-bullying.  It goes out of its way to critique the hazing of new students and bullying of the younger and smaller students by the bigger, older and / or wealthier students.
At first I found it difficult to get past the “Doc Martin” typecast I have for Clunes.  I didn’t care for his aging (special effects / makeup work) as it looked like glued on rubber pieces.  It was more than halfway through, before I could finally see the role and not the actor in the role.  I have a feeling that was as much me as Clunes, though.  Also, the YouTube version I was watching lacked the start of the movie, so I was left wondering if any other parts had been cut out / off.
Final recommendation: moderate to strong.  If this (YouTube version) is the only version you can find, it is good enough for you grasp and enjoy the movie.  Clunes ends up convincing as Chips and Hamilton is equal to the role of Katherine.  She is not nearly as “young beauty” as Meager or as winning as Clark (in the 1969 musical), but, in her own way, I felt she owned the role – particularly in her telling of the tale of the “sun vs wind wager”.
So, all in all, my reading and three viewings of “Goodbye, Mr. Chips” have been very enjoyable.  Each offered a slightly different aspect of what is considered a “classic” English tale and have hi-lighted (to me) what a true gem the story remains – even eighty years on (and counting).  I look forward to watching the 1939 version as soon as I can find it and to re-watching the others when they eventually become generally available (instead of broken up on YouTube).
* The post title is my weak attempt at a Latin translation of: “Goodbye Again, Three Times“.
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On This Day In:
2018	Tweets From The Disrupter-In-Chief
2017	Do We Still Listen To Her Silent Lips?
	Not Now, Not Ever
2016	Why Do You Write/Blog?
2015	Can Your Repeat The Question, Please?
2014	On Faith
2013	My Name Is Charles Stein
2012	Faiths And Sorcery
	Made And Kept Free
2011	Multi-Source Learning

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The Man With A Code

“The Punisher” (2018 – Season 2) — series review
Caution: “some” spoilers in this review.  If you intend to view the series, stop now…  You’ve been warned.  Also, much of this review is the same as / similar to my review of season one.
This is a Marvel Comics Universe “TV” series appearing on NetFlix.  The “Punisher” character was introduced in the (recently cancelled) “DareDevil” series (in season two) – and pretty much took it over – and this review is for the second season of his (the Punisher’s) series.  Basically, (in season 1) the family of a military expert is killed and he takes revenge against the killers.  He leaves one guy, who he promises (“threatens”) to come back for.  Blah, blah, blah.  Segue to season two…  So, now the guy who survived season one escapes from the mental hospital and the Punisher has to finish the job.
Ok, that’s pretty much what I expected from the end of season one…  And, it’s almost what you get in season 2.  The thing about the “Punisher” series is it is NEVER about the dozens of people he kills.  It is ALWAYS about “justice” for the guys behind the violent criminals.  The ones who are actually pulling the strings.  (And in this series, discovery means execution.)  In DareDevil, it was finding out who had his family executed.  In season one, it was about who actually did the executions.  Because that season ended in a non-fatal way, the antagonist could be a returning villain, but they could not be the “main” baddie.  Like season one, a new string-puller has to be introduced: in this case a husband and wife team who use religion to make themselves wealthy and powerful.  And, then they have a puppet (on a string)…
This season, the series still stars Jon Bernthal as Frank Castle / Punisher, Ben Barnes returns to the second season as Billy Russo (Frank’s wartime friend who was the bad guy in season 1), Amber Rose Revah returns as Dinah Madani (Homeland Security Officer), Corbin Bernsen and Annette O’Toole as Anderson and Eliza Schultz (the “real” bad guys for this season), Josh Stewart plays John Pilgrim (the hyper-violent “religious” puppet of the Schultz’s), Giorgia Whigham plays Amy Bendix (the “innocent” who must be protected by Castle), Jason R. Moore as Curtis Hoyle (the Vet “do-gooder” medic), and Deborah Ann Woll as Karen Page (a carry over from Daredevil).
The season is dark but not as dark as the first season.  Literally.  There just seemed to be a lot more daylight / outdoor scenes.  But the killing is mostly done at night or in darker / indoors lighting.  (I think it’s meant to be a metaphor, but it’s easy to make this type of show more sophisticated than it really is: always remember, it’s “just” a comic book adaptation.)  The series continues to try to deal with a host of issues, “BIG” philosophical issues, from right and wrong, to innocence, vigilantism, friendship, personal loss, and a rather bizarre attitude that “justice” almost always ends with violence – particularly gun violence.  While the depiction of gun violence is pretty accurate, the depiction of physical recovery remains essentially: “and then a miracle happens.”  There are scars, but recovery (from blows, gun shot wounds, knife cuts and broken bones) is almost instantaneous.  Like I said: comic book…
Does it work and is it any good?  If you like this kind of thing (same as season one: explosions, excessive violence, explosions, hand-to-hand combat, lots and lots of guns and gun fire, and did I mention explosions), and I do, then you’ll continue to enjoy this series.  And, I did.  The question was: is it any good and was it better than season one?  Everything I said about season one remains true: “As a comic book adaptation, it is very good.  As an action / adventure / who-dun-it, it’s pretty good.  As a realistic portrayal of armed and unarmed combat, uh, it’s a comic book…”
Final recommendation: moderate to strong.  This season is rated higher than season one because they let the actors act more and kill / maim less (slightly).  In typical Marvel fashion, Billy Russo “almost” becomes a sympathetic character as we are introduced to his childhood and his earlier relationship with Castle.  Again, the series is definitely for mature audiences ONLY.  It feels strange to say (admit) it, but I (again) enjoyed the acting and the story more than I did the violence.  I particularly enjoyed the four part twist at the end of the season.  This was a better season and I hope Marvel and NetFlix give “The Punisher” another season to see where Castle’s wandering takes us.
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On This Day In:
2018	Choose Goodness
2017	Developing Translations
2016	Think Like A Hero
2015	Reductionism
2014	Gravitation, n.
2013	Ups And Downs
2012	Nerd Heard – And Good-Bye
	Your Continuum
2011	Career Tips (Part 2)

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Dangerous Waistcoats

“Bodyguard”  (2018)  —  TV series review  (BBC and NetFlix)
This review is for the BBC series from last year which was made available world-wide (or at least here in the U.S.) via NetFlix.  The series stars “Game of Thrones” actor (oldest Stark son) Richard Madden as Sergeant David Budd, an Afghanistan war veteran and Protection Command (PCO) bodyguard, Keeley Hawes as The Right Honorable Julia Montague, the Home Secretary, Conservative MP for Thames West (the “subject” person being protected), and, Gina McKee as Commander Anne Sampson, Head of the Metropolitan Police Counter Terrorism Command.  Of course there was a raft of others, but I remembered (finally) McKee as the crippled wife / friend seen in “Notting Hill” (my review of that here).  McKee didn’t get a mention in that review / post, so I’m kinda making up for it with a mention in this post.
Like most BBC series (a “series” on the BBC means one year of shows), this series is relatively short – only six episodes, but each is roughly an hour long.  This means the series is suitable for a single day of binge viewing.  Or, alternatively, you can easily break it up into two viewings – which is what I did.
Because the show is relatively current, I won’t get into a lot of detail as it will ruin the viewing for you.  All I will say is that it is a tense, well acted police drama with a smattering of politics (police, domestic (U.K.) and international) thrown in, as well as some discreetly shown sexual content (male nudity) and action / violence lightly sprinkled in.  The first twenty minutes throws you in the deep end (tension wise) and it’s a roller coaster from there to the end.
Final recommendation:  highly to very highly recommended.  If you’re dying to see Madden’s bum or hear him repeatedly calling his superior female officers (and PC subject) “Mum”, this is your ticket.  I thoroughly enjoyed it and hope there will be additional years (series) to follow.  There has been no announcement as of this date (to my knowledge), but I understand the show was so popular the producers / writers have said if there is a second series, it will run through four.  If this happens, I hope they don’t run the main topic of each year across the break(s).  Please keep the story arc within each single season.  Then if the BBC or NetFlix cancel the remaining years, we viewers won’t be left in the lurch with an incomplete arc.  (Not that anyone ever listens to me…)
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On This Day In:
2018	And 40+ Years Later?
2017	He Is Alone
2016	Compensation
2015	Charlie Redux
2014	The Crux
2013	Erosion And Rechannelling
	Alliance, n.
2012	How Many Thought… (One I Know Of)
	Choices And Decisions
2011	Speed Spoils
	Simply Intended
2010	A Second 4 Hour Jog

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An Honest Binge

Today’s “binge” review is for the series “Lie to me*“, which aired between 2009 and 2010.  I purchased two of the seasons (I haven’t seen Season 3 – from 2011) on VUDU while on sale for $5 each.  Season one has 13 episodes and season two has 22, so I watched about 26 hours of the show over the last week (ish).  Season three (13 episodes) is not currently available to purchase on VUDU, and even if it becomes available, I’ll still wait until it’s on sale for $5.  (Cause I’m just cheap / thrifty that way.)  Which means I may be waiting some time before I see / review the final season.  I believe the series was cancelled for lack of audience.  My brother referred this series over a year ago (he said it was terrific / must see), but when I told him I was watching it, he claimed to not remember it at all.  Go figure…
The series is basically a crime drama / investigation / police procedural starring Tim Roth as Dr. Cal Lightman, Kelli Williams as Lightman’s partner, Dr. Gillian Foster, Brendan Hines as Eli Loker, a graduate student / employee of the Lightman Group (Lightman and Foster’s company), Monica Raymund as Ria Torres, another employee, Hayley McFarland, as Emily Lightman (the Dr.’s daughter) and Mekhi Phifer as FBI Agent Ben Reynolds, muscle assigned to work with the Group.
The company specializes in “reading” body language and micro-expressions to act as human lie detectors.  The premise is Dr. Lightman is a “genius” at this and can tell if anyone is trying to lie.  Hence, he gets lots of work from the government and various police forces.
The show is based on the actual scientific studies and work of Dr. Paul Ekman who serves as a consultant for the show and who actually performed these duties for real agencies, in the real world.  I was completely unfamiliar with “micro-expressions” or the work of Dr. Ekman.  I read “Body Language” by Julius Fast, way back in the early 1970’s when it was a best seller, so I have been “kind-of” familiar with the general concept of “reading” people for most of my adult life.  Fast’s book was published in paperback in 1970, which is the version I read.  Dr. Ekman has loads of books and has been publishing for over fifty years.  You can find some of his videos on YouTube if you are interested in the topic.
Is the show any good?  Does the “science” work?  Yes and who knows for sure…  I thoroughly enjoyed the series after I got over my initial doubts that ANY of the premise is actual science.  If the show works (as entertainment), who really cares if the science is real or not (see StarTrek, StarWars or any of a million other series).  It IS entertaining.  Mostly because Roth owns this role.  I’m not familiar with much of his other work, so I don’t know if he’s acting or doing a John Wayne (playing himself in every role, over and over again).  I remember Roth from one of the Hulk movies and kind of remember him from “Reservoir Dogs“, but I haven’t seen that in ages, so, like I said, I’m not sure.  The other actors are mostly ok to good in their roles, but to be honest, it’s all mostly attractive yuppie stuff, so I wouldn’t say I’d go out of my way to look for any of them in other roles.
Final recommendation: Strong, but with reservations. I did enjoy the series and found the premise interesting enough that I will look into the scientific basis if I happen to stumble on a used book on the topic of micro-expressions / lie detection / body language, but I doubt if I would ever really try to use any of the info I might glean from the book.  Generally, I think I’m a bit too narcissistic to care about other people’s body language now that I’m retired.  I’m not sure their “truth” is worth all that much effort on my part and I certainly would not devote enough time on it to become expert level.  Like I said: interesting premise and entertaining series.  I’m looking forward to viewing season three.
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On This Day In:
2017	Give And Keep
2016	No Change Here
2015	Campbell’s Law
2014	Dignified Values
2013	Unappreciated Skill
2012	Living Courage
2011	What’s Happening To Us?
2010	Toothbrush, Carbon and Monoxide Look on my works, ye mighty, and despair!

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Punishing Red Binge

Daredevil: Season 2  —  Netflix TV Series Review
This week I completed my mini-binge of Daredevil: Season 2.  (For my review of Season 1, click here.)  I say “mini-binge” because the season is only thirteen episodes (roughly the same number of hours) long.  I promised myself I’d mini-binge the entire first season to get myself in the mood for Season 2, but in the end, I didn’t.  I just jumped in.  I must also admit I really enjoyed seeing DD in his own TV series.
Season 2 is a lot more of the same…  Dark and very violent.  Once again, this is not a series for children viewing.  And I emphasize, very violent.
Having said that, is it any good?  And, is it interesting?  All the stuff which made year one a good-to-great show are back in Season 2: great martial arts choreography and very good character development.  The down side?  Sometimes the dialog felt more like monologues and kind of dragged.  The season introduced two new characters: Frank Castle (Jon Bernthal) aka “The Punisher” and Elektra Natchios (Élodie Yung).  Both of which were pretty awesome.  Of the two, Castle is more fun to watch and root for.  Yung makes you almost completely forget the “other” Elektra (Jennifer Garner).  Bernthal is powerful and Yung is almost campy.  Both are deadly, but one is brutal while the other graceful.  The contrast is truly Yin / Yang.  And the over-arc story of each with the “no-kill” philosophy of Daredevil is equally stark.  This contrast is what leads (ironically) to the dull-ish dialog.  I guess “dull” isn’t the correct way to analyze the writing, but we had to listen to the same arguments in every single episode.  Enough already.  Daredevil, although a vigilante, is a hero.  He saves lives and doesn’t kill.  We get it!
Last season, DD got his uniform / costume.  This season, DD gets his baton.  We don’t know all of what it does, but it’s very cool so far!
So, final recommendation: very strong!  This is an excellent adaptation of the comic book character into a TV series.  I highly recommend you watch the whole of the first season before trying to dive into season two.  It’ll make a lot more sense.
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On This Day In:
2015	Bits In The Soup
2014	More Beef, Less Bull
2013	Where Are Your Mountains
2012	Spherical Knowledge Of Hamsters
2011	Taking Stock Over Time

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It Is Another Beautiful Day At The Red Pony Bar And Continual Soiree…

I recently finished bingeing on the four seasons of the “Longmire” TV series on Netflix.   Wow!!  What an excellent series.  The show focuses on a Sheriff in a fictional Wyoming town of Absaroka County.  The show is actually filmed in New Mexico – which appears absolutely beautiful in a desolate kind of way.  Walt Longmire (the Sheriff) is recovering from his wife’s recent death while dealing with major crimes, politics and a changing society.  The show is both a police / detective  drama and a series of mini-soap-operas.  Oh, and he’s OCD about litter! (LOL)
The two main characters are the Sheriff  and the local bar owner (“The Red Pony Bar”).  The Sheriff  is white and the barkeeper is Cheyenne Indian.  They are lifelong friends and demonstrate their “classic” Western bro-mance with strength, integrity, loyalty and stoicism.  Seriously, can you have a Western “man’s man” without cowboy stoicism?  Of course not!  And the two actors (Aussie Robert Taylor and Lou Diamond Phillips) are excellent in their roles: Walt Longmire and Henry Standing Bear.
The show works as a police procedural.  It works as a Western (albeit Cowboy-buddy).  And, it even works as a soap-opera – with every family appearing to be somehow dysfunctional.  The best news is that Netflix has recently agreed to run another series.  The terrible news is that if you start watching the series now, you will probably end up bingeing on it and (like me) you’ll have to wait another 10 or 11 months for the next (fifth) season to come out.
My son, James, recommended this show and he definitely hit it out of the park with this one.  I thoroughly enjoyed the whole four seasons and already hope it goes on for at least several more years.  Highly recommended!!  As an aside, the show was originally on the A&E network, but was cancelled after the third season because its demographics were “too” old  —  55 to 60 year old males  —  for the network’s sponsors.  (Well, I’m so sorry for that…)  This despite the fact the show was the network’s 2nd most popular show.   Go figure…  The result of moving to Netflix is the show went from 45-ish minute episodes to 60 to 90 minutes episodes.  I say, “All the better to enjoy the series.”  Nice work, A&E.  Is someone actually paying you to make these boneheaded decisions?
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On This Day In:
2014	Days And Years
2013	Currency And Transport
2012	Something Which Did Not Exist Before
2011	True Magic

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Green Binge

A few weeks ago I finished binge-ing on the first two seasons of “Arrow” on Netflix.  The series is an adaptation of the “Green Arrow” comic books series by D.C. Comics.  First, a little background bias aka “full disclosure”:  I am not really a D.C. person.  When I was growing up, the comics were basically D.C., Marvel and everyone else.  D.C. had (mostly) single issue stories which were generally run of the mill superhero fare.  Marvel tended to tell individual stories, but within story arcs which could last six or more months.  This made Marvel seem more like literature than “just” stories.  Anyway, even within the D.C. universe, there were major and minor characters.  Green Arrow was one of the most minor of characters.  He was essentially a low budget Batman in a Robin Hood suit, shooting arrows (and little else).  Bottom line: I started off with very low expectations I would like this series.
Because the comic book wasn’t one I followed, the T.V. series is a “new” story for me.  When I say “new”, I mean only for the “Arrow” character as the storyline is basically lifted from Batman “The Dark Knight” movie series.  This doesn’t make it bad, just not very original.  Here goes: rich / spoiled, under-achieving college student is in a shipwreck and gets stranded on an island for five years where he learns a number of martial arts and survival techniques from various folks on the island.  He returns to civilization and becomes a vigilante trying to clean-up the city his father loved.  He starts off as a killer, indiscriminately disposing of bad guys, but at the end of the first season he resolves to try to avoid killing anyone while still bringing them to justice.  All the while, there is an over-arching soap-opera going on about his love life and the love lives of the people around him.  And, of course, all while trying to run the company which makes him a billionaire.
Does the series work?  Surprisingly, yes!  At first I found the soap-opera-ish-ness tiring, then I kind of got used to it, then it was boring, then I had kind of an acceptance of it as a means of bringing a humanizing facet into the show.  I’m sure it (the humanizing) could be handled in a different way, but I guess the soap is there to keep the teen-and-tween audience tuning in.  The action scenes are mostly pretty good.  Not up to the level of Daredevil, but still pretty good.
All in all, pretty good entertainment for TV – certainly better than “Marvel – Agents of SHIELD”, but I digress.  So, now I wait for season three to become available on Netflix and then season four, which I understand is still broadcasting.  A final note: I’ve found this serial (as in one after another) binge-ing makes the series enjoyable in a way that going week to week would probably have never been for me.  Once again, a big “yes” vote for “the binge.”
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On This Day In:
2014	Overdone
2013	The Courage To Remake The World
2012	Minor Gifts
2011	I Love It When A Plan Comes Together…
2010	Eloquence
	Cleaning the Chalk Board

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The Man Without Fear

Last night I finished binge viewing the new Marvel super-hero series “Daredevil” on Netflix.  My initial reaction was / is: “Wow!!”  Charlie Cox plays Matt Murdock (the good guy) and (so far) Vincent D’onofrio plays the arch-enemy (the bad guy) Wilson Fisk aka: the Kingpin.  This is comic-book storytelling writ large in a 13 hour multi-episode/chapter story for the first season of the Netflix show/series meant for adults.
First off, this is not a show for young children.  I would give it a solid “R” rating for graphic violence and topics.  I am less bothered by the “adult” language because it is infrequent and consistent with the storylines.  If any use of foul language upsets you, you will have a problem with this show.  Like I said, “meant for adults”.
The show is dark and gritty in an oily, smudgy, inner-urban way.  Even when it’s sunlight out, the city mostly looks run-down.  Now, I’ve only been to New York City once and I’ve never been to Hell’s Kitchen, so I can’t comment on the accuracy of the show’s rendition of the area, but that’s the impression I came away with.  That’s not good or bad, it’s just the impression I have.  This is important because this is the “goal” for the protagonist and antagonist is to “win” Hell’s Kitchen and help to drive it’s fate into the future.  Of course, the good-guy wants it for the benefit of the common man, while the bad-guy wants it for his own wealth and ego aggrandizement.
I think it is a sign of the times that TV / Internet shows are now using corporate malfeasance and greed as the new “evil” in our urban society.  This show has a heavy political/economic tone/message which has been infrequent or absent in recent years (at least since the early to mid-Reagan Presidency).  So, it seems, we are coming full circle…  Within this context we are asked two additional questions: can one person make a difference; and, how far can a “good” person go before they become a “bad” person.
There are, of course, multiple levels to review this show:  Netflix / binge-ing, super-hero action series, TV drama.  Let’s start with binge viewing:  I did this.  Two days/nights, eight episodes and then the concluding five the following night.  It’s a long haul, but it’s “worth” it.  The stories are well told.  The characters have time to develop depth and quirks which add to the stories.  This is not a story which could have easily been translated into a 2 or 3 hour movie format.  So, yes, the Netflix streaming worked very well (IMHO).  The only question is would I have watched the same episode 4 to 6 times before the next one came out if they were released one per week.  I don’t know – almost certainly – at least when I was younger – for certain.  Does Netflix “lose” by this?  I guess it depends on how many times I go back to re-watch.  I must admit to being a fan of the instant gratification of seeing the next episode immediately if I want to.
Super-hero actions series:  graphic violence and very well sequenced fight scenes.   Interestingly, characters get hurt and take time to heal across episodes.  Is the “graphic” violence necessary to the story?  No.  I don’t think it really is required, but it does add a sense of realism lacking in most TV shows and action movies.  After one of the beheadings, I said to myself: “That could never make it on regular TV!”  Of course, there is no realism in the amount of punishment the hero takes (and survives), but then you have to remember: it’s not just TV, it’s a comic-book adaptation.
TV drama:  Excellent!  Good vs evil and one person making a difference are always (to me) story arcs of interest.  This show tells a story (as unrealistic as it may be) and the characters develop.  Even characters who seem major because they span multiple episodes – are introduced, developed, breathe, have a life beyond the main arc, and (frequently) die.  But, it is mostly very good drama.  To be honest, I was surprised at the quality of the writing and acting.
Final recommendation:  Highly recommended!  This sets a much higher bar for TV series super-heroes – particularly comic-book based.
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On This Day In:
2014	I Blame Robocop
2013	Future Trustees
2012	Praise Not The Day…
2011	Educated Living

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You Never Call Anymore…

Last night I completed watching the science-fiction, war series: “Space: Above and Beyond“.  The series ran for one year back in the mid-1990’s.  The basic storyline is that some outer-space Earth colonies are attacked by an alien race and so Earth is thrown into an intragalactic war.  There are five young folks who join the U.S. Marines for various reasons and they are the focus of the series.  They become Marine Corps pilots, but throughout the series, they seem to spend as much time fighting on the ground as they actually do in space.  The pilots become the 58th Squadron and are nicknamed: “The Wildcards”.
In addition to the principle story line of the war and the sub-arcs for each of the five pilots, there is a sixth principle character (their squadron commander) and multiple sub-arcs which include racial prejudice and subjugation, corporate malfeasance, and a prior war between humanity and a race of artificial intelligent androids/robots.
When I say I “completed” watching the series, that’s a bit of a mis-statement.  The series is available on Youtube.com, but three of the twenty-four episodes are missing.  The series is actually listed as having twenty-three episodes because the “pilot” is a two-part combined episode.  As it stands, watching the available episodes are more than sufficient to give you the flavor of the series.
I am a bit of a history buff and military history in particular.  I like this and the fictionalization of it in all formats – books, movies, songs, poetry, TV series, whatever…  This series is right in my wheelhouse / comfort zone!
About one quarter of the episodes are based on some historical occurrence, fictionalized and then referenced back to the history.  This is one of the classic ways civilizations use their “current” media to create / promote the heroes / legends of their past.  So as someone with a degree in Political Science, I find it is interesting to see a TV series do this “myth-making” for current generations.  I’m sure somewhere (in Heaven) Joseph Campbell is smiling.
One of the interesting sub-arcs is the proposition that a corporation has placed a colony on two planets they “knew” belonged to the alien species.  The colonies are owned by the corporation, but lightly defended by national troops – in one case, by the U.S. Marines.  When attacked (and slaughtered), the corporation demands the Earth go to war in retaliation for the “unprovoked” attack on their employees / “civilians”.
Another interesting idea from the main arc is the aliens make a point of mutilating our dead.  Earthlings, of course, assume this is an act of barbarism by a dark-hearted enemy.  In fact, we come to discover the aliens have no concept of an afterlife and “discover” this concept only by monitoring our electronic transmissions.  They don’t know how we manage to “rise from the dead”, but they are positive we believe we can.  So their act of mutilating the dead is actually just an attempt to ensure our soldiers don’t rise to fight again.
The series fell victim to time-slot shuffling and poor ratings and was cancelled late in the first season.  However, because the show was allowed to complete the season, the writers were able to come up with a terrific last episode with explanations (leading to more questions) and cliff-hangers galore.
While some of the acting is poor (particularly in the early episodes), the actual battlefield tactics are amateurish (if not suicidal), and the special effects are dated by today’s standards, the series remains very viewable and I highly recommend it.  I’ve read on the internet that the show is frequently re-run on the Sci-Fi channel and I will be keeping my eyes out for it so I can catch the three episodes I’ve missed.
Ooo-rah!  Semper Fi!!
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On This Day In:
2014	Winning?
2013	Still Inventing
2012	Motivated
2011	Waiting In Line At Starbuck’s

 

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Beginnings

Over the last few weeks I’ve been “binge-ing” on the TV series: “Star Trek: Enterprise“.   There are ninety-eight episodes representing over seventy hours of viewing so it was quite an investment of time!!  The series originally ran from 2001 through 2005 and I saw about twenty-five of the episodes when they originally aired.  I’m not sure why I never watched them all, but I’m nearly positive I didn’t as I remembered so few.  The series is about the first Starship Enterprise and humanity’s first attempts to explore “deep space” with the development of a Warp-5 capable spaceship.
Now, with full disclosure, I am a “Trekkie” and saw all of the original series (Star Trek: TOS) in their initial broadcasts and have subsequently viewed them all at least three times and most of them far, far more than that as I used to watch them back in the ’70’s and ’80’s when they were in syndication.  Back then, you could watch them day after day and so see most of the 79 episodes four times in a single year.  In fact, you could see them more than that as the series ran on a couple of different channels a various times of day.  Yeah, I know, a bit OCD!!
Anyway, as SciFi goes, like most of the other Star Trek franchises, this is not very good.  In terms of special effects, it is pretty good to outstanding – particularly for TV.  In terms of acting, the series starts out MUCH better than TOS (The Original Series) or TNG (The Next Generation).  TOS never had a chance to explain much of its back history and TNG was incredibly stiff in its first season.  Picard (played by Patrick Steward) was particularly wooden.  In terms of “realism”, this series is pretty much the same as all the others – little or none.
Does any of that (bad science, poor realism) matter?  Not one iota!!  The show is about humanity and our efforts to deal with “ultimate” issues: war, racism, sexism, slavery, social justice, etc.   All the things which have always made all of / each of the Star Trek franchise TV series great viewing.
This is a VERY good TV series which I thoroughly enjoyed watching!  I hate to say it, but it is every bit as good as the best episodes of TOS and TNG.
(I was never a big fan of DS9 (Star Trek: Deep Space 9) or Star Trek: Voyager and barely watched any of either.  Just a couple of seasons of each and then the odd episode.  I recognize that both of those series have their fans, but as neither of those series have had a sniff of interest in getting turned into a movie franchise, I think my opinion is justified.  I will admit, though, that now they are available (more or less free) on Netflix, I will be watching them both as and when I have time.  I doubt I’ll be binge-ing on them, though.)
As with both TOS and TNG, the stories all center around the senior staff and the most interesting characters are the Captain (Jonathan Archer played by Scott Bakula) and the main alien – as in TOS – the Vulcan First Officer (T’Pol played by Jolene Blalock).  Over the course of the series, the former goes from being an idealistic explorer to a military commander and diplomat while the latter goes from being an emotionally suppressed Vulcan to an openly emotional “almost human” female.  As such, the stories are mostly self-contained episodes with sub-story arcs which span a couple of episodes to the entire series.  Watching the whole series in compressed mode, therefore, made it seem much more understandable to me as I was easily able to remember nuances which I almost certainly would have missed (or forgotten) if I had viewed the series over a four year time span.
If you consider yourself a “Trekkie”, you must watch this series.  If you just want enjoyable SciFi about space exploration and humans meeting alien species, this is a great series.  As I said, it’s well written and character driven and I thoroughly enjoyed watching it and highly recommend it.
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On This Day In:
2014	Astonishing Choices
2013	Three Hard Tasks
2012	The Only Remains
2011	Personal Capability
	What Price Failure?
	Both Of W’s Elections
	Tea (Baggers) Anyone?

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One Life

What we learn as children,
That one plus one equals two.
We know to be false.
One plus one equals one.
We even have a word for when you
Plus another
Equals one.
That word
Is “Love”.
—  Narration from the final scene of the last episode of the TV Series “Life“
The episode was titled: “One” and originally aired on 04/08/2009
[A couple of weeks ago I went on one of my TV binges on Hulu and watched the two seasons (32 episodes) of the canceled series “Life” staring Damien Lewis as the main character (Charlie Crews) – a cop recently released from prison after serving 12 years for a multiple homicide he didn’t commit, co-starring Sarah Shahi as his new senior partner Dani Reese, and Alan Arkin as a released white collar felon Ted Earley, who is Crews’ financial advisor (and housemate).  Charlie “annoys” everyone with a dual fixation on Zen philosophy and fresh fruit (which you supposedly can’t get in prison).
The show has an over-arching story of finding the real killer and then finding out why Charlie was set up as the fall guy.  Each episode has the “main” case which is being worked as Charlie proceeds with his personal investigations.
Lewis, Shahi and Arkin are all touch perfect in their roles, with Lewis getting the best lines, Shahi the best facial reactions and Arkin as a strange kind of “glue” in the arch storyline.  At various points Ted asks Charlie: “Am I Robin to your Batman?” Then later: “I’m Alfred, aren’t I?”
My viewing wasn’t a “true” binge, as most nights I was only able to watch two episodes, and on a weekend a string of four, but it was still a compressed version of viewing the series which ran over two seasons, but was less than 40 shows because one of the years was during the television writers strike.
As I was going through the first season (11 episodes) I thought, wow, this show sure seems familiar, but I know I haven’t seen this before.  About half way through the second season (21 episodes) I started hitting shows I had seen and which I did remember generally, but not specifically.  I particularly did not remember the over-arch story, so it was interesting to see how much I’d missed and probably never understood in the first going.  As it turns out, NBC moved the series around in several timeslots, which explains why I never saw the series ending – they moved the time and I missed the initial viewing.  Although the main arch gets resolved, there are still a number of unanswered questions which we’ll now never know anything more about.
Anyway, while it is not the most realistic cop show on TV, I found it to be very entertaining and, if you have the time, I highly recommend it!  As mentioned, I found it on HULU, for free, both seasons.  The drag is if you’re not on HULU+, you will have to sit through annoying advertising.  Still, a small price to pay for otherwise quality entertainment.
I wish someone would bring the show back, but they’d probably have to re-boot the series with new actors, so I guess that ain’t gonna happen and if it did, it would probably ruin the show’s chemistry.   C’est la vi…  —  KMAB]
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On This Day In:
2013	Reason Is Your Light
2012	Bordering Manhood
2011	Even Christ Couldn’t

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Stingray – TV Series Review

Title Image Image of DVD
As a Valentine’s Day treat, Hil let me buy a DVD.  I chose “Stingray“, and picked it up online for a very reasonable $8 for 24 episodes (supposedly two seasons).  Actually, the show aired its pilot in 1985, ran eight episodes in 1986 and then the last fifteen in 1987.  The pilot is a two-hour episode (run time, with commercials), so the set is advertised as 25 episodes.
The series is about a man named Ray (played by Nick Mancuso), who hires out his services to those in need, in exchange for a favor to be claimed sometime in the future.  The show is supposed to be based in Los Angeles and the first season is shot there.  It looks to me though, as if the second season is shot mostly in Canada.  The creator / producer of the show, Steven J. Cannell, created his own production company and moved it to Canada to create some separation from the major LA studio system which he felt had too much influence on his work.  Cannell is more famous for some of his other series, including “The A-Team“, “Baretta“, “21 Jump Street“, “Hunter” and “The Rockford Files“.  Cannell recently (September 2010)  passed away from cancer.  (You can find his tribute site here.)  Cannell created over 40 TV pilots which became series.
Ray (short for Raymond, not Stingray) is a Vietnam veteran, former CIA operative, martial arts expert and computer/electronics expert.  He is also supposed to be an excellent actor, or more precisely, role player – as he slips in and out of characters needed to assist whomever his current client is for the episode.  Ray finds his clients by advertising in the newspaper offering his 1965 Stingray (one of the “stars” of the show in any age) for barter only, to the right person.  The car is ultra cool.  Still.  As mentioned above, the barter is for your future favor.
Anyway, I really enjoyed the show way back when and watching the whole 24 episodes reminded me why I loved it and (ultimately) why it was cancelled.  I would say about five of the episodes are excellent TV (action and story), five are above average (action or story), five are average (but enjoyable), and the remaining nine are almost painful to watch.  Several of them seem to be actual parodies of the series or so implausible as to be parodies.  There are even instances when you can see the microphone boom dip into camera view.  That’s how bad the show got at some points.  The other thing I found interesting about the show was the credits ran with photos of out-takes.  This was unique in its day and I’m not sure I’ve seen it in many other series either.  It definitely destroys the illusion of reality created by the “hero series”.  On the other hand, it makes the show feel intimate in a way that seems to have been a forerunner of the out-takes and extra features we now expect to find on purchased DVD’s.
Although I really liked Mancuso in this role, he more or less completely fell off of my radar after this series.  The only other thing I remember him in is as the weaselly CIA guy in “Under Seige“.
Finally, the show reeks of 80’s fashion / cool – clothes, hairdos, images of the cities, etc.  It’s on a par with “Miami Vice” on that level, although Miami Vice was MUCH better at using popular music to capture the spirit of the show.  Stingray’s music are pop-rock, but created for the show and not general hits from the airways.
I don’t know if the series is run on Hulu or Netflix, but if it is, it’s definitely worth checking out.  Alternatively, for $8 (plus shipping), you’ll not go far wrong  just buying the series.  In case you’re wondering what brought the show to mind.  There’s a guy down the street who owns a mid-60’s Corvette (but his is fire-engine red).  Pure serendipity…
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