It Is Still About Sharing And Cheering

This is a story about stories — and the way technology is changing the scope and structure of the stories we tell.  Right now, in untelevised reality, we are in the middle of an epic, multiseason struggle over the territory of the human imagination, over whose stories matter and why.  For me, it started with fandom.
…
While many millions of people out there felt that they had been written out of the future, not all of them agreed on who to blame.  Some of us blamed the banks, blamed structural inequality.  But some people don’t pay attention to the structure.  For some people, kicking up takes too much energy, and it’s easier to kick down — to blame women and people of color and queer people and immigrants for the fact that they aren’t leading the rich and meaningful lives they were promised.
…
But there are different kinds of love, aren’t there?  I used to believe that there was something universal about fandom, that our excitement and love for our most cherished myths could bring us all together.  This wasn’t the silliest thing I believed in my early twenties, but I had, at the time, swallowed a lot of saccharine nonsense about what love means and the work it involves.  I had not yet encountered in my adult life or in my fan life the sort of love which is always, and only, about ownership.
All nerds love their fandoms.  For some of us that means we want to share them and cheer them on as they grow and develop and change.  For others, loving their fandom means they want to own it, to shut down the borders and police their favorite stories for any sign of deviance.
…
Television and online streaming are driving the evolution of a new, powerful hybrid species of mass culture, one that can be collective without being homogeneous.  As arc-based television explodes, becomes more diverse and more daring, the film industry is lagging awkwardly behind.  Films are still hamstrung by their own format:  They have to tell stories of a certain length that will persuade enough people to leave their houses, find a place to park, and buy a ticket on opening weekend, or else be considered a flop.  This means mainstream cinema still needs to appeal to what the industry considers its broadest possible audience.  So it’s superhero blockbusters, endless remakes and reboots, and sequels to sequels that dominate the box office.  Safe bets.
Episodic narrative television, meanwhile, allows for many stories being possible at once.  Intimate and intricate, it may be the novel form of our age — but to reach its true potential, it took the advent of streaming platforms.  Netflix, Amazon, Hulu, HBO.  Streaming technology changed one simple thing about the way we tell collective stories today:  It made any show theoretically accessible to anyone, at any time.  A TV writer is no longer obliged to appeal to a very large number of people at a specific time every week and hold their attention through ad breaks.  Suddenly, TV became a medium that could find its audience wherever they were in the world, so long as they had broadband and someone’s login details.  Nobody has to write “universal” stories anymore, because every show or series can find its audience — and its audience can engage on fan sites, forums, and various social media behemoths, in breathless real time.
—  Laurie Penny
An excerpt from her article:  “We Can Be Heroes: How the Nerds Are Reinventing Pop Culture“
Appearing in:  Wired Magazine
Issue:  September 2019
The article also appears online at:  https://www.wired.com/story/culture-fan-tastic-planet-fanfic/
[The online version of the article may be behind a paywall.  In which case, you can probably find the hard copy at your local library.  —  KMAB]
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On This Day In:
2019	Sounds Like #LyingDonald
2018	Start Building
2017	Woof! Woof!
2016	Cast Out
2015	Small Pieces
	Happy Father’s Day!
2014	Uncertain Work
2013	Unpatriotic And Servile
2012	What Price Freedom?
2011	Particular Importance
	Three From Bette…

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Day 6: Almost There

The end of day six and the start of day seven…  Today completes the first week of blend fasting.
Morning weight: 362lbs.  (on Day 7)
I am down / down “2/11”.  As in, 2lbs down from yesterday and 11lbs down from my fasting start weight: 373lbs (the morning of Day 1).
Yesterday, was a peculiar day.  I had to give a blood sample in the morning for a doctor’s appointment on Friday.  This meant I had to “fast” (no eating of drinking of my blend) for 12 hours.  I stopped about 9pm the night before.  I got up and walked the dog about 9am, so I was on time.  I got to the office about 10:15am and gave the sample a little after 11am.  I almost never make an appointment to give blood.  I just bring a book or read email on my cell.  In this case, I did both.  Some time this week, I’ll get my results with my cholesterol and triglycerides levels and the doctor will review them with me to see where I stand.  Hopefully, both will be down (at least slightly) and I’ll be able to avoid any statins.  I was taking them in pill form for a number of years and been having a negative reaction (muscle pains and joint stiffness), but my cardiologist feels I will need to go back on something.  He’s recommending some new drug (new to me) which is administered via shot.   I’m not keen on drugs or shots (in particular), so I have another reason to make a go of fasting and losing weight.
After giving blood, I had a shot of OJ and then went out to mow the front lawn.  That took about an hour.  I settled in to drink at least a quart of my blend.  I watched a bit of TV and read a bit and then took a nap for about 2hrs.  After that, I watched some Netflix and then went to the pool for an evening swim (60 minutes / breast stroke).  I felt like it was exhilarating but (again) I tired quickly (after about 30 minutes).  So, it was another gut check to finish the time.  I just set a nice relaxing pace and got through it…  I can pretty easily do 40 lengths (25 yard lenghts) in under 55 minutes, so I say I’m doing 42 to 44 lengths an hour.  That’s a little more than one half mile (36 lengths).  It may not sound great to any young readers, but I started out in April taking between 75 and 80 minutes to do just 40 lengths, so I’ve made reasonable progress for an ol’ geezer.
Today is actually Day 7 of the fast and tomorrow I’ll be posting a photo of my progress.  Tonight I’ll make a decision about going for another week or just going day to day.  At this moment, I’m feeling great, so I’m leaning towards committing to a second full week and then switching.  The thing about “committing” is if I fall off the wagon, I’ll start beating myself up about it, whereas “day to day” is just until yesterday.  I know it’s psychologically wrong, but that’s the way (formerly) A+ personality types think.  “Set a goal.  MUST make it.  MUST make it. MUST aaauurrgghh!”
Why Studying Dieting Doesn’t Work…
On this journey I’ve struggled with dieting for most of my adult life.  I’ve almost always succeeded (for a while) in losing some weight, and then rebounded – sometimes slowly and sometimes quickly.  I’ve tried every diet plan I could reasonably afford, and almost all of them have worked (for a while).  For me, the problem has been, “What’s next?”  Sure, this or that diet works for a week or two, but what happens next?  I don’t want to “diet” forever.  This means over the last 20 years I’ve used “fasting” as my hack to a non-healthy eating lifestyle.  I either eat too much or I eat too frequently – or both.  For the longest time I’d felt this was some kind of psychological failure / adaptation on my part.  Although not poor while growing up, we certainly didn’t have the quality or quantity of food which I experienced when eating over at my friends houses.
It’s only in the last ten years I’ve thought maybe it’s not me with the problem.  Okay.  Yes, it is ME, but it’s not necessarily my brain’s (a lack of self-discipline) fault.  It’s not that I’m weak.  It’s that modern food is addicting and it’s promoted in advertising as a substitute for happiness.  I don’t mean psychologically addicting, by the way, although there is definitely some of that, too.  I mean modern food is full of chemicals (mainly) – sugar and flavor enhancers – which are meant to stimulate our appetites without giving us a sense of fullness (to tell us to stop stuffing our faces / stomachs).  I mean that modern food is physically addicting.  (Our stomachs, in fact, have sensors which tell our brain “we’re full, stop eating for a while”.  This is why drinking water before eating somewhat deadens our appetites.  The water – which has zero calories – takes up space and generates a sense of fullness in the stomach.)
The human body has served us well for thousands of years and until fairly recently, obesity (and in particular morbid obesity) has been rare.  The trend over the last ten to twenty years has been to blame what we eat (junk food / fast food), how much we eat (portions and frequency), and, everybody’s favorite culprit:  High Fructose Corn Syrup (HFCS).  The problem we (as individuals and as a society) have is correlation is not causation and food science is closer to a “soft” science (like psychology) than it is to a “hard” science (like chemistry).  This is because we have little to no ability to create valid controls for a scientific test.  The primary variable is the human body and, despite appearances (we all “seem” pretty much the same), in fact, we have wildly different individual reactions to different types of food AND we have no longitudinal studies (that I am aware of) which show the same person has the same reactions to different types of food across their individual life spans.  What longitudinal studies we do have tend to be voluntary, subjective and self-reported.  We are, therefore, highly dependent on the person reporting to provide accurate and honest information / data for our analysis.  We then use statistics and hope accuracy and honesty will level out under our Bell Curve.
More of my random thoughts to come…
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On This Day In:
2018	Just Trying To Be Me
	Day 39: Half This Game Is 90% Mental
2017	A Letter To 45
	Some Small Place
2016	REDs
2015	Cities
2014	Still
2013	Dare = Hope
2012	Check My Math
2011	Just Asking

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Indian Myth

Today’s movie(s) review is for the Baahubali series:  “Baahubali: The Beginning” (2015) and “Baahubali 2 – The Conclusion” (2017).
Now, before I get into my review, a few comments.  I have a few Indian friends from my time in Saudi Arabia, but I have practically no experience with their culture: historic or mythological.  I have only seen a handful of Indian movies and those, recently viewed (mostly in the last five years), on NetFlix.  What I’m taking so long to say is I have little to no background to understand Indian history or its cinema.  I watched the first movie because it was recommended by NetFlix and the second, because I enjoyed the first.
“Baahubali: The Beginning” (2015)
This movie stars Prabhas as Shivudu / Baahubali (the hero / good king), Rana Daggubati plays Bhallaladeva (the bad guy / evil king), Ramya Krishnan plays Shivagami (the Queen designate), Sathyaraj plays Kattappa (the loyal / royal bodyguard), Anushka Shetty plays Devasena (the good king’s mother), Tamannaah Bhatia plays Avanthika (the good king’s girlfriend), Nassar plays Bijjaladeva (the bad king’s father and husband of the Queen designate).
Although a “foreign” film, the film’s speaking portions have been dubbed into English, but the movies’ songs remain in the original tongue, so to understand them you have to have your closed captions turned on.  I highly suggest you do this, as the songs add meaning to the movie.  They are not just background filler or for mood setting.
Basically, the plot is a mythic tale of heroism and courage in the face of evil.  The good king’s father is betrayed and the baby king is saved by the courage of a court handmaiden.  The infant (now named Shivudu) is adopted and raised by “regular” folk, but he quickly demonstrates strength and intelligence beyond his villager status.
Shivudu struggles against a cliff / waterfall, meets his future wife, saves his mother from imprisonment by the evil king and then leads a revolt against the evil king.  The royal bodyguard realizes at the end who the real king is (now called by Baahubali) and the movie ends.
“Indian” movies, to me, means bright colors, a cast of thousands, and (at some point) dancing.  By this strict definition, this is an INDIAN movie.  But, is it any good?  Particularly to a “Western” viewer?  Yes and YES!!  This is an action movie, a love story, a drama and a special effects extravaganza.  Much like any comic book adaptation (DC or Marvel) or any Chinese martial arts (fly by wire) movie, you have to suspend your understanding of physics, gravity, biology and human anatomy and then just settle in and enjoy the show.
Final recommendation: if you like action movies with drama, romance (but no sex), color and terrific scale – you will enjoy this movie – strong to highly recommended.
“Baahubali 2: The Conclusion” (2017)
This movie (with essentially the same cast) stars Prabhas as Shivudu / Baahubali (the hero / good king – father and son), Rana Daggubati plays Bhallaladeva (the bad guy / evil king – young and old), Ramya Krishnan plays Shivagami (the Queen designate), Sathyaraj plays Kattappa (the loyal / royal bodyguard), Anushka Shetty plays Devasena (the good king’s mother), Tamannaah Bhatia plays Avanthika (the good king’s girlfriend), Nassar plays Bijjaladeva (the bad king’s father and husband of the Queen designate).
This movie relates the palace intrigue which resulted in Kattappa killing the first good king (Amarendra Baahubali), who is the father of Mahendra Baahubali (the second good king).  Kattappa assists the son in reclaiming the throne and everyone lives happily ever after.  (Not so happily for the bad king and his father, of course.)
Is this sequel better than or equal to the original?  Better?  No.  Equal to?  Well, okay.  I enjoyed the first movie more and the sequel really just seems like more of the same.  Does that make it bad?  No.  It just makes it the same.  It should be noted, the Indian people voted with their wallets.  The original was the second most sales (in crore) of all time in their internal market.  What movie did it replace?  You guessed it.  The original / first movie.
Final recommendation: Strong to highly recommended. You can definitely watch this movie without viewing the first and enjoy it on its on merit. Again, good acting, drama, romance and vast scale special effects.  One more comment: this movie is not currently dubbed into English, so you are committed to sub-titles.  This was tolerable, but I definitely would have rated it higher if I could have enjoyed the visuals more and not had to bother with the distraction of reading.
Series recommendation:  Strong.  It isn’t often you can watch a series in or out of order and still enjoy both movies.  I think this is one of those rare series.  One caution for non-Indian viewers: my understanding is this a story about a “possibly” historic / mythological hero and kingdom – much like King Arthur in English lore.   You shouldn’t come away feeling you have any real knowledge of Indian history or geography, anymore than watching Marvel’s “The Avengers” teaches you anything about American politics or history.  Oh, yeah…  You’ll need lots of popcorn because each film is over two hours long.
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On This Day In:
2018	Nothing
2017	Approval First
2016	In Search Of Words
	Day 2 – Blending
2015	At What Price?
2014	Intricate And Subtle Order
2013	Attention To Detail
2012	Aequanimitas!
2011	Consider This

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The Importance Of A Deadline

“An Interview With God”  (2018)  —  movie review
Today’s review is for the “religious” movie which ran in theaters for three days last year and which is currently appearing on Netflix:  “An Interview With God” starring David Strathairn as God and Brenton Thwaites as a religious reporter / journalist Paul Asher who works at a non-sectarian newspaper.  The other main characters are:  Yael Grobglas as Paul’s estranged wife: Sarah Asher, Charlbi Dean as Sarah’s sister (Paul’s sister-in-law): Grace, and Hill Harper as Paul’s boss: Gary.  Paul is suffering a crisis in faith after having spent an extended period in Afghanistan covering the war while embedded with combat troops.  Paul is contacted and agrees to three half-hour interviews with someone who represents himself to be God.  The “GOD”.  The interview sessions are to be conducted over three days and at locations specified by God.
The movie was sponsored by a conservative Christian who also paid to have the movie released nation-wide in a limited number of theaters – hence the limited three day run.  Now, I did not know anything about the sponsor until after I’d seen the film and was doing research prior to writing this review.  I gather both factors (limited release and sponsorship) contributed to the fact there were very few reviews of the film by “mainstream” film reviewers.  I saw the movie preview last year, but never got to see the film in the cinema.  When I saw it was running on Netflix, I thought I’d give it a look-see because I like spiritual films as long as they don’t try to beat me over the head with religion.  This movie is definitively Judeo-Christian biased, but it is surprisingly more philosophical than “religious”.  That is, it raises philosophical issues about God and the real world, but it doesn’t really try to convert you Christianity (which surprised me a little).
Of the cast, Strathairn is relatively well known actor (Best Actor Oscar nomination for his Edward Murrow role in “Good Night, and Good Luck“.  I have also seen and enjoyed his performances in numerous other roles in films and on TV.  Thwaites is an Orlando Bloom look-alike, whom I gather is coming up through the Hollywood ranks as a heart-throb.  I know Harper from his TV role in the series: “The Good Doctor” – and I like him in that series.  The two females are (were) unknown to me.  I felt all five actors gave very creditable performances in their respective roles.
It is difficult to say too much about the movie because to do so would be to give away plot twists and the movie has only recently come onto Netflix so it would be unfair to spoil the movie given its very limited release.  I will say it is a movie you have to both watch and listen to.  The few reviews I have seen seemed (to me) to miss a number of points which explained / clarified other portions of the movie.  Basically, they said: “What was this or that about?”  My response: “Did you watch the movie?”
So, is this a great movie?  No, but it is thought provoking.  Is it well written, acted, shot?  Yes.  Yes.  And, yes.  Is it a religious experience in and of itself?  Give me a break…  It’s just a movie.  Do I intend to watch it again?  Yes, as a matter of fact I do intend to and I’ve already spoken to two family members about it (recommending it to them).
Final recommendation:  Strong recommendation.  I like Strathairn’s acting and he’s good in this role.  I like thought provoking movies and this is one of those (for me anyway).  I tend to enjoy movies about faith and humanity and this deals with both.  At only about ninety minutes, this movie was actually a better investment in faith than attending Mass today.  As sacrilegious as that may sound, I can (in my own defense) only offer a poem excerpt:
God moves in a mysterious way
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.
…
Judge not the Lord by feeble sense,
But trust him for his grace;
Behind a frowning providence
He hides a smiling face.
From the poem: “Light Shining Out of Darkness“, by William Cowper
You can find the entire poem here.
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On This Day In:
2018	History Will Judge Harshly
	Father Time, Perhaps?
2017	Odds Are
2016	Prayer, Too
2015	History, n.
2014	See It Sometime
2013	Precious Friend
2012	It Couldn’t Be Done
	Feeling Surrounded?
2011	Surprise!

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The Man With A Code

“The Punisher” (2018 – Season 2) — series review
Caution: “some” spoilers in this review.  If you intend to view the series, stop now…  You’ve been warned.  Also, much of this review is the same as / similar to my review of season one.
This is a Marvel Comics Universe “TV” series appearing on NetFlix.  The “Punisher” character was introduced in the (recently cancelled) “DareDevil” series (in season two) – and pretty much took it over – and this review is for the second season of his (the Punisher’s) series.  Basically, (in season 1) the family of a military expert is killed and he takes revenge against the killers.  He leaves one guy, who he promises (“threatens”) to come back for.  Blah, blah, blah.  Segue to season two…  So, now the guy who survived season one escapes from the mental hospital and the Punisher has to finish the job.
Ok, that’s pretty much what I expected from the end of season one…  And, it’s almost what you get in season 2.  The thing about the “Punisher” series is it is NEVER about the dozens of people he kills.  It is ALWAYS about “justice” for the guys behind the violent criminals.  The ones who are actually pulling the strings.  (And in this series, discovery means execution.)  In DareDevil, it was finding out who had his family executed.  In season one, it was about who actually did the executions.  Because that season ended in a non-fatal way, the antagonist could be a returning villain, but they could not be the “main” baddie.  Like season one, a new string-puller has to be introduced: in this case a husband and wife team who use religion to make themselves wealthy and powerful.  And, then they have a puppet (on a string)…
This season, the series still stars Jon Bernthal as Frank Castle / Punisher, Ben Barnes returns to the second season as Billy Russo (Frank’s wartime friend who was the bad guy in season 1), Amber Rose Revah returns as Dinah Madani (Homeland Security Officer), Corbin Bernsen and Annette O’Toole as Anderson and Eliza Schultz (the “real” bad guys for this season), Josh Stewart plays John Pilgrim (the hyper-violent “religious” puppet of the Schultz’s), Giorgia Whigham plays Amy Bendix (the “innocent” who must be protected by Castle), Jason R. Moore as Curtis Hoyle (the Vet “do-gooder” medic), and Deborah Ann Woll as Karen Page (a carry over from Daredevil).
The season is dark but not as dark as the first season.  Literally.  There just seemed to be a lot more daylight / outdoor scenes.  But the killing is mostly done at night or in darker / indoors lighting.  (I think it’s meant to be a metaphor, but it’s easy to make this type of show more sophisticated than it really is: always remember, it’s “just” a comic book adaptation.)  The series continues to try to deal with a host of issues, “BIG” philosophical issues, from right and wrong, to innocence, vigilantism, friendship, personal loss, and a rather bizarre attitude that “justice” almost always ends with violence – particularly gun violence.  While the depiction of gun violence is pretty accurate, the depiction of physical recovery remains essentially: “and then a miracle happens.”  There are scars, but recovery (from blows, gun shot wounds, knife cuts and broken bones) is almost instantaneous.  Like I said: comic book…
Does it work and is it any good?  If you like this kind of thing (same as season one: explosions, excessive violence, explosions, hand-to-hand combat, lots and lots of guns and gun fire, and did I mention explosions), and I do, then you’ll continue to enjoy this series.  And, I did.  The question was: is it any good and was it better than season one?  Everything I said about season one remains true: “As a comic book adaptation, it is very good.  As an action / adventure / who-dun-it, it’s pretty good.  As a realistic portrayal of armed and unarmed combat, uh, it’s a comic book…”
Final recommendation: moderate to strong.  This season is rated higher than season one because they let the actors act more and kill / maim less (slightly).  In typical Marvel fashion, Billy Russo “almost” becomes a sympathetic character as we are introduced to his childhood and his earlier relationship with Castle.  Again, the series is definitely for mature audiences ONLY.  It feels strange to say (admit) it, but I (again) enjoyed the acting and the story more than I did the violence.  I particularly enjoyed the four part twist at the end of the season.  This was a better season and I hope Marvel and NetFlix give “The Punisher” another season to see where Castle’s wandering takes us.
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On This Day In:
2018	Choose Goodness
2017	Developing Translations
2016	Think Like A Hero
2015	Reductionism
2014	Gravitation, n.
2013	Ups And Downs
2012	Nerd Heard – And Good-Bye
	Your Continuum
2011	Career Tips (Part 2)

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Dangerous Waistcoats

“Bodyguard”  (2018)  —  TV series review  (BBC and NetFlix)
This review is for the BBC series from last year which was made available world-wide (or at least here in the U.S.) via NetFlix.  The series stars “Game of Thrones” actor (oldest Stark son) Richard Madden as Sergeant David Budd, an Afghanistan war veteran and Protection Command (PCO) bodyguard, Keeley Hawes as The Right Honorable Julia Montague, the Home Secretary, Conservative MP for Thames West (the “subject” person being protected), and, Gina McKee as Commander Anne Sampson, Head of the Metropolitan Police Counter Terrorism Command.  Of course there was a raft of others, but I remembered (finally) McKee as the crippled wife / friend seen in “Notting Hill” (my review of that here).  McKee didn’t get a mention in that review / post, so I’m kinda making up for it with a mention in this post.
Like most BBC series (a “series” on the BBC means one year of shows), this series is relatively short – only six episodes, but each is roughly an hour long.  This means the series is suitable for a single day of binge viewing.  Or, alternatively, you can easily break it up into two viewings – which is what I did.
Because the show is relatively current, I won’t get into a lot of detail as it will ruin the viewing for you.  All I will say is that it is a tense, well acted police drama with a smattering of politics (police, domestic (U.K.) and international) thrown in, as well as some discreetly shown sexual content (male nudity) and action / violence lightly sprinkled in.  The first twenty minutes throws you in the deep end (tension wise) and it’s a roller coaster from there to the end.
Final recommendation:  highly to very highly recommended.  If you’re dying to see Madden’s bum or hear him repeatedly calling his superior female officers (and PC subject) “Mum”, this is your ticket.  I thoroughly enjoyed it and hope there will be additional years (series) to follow.  There has been no announcement as of this date (to my knowledge), but I understand the show was so popular the producers / writers have said if there is a second series, it will run through four.  If this happens, I hope they don’t run the main topic of each year across the break(s).  Please keep the story arc within each single season.  Then if the BBC or NetFlix cancel the remaining years, we viewers won’t be left in the lurch with an incomplete arc.  (Not that anyone ever listens to me…)
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On This Day In:
2018	And 40+ Years Later?
2017	He Is Alone
2016	Compensation
2015	Charlie Redux
2014	The Crux
2013	Erosion And Rechannelling
	Alliance, n.
2012	How Many Thought… (One I Know Of)
	Choices And Decisions
2011	Speed Spoils
	Simply Intended
2010	A Second 4 Hour Jog

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He Was All Of Us…

The Fifth of November
Remember, remember!
The fifth of November,
The Gunpowder treason and plot;
I know of no reason
Why the Gunpowder treason
Should ever be forgot!
“V For Vendetta” (2006)  —  movie review
“V For Vendetta” is a political / action / thriller / drama set in a future United Kingdom / England, dystopian / fascist state.  The movie stars Hugo Weaving as V (the hero of the movie), Natalie Portman as “Evey” Hammond (the naive initiate), Stephen Rea as Eric Finch (the good cop just trying to do his job), John Hurt as High Chancellor Adam Sutler (the evil ruler), Tim Pigott-Smith as Peter Creedy (the head of the state police / the muscle).  The basic plot is a secret governmental agency is trying to find a disease (and cure) they can use as a weapon and gain control of the country / world.  They get the disease, but end up creating “V” as the cure (by accident).  “V” escapes, as does the disease and it becomes a world-wide pandemic.  To “protect” the U.K., the governmental agency seizes power and the state becomes a means of keeping a few (Sutler and Creedy) in more or less absolute power.  Except “V” comes back to exact his revenge.
So, damsel in danger.  Saved by hero.  Hero tries to convince damsel he is hero.  She doesn’t believe him and almost gets them both killed.  Hero goes to “extraordinary” lengths to convince her he is “good” and she finally believes.  Meanwhile, hero is playing all kinds of heck with the government.  The good cop is trying to capture the hero.  All the bad guys get their due.  Hero dies.  Damsel promises to remember him.
This movie is somewhat of a classic at this point – in the dystopian and anti-fascist movie genre.  Shockingly, this is the first time I have seen it all the way through!  I had previously seen lots of parts and a couple of times almost all of it, but I bought the DVD on sale for a $1, so what the heck.  It’s also on TV and NetFlix a lot, but I don’t enjoy watching movies with commercials (most of the time) and I just never got to it on Netflix before this.
Is this a “great” movie?  No.  But I do think it is a “classic”.  How’s the  acting?   Pretty good…  In a BBC / Masterpiece Theater kind of way.  Plot?  Action?  Special effects?  I found the plot a little confusing.  There are some “memory” scenes and I was a bit confused by the beginning / intro.  The action is mostly good to very good.  The crescendo death battle is definitely “classic” at this point and you can find multiple versions of it on YouTube.  That, and the two buildings which get blown up (the “Old Bailey” and Parliament) are both also done well as special effects.
Final recommendation:  Strong to highly recommended!  It is a movie which left me thinking it about it, so it’s difficult to describe it as an “action” movie, but it is also that, too.  I enjoyed it and now that I’ve watched it all the way through, I definitely want to watch it again in the not too distant future.  If nothing else, to make me think about it a little more deeply.  On its own, that’s a pretty good recommendation for any movie – genre classic or not.  Oh, yeah.  The verse above (which is recited in the movie) is from the poem referring to “Guy Fawkes Day”, which is 5 November each year in England.  Back in 1606, Fawkes and a group of co-conspirators wanted to blow up King James and Parliament.  They failed and were all executed.  “V” had better luck…
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On This Day In:
2017	Black And White
	Advice For #DumbDonald
2016	Mirror, Mirror
2015	Speaking With Forked Tongue
2014	The Code
2013	Eventually Formed
2012	Remember To Vote Tomorrow
2011	It Sounds Like Chaos Theory To Me

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The End Of Asgard (For Now)

Thor: Ragnarok (2017) — movie review
Today’s review is for the Marvel Studio comic book adaptation of the Thor character story: Ragnarok.  The movie came out last year, but because I rarely go to the theater any more and because I’m too cheap to pay full price for a movie, this review is from my first viewing of the movie which is now on Netflix.  For those not familiar with Norse mythology, “Ragnarok” is supposed to be the end of the universe and the death of the Norse gods.
Thor’s (Thor, the god of thunder, is played by Chris Hemsworth) father Odin (played by Anthony Hopkins) dies and his death frees Thor’s older sister Hela, the goddess of death (played by Cate Blanchett) who seeks to claim the throne of Asgard (the place where the Norse gods live).  Thor and his adopted brother Loki, the god of mischief (played by Tom Hiddleston) are defeated in initial combat with Hela, but manage to escape with their lives.
Thor is captured on a foreign planet by a former Valkyrie (played by Tessa Thompson) and meets and fights the Hulk / Bruce Banner (played by Mark Ruffalo).  Meanwhile, Hela goes to Asgard seeking the throne and her revenge.  Blah, blah, blah.  Most everyone dies fighting the goddess of death (makes sense), but a few escape, led by Heimdall (played by Idris Elba).
Blah, blah, blah.  Thor convinces Hulk and the Valkyrie to join him in fighting Hela.  They escape from where they are imprisoned and go back to Asgard to defeat Hela.  And then we all live happily ever after (kinda / sorta).
In my review of the first Thor movie, (this is the third in the series), I said it was a bit schizophrenic and needed to decide if they were going to have the movie in Asgard or on Earth.  This one is almost exclusively off-Earth – and it is much better for it.
This movie is fun AND funny.  It has the requisite fights and special effects.  The movie runs about two hours, but felt shorter to me.  That’s a good sign.  The movie seems to be an almost immediate lead in to the Avengers: Infinity War movie, and that’s okay.  It’s okay, because (like in Infinity War) almost everyone in Asgard dies and so, whatever happens to bring back everyone in Infinity War II, probably also brings back Asgard and all of the folks who get killed in this one.  I guess we’ll have to see, next year.
The movie tries to inject a bit of philosophy by repeatedly stating it is the people who make the place and not the place which makes the people.  It kind of works, but not really because the vast majority of the Asgardians are slain by Hela and the rest appear to face capture / doom at the closing credits.  Like I said, we’ll see…
Anyway, final recommendation: highly recommended!!  As stated earlier, this movie is both fun and funny, with action, lots of humor and great fights / battles / special effects.  I would say this ranks right up with Iron Man and the Black Panther as among the very best of the Marvel Studio’s comic book / movie adaptations.  It is rated PG-13, so it might be a little too intense for very young (pre-7 years) children.  As for 7 – 13, it’s probably not too intense, but it may get them too excited and have them running around acting crazy trying to imitate the movie.  Just sayin’…
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On This Day In:
2017	For Some
2016	Fragile And Explosive, Provocation And Privacy
2015	Bound Up
2014	Economic Engines
2013	Weren’t You Supposed To Be Reading?
	Absent Friends
	Where I Stand
2012	Hangin’ With His P’s
	Help Save
2011	Six Facets Of Good Leadership

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Binge, Binge, Binge

Today’s post will be a long one, so if you’re not interested in my reviews, please come back another day…
The three series being reviewed are “Pride And Prejudice“, “Stranger Things” and “The Punisher“.  P&P is on DVD and the other two were both viewed on NetFlix.
Pride And Prejudice  (1940) —  movie review;  (1995)  —  series / movie review
Starring Laurence Olivier as Mr. Darcy and Greer Garson as Elizabeth “Lizzy” Bennet, this is the black and white version which appears on cable channels periodically – which is where I caught it one afternoon while casually channel surfing.  Because I enjoyed the 2005 version, so much and the 1995 version, too, I thought I’d give it a view.  The story is essentially: small village with landowner family of five female daughters is thrown in a tizzy over the arrival of a very “suitable” bachelor.  Even better, the bachelor comes with a friend, who is also a very suitable bachelor (Darcy).  Lizzy takes an immediate dislike to Mr. Darcy while the oldest sister (Jane) falls madly in love with the first bachelor (Mr. Bingly).  Blah, blah, blah, happy ending.
In this version, I was left with a “satisfied” grin.  It was enjoyable to watch, and, because I’m so familiar with the story, I’m looking for my favorite parts.  Unfortunately, while Olivier and Garson “seemed” good in their roles individually, to me, they lacked the chemistry to make the story believable.  There are also a couple of changes in the film which I found curious.  For one, the costumes seemed more modern and more American than British.  This impression may be just in comparison to the 1995 version.  Another difference was that Darcy’s aunt refuses the marriage to Lizzy as a test of her love, whereas in the other versions, the aunt is doing it for reasons of societal class difference and because the aunt believes Darcy to be “given / promised” to her own daughter since childhood.  Basically, it makes the aunt a redeemable character, which I don’t believe she was meant to be.  I guess, I’ll have to read the book to find out ultimately.
Final recommendation:  moderate.  It’s okay.  I guess anything with Olivier is considered a “classic”.  I say it has historical interest, just as I enjoyed “Bride And Prejudice” (2004) because of the Indian / Bollywood interpretation.  (Review here.)
Having watched the 1940’s version, I decided to re-watch the 1995 BBC version.  Starring Colin Firth as Mr. Darcy and Jennifer Ehle as Elizabeth Bennet, this is widely considered one of the great BBC television productions of all time.  Running time is not quite 5-1/2 hours long and therefore this version has the time to flesh out the characters more than the more recent 2005 film version which I have seen multiple times.  My daughter (Rebecca) says she considers this the “definitive” adaptation of the novel to film.  I beg to differ with my favorite being the 2005 version.  I would put this a very close second though.
With this second viewing and having seen some of his other works, I am thoroughly a Colin Firth fan.  He kills this role.  Even though I’ve seen this version before, I must admit, I didn’t really remember it.  It has time to add a lot more to the story and IMHO, this makes the whole version better.  There is a “famous” scene of Darcy approaching a lake on his property.  If you know much about England, you know that even on the warmest of days, open water is rarely warm.  This is actually one of the reasons accidental drowning is so common there (several hundred each year).  Anyway, Darcy is despondently approaching a lake and my first instinct was “plot twist, this isn’t going to end well”.  But then, of course, we get the now famous and career making wet T-shirt (ok, it’s a cotton long-sleeved pullover) scene of Darcy stumbling upon Lizzy on his way to the house to dry off.  Ladies still swoon…  LOL
Final recommendation:  Highly!!  I struggle to find things to criticize about this version.  Okay, it’s longer than the 2005 movie and Mrs. Bennet and Kitty are much more annoying in this version, but this slight comment is simply evidence of how good the whole is.  Well, worth re-visiting!
Stranger Things  (2016 / 2017)  —  series review
Stranger Things is a two-season (so far) science-fiction, horror, coming of age made for NetFlix series.  There are 17 episodes.  Eight in the first year and nine in the second.  The series occurs in the 1980’s, in a rural / sub-urban town in the mid-west (Indiana).  The series has lots of references and homages to earlier works of music and film from that period.  The series was recommended to me by my son (James), who advised me it was “MUST” see.  Even more than THOR, the (at that time) up-coming Justice League, Punisher or Longmire…  So, okay.  I watched it.  The series is very much an ensemble cast so I’m not going to bother listing all fifteen to twenty of the “main” actors.
Absolutely, terrific!!  The series has adults, older teens, younger teens, nerds, jocks and just regular folks.  It also has hell-hound aliens, extra-dimensions, mind-control, telekinesis and X-mas lights!  My son said, he hopes I don’t scare easily at night or I’ll have to watch all 17 hours straight through.  It wasn’t anywhere near THAT intense, but it is very good.  Basically, I’m (again) late to the party and this was the smash hit for NetFlix last year.  I’m jumping in here, one month after the release of the second season.  As per normal for NetFlix, the whole series for the year is released on the same day to encourage binge watching.  So, I did.  Season 1 on day 1 and Season 2 on the following day.
But, what is the show about?  Well, there’s a government experiment gone wrong.  They are developing children into “X-men”, with various abilities.  Season one is mostly about a girl with telekinesis abilities.  Season two brings in her “sister”.  Not really her sister, but they grew up together.  So, girl escapes and meets young boy from town.  Fall in love, blah, blah, blah.  In the meantime, the government agency has accidentally opened a gate into another dimension, which is a lot like ours, but it has been conquered by an alien (large spider-like shadow) which controls a bunch of little flesh eating aliens.  At the end of Season one, the girl saves her friends and the world by closing the portal.  Season two opens a year later and girl is still missing and the original abducted kid knows the aliens are coming back.  Blah, blah, blah, teen angst, blah, blah, blah, child angst, blah, blah, blah, adult angst.  Big finale, the kids kick alien butt and the girl saves the world.  Afterwards, smoochy, smoochy at the Winter Ball.
Final recommendation: Strong to highly.  This is a well made combination of practically every kids science-fiction movie you’ve ever seen.  Some of the references are almost (but not quite) tongue in cheek, but they work and this is a series well worth the time to watch it.  I’m not sure if I’ll watch it again soon, but I’m almost certainly up for another binge before the release of season 3, next year.  I would caution that although kids play predominant roles in this series, this is NOT for below age-12 viewing.  Some scenes can be intense and there is a moderate amount of alien violence.
The Punisher (2017)  —  series review
This series is a spinoff from the DareDevil series also on NetFlix.  The Punisher appeared in season two – and pretty much took it over – so, now he has his own show.  Basically, the family of a military expert is killed and he takes revenge against the killers.  In DareDevil, he does most of the work.  In this series, he almost finishes the job.  He leaves one guy, who he promises to come back for.  Blah, blah, blah.  Segue to season two…
Does it work and is it any good?  If you like this kind of thing (explosions, excessive violence, gratuitous sexual scenes, explosions, hand-to-hand combat, lots and lots of guns and gun fire, and did I mention explosions), and I do, then you’ll enjoy this series.  And, I did.  So, I enjoyed it…  The question was is it any good?  As a comic book adaptation, it is very good.  As an action / adventure / who-dun-it, it’s pretty good.  As a realistic portrayal of armed and unarmed combat, uh, it’s a comic book…
The series stars Jon Bernthal as Frank Castle / Punisher, Ebon Moss-Bachrach as his partner David Lieberman / Micro, Ben Barnes as Billy Russo (Frank’s wartime friend who ends up being a bad guy), Amber Rose Revah as Dinah Madani (Homeland Security Officer), Daniel Webber as Lewis Wilson (a confused Vet who becomes a domestic terrorist), Paul Schulze as William Rawlins (the main gov / CIA bad guy from “the war”), Jason R. Moore as Curtis Hoyle (the Vet “do-gooder” medic), Jaime Ray Newman as Sarah Lieberman / Micro’s wife, and Deborah Ann Woll as Karen Page (a carry over from Daredevil).
The series is mostly dark, in the same vein as the DareDevil series, the Chris Nolan / Batman movie trilogy, and the recent John Wick movies.  It deals with a host of issues, from right and wrong, free press, privacy, vigilantism, friendship, personal loss, and a rather bizarre attitude that “justice” almost always ends with violence – particularly gun violence.  While the depiction of violence is pretty accurate, the depiction of physical recovery is essentially: “and then a miracle happens.”  There are scars, but recovery is almost instantaneous.  Like I said: comic book…
Final recommendation: moderate.  This series would be rated higher if they had let the actors simply act more and kill / maim less.  It is definitely for mature audiences ONLY.  It feels strange to say (admit) it, but I enjoyed the acting and the story more than I did the violence.  Go figure…
Final comment: I was not a follower of “The Punisher” character in the comic reading days of my youth.  I was reading them when he was introduced in DareDevil and Spiderman, but the character never “really” captured my pre-teen and teen imagination.  During my Army days though, I was an avid follower of “The Executioner” book series written by Don Pendleton, which was the basis for the comic character.  The monthly book series currently runs to over 400 episodes and is being ghost written since Pendleton’s sale of the series and subsequent death.
Thanks to any who managed to make it through the entire post.  Let me know if you agree / disagree with my reviews…
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On This Day In:
2016	Feeling Warm Yet?
	Four Documentaries
2015	Just Like All The Others
2014	In My Own Vanity
2013	Filled With Words
2012	Lectio Auget Existentiae Meae
2011	Lied Lately?
2010	Born To Work At Faux News
	Lost Again (Uh, Make That Still)
	Qui Genus Humanum Ingenio Superavit
	They’re Back… (Part 1)

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Four Documentaries

The following are my brief reviews of four documentaries I watched on Netflix…
Requiem for the American Dream  (2016)   —  movie / documentary review
This documentary is (more or less) a seminar about the consolidation of wealth in the hands of the few (1%) and the subsequent use of wealth to control the government and thereby use the government to increase their wealth.  The documentary presents the views of Noam Chomsky, an MIT emeritus professor who made his fame in the study of linguistics and philosophy.  Chomsky is a long-time “leftist”, but not in the traditional sense of Communist or Socialist, and more in terms of being pro-democracy, that is supporting the rule of the governed as opposed to the rule of the elite.  More specifically, the people should control the governmental (government and regulations) business environment, not the business’s (or the mega-wealthy).  I didn’t find much which was really new in this documentary, but then I have considered Chomsky’s positions previously and have long agreed with him.  If I have any problems with this film it’s that it is presented in a “relatively” dry (“academic”) format.  So, while I agree with Chomsky, the American public doesn’t seem to mind government of the elite, by the elite and for the elite – hence, the election of Donald Trump.  Final recommendation: highly recommended, particularly if you are angry about the state of the country and / or worried about your job / career and place in our economic class system.
Sneakerheadz  (2015)   —  movie / documentary review
A short (just over an hour long documentary) summary / description of people who obsessively purchase sports shoes.  I agree with one of the commentators – a young lady – who says (in effect): “If you grow up poor and wanting things, like name-brand shoes and clothes, when you grow up and have enough money to buy them, you do.  To excess…“)   As I watched, I recognized myself and realize that except constrained by money, I could / would otherwise fall into this “addition”.  Beyond the simple ego-boost of being able to get something you previously could not afford, there is an underlying message of people seeking a place in society by creating an image of themselves which they can project out to others.  Interestingly, it seems this message is learned at an early age and then becomes the goal of their (the Sneakerheadz) life.  There is also a strong message about societal values and the ability of marketing to influence those values.  Not an original idea, but I still found it interesting to hear it stated so openly in documentary about shoe collectors.  Final recommendation: highly recommended.
A Drummer’s Dream  (2010)  —  movie / documentary review
What happens when you take some of the greatest drummers in the world, put them in an isolated Canadian farmland with a bunch of kids and all the drum kits and money the drummers can bring together?  It seems you get smiles, effervescent passion and irresistible personality. Starring drummers: Nasyr Abdul Al-Khabyyr, Dennis Chambers, Kenwood Dennard, Horacio “El-Negro” Hernadez, Giovanni Hidalgo, Mike Mangini and Raul Rekow, the documentary captures you with Rock, jazz, Latin fusion, and soul, but mostly it is about the drummers and their joy in playing…  And, did I mention smiles!  These musicians are driven by the beats of their hearts – full of love and joy of life.  Final recommendation: Highly recommended!  I found myself tapping my hands and feet for days after watching this.  Fortunately, my attention deficit disorder prevents me from becoming obsessive (in this way) or I’d still be drumming and trying to find / share their joy.  Come for the percussion, stay for the smiles…!
The Real Miyagi  (2015)    —  movie / documentary review
Back in the 1960’s, a young Japanese man came to America with little but an expertise in Martial Arts.  He subsequently went on to become an internationally recognized Martial Arts instructor and stunt back-up actor.  That man is Fumio Demura.  If you have seen any of the first four “Karate Kid” movies, you’ve seen sensei Demura in action (probably without realizing it). Pat Morita’s iconic sensei (Mr. Miyagi) in ‘The Karate Kid’ was based on sensei Fumio Demura and Demura was Morita’s stunt double in the action sequences.  I don’t mean based on Demura’s actual life, as Mr. Miyagi was a fictional Japanese-American character who fought in World War II.  Rather, Mr. Miyagi is based on the idea of a man perfecting (improving) himself using art – in Miyagi’s case it is Karate and Bonsai trees.  The documentary traces sensei Demura’s life and offers multiple tributes from his students which offer insight into the man behind the title “sensei”.  Final recommendation: strong if you have only a casual interest in Martial Arts, highly if you have a personal interest in Martial Arts or in historic Martial Artists.
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On This Day In:
2015	Just Like All The Others
2014	In My Own Vanity
2013	Filled With Words
2012	Lectio Auget Existentiae Meae
2011	Lied Lately?
2010	Born To Work At Faux News
	Lost Again (Uh, Make That Still)
	Qui Genus Humanum Ingenio Superavit
	They’re Back… (Part 1)

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Punishing Red Binge

Daredevil: Season 2  —  Netflix TV Series Review
This week I completed my mini-binge of Daredevil: Season 2.  (For my review of Season 1, click here.)  I say “mini-binge” because the season is only thirteen episodes (roughly the same number of hours) long.  I promised myself I’d mini-binge the entire first season to get myself in the mood for Season 2, but in the end, I didn’t.  I just jumped in.  I must also admit I really enjoyed seeing DD in his own TV series.
Season 2 is a lot more of the same…  Dark and very violent.  Once again, this is not a series for children viewing.  And I emphasize, very violent.
Having said that, is it any good?  And, is it interesting?  All the stuff which made year one a good-to-great show are back in Season 2: great martial arts choreography and very good character development.  The down side?  Sometimes the dialog felt more like monologues and kind of dragged.  The season introduced two new characters: Frank Castle (Jon Bernthal) aka “The Punisher” and Elektra Natchios (Élodie Yung).  Both of which were pretty awesome.  Of the two, Castle is more fun to watch and root for.  Yung makes you almost completely forget the “other” Elektra (Jennifer Garner).  Bernthal is powerful and Yung is almost campy.  Both are deadly, but one is brutal while the other graceful.  The contrast is truly Yin / Yang.  And the over-arc story of each with the “no-kill” philosophy of Daredevil is equally stark.  This contrast is what leads (ironically) to the dull-ish dialog.  I guess “dull” isn’t the correct way to analyze the writing, but we had to listen to the same arguments in every single episode.  Enough already.  Daredevil, although a vigilante, is a hero.  He saves lives and doesn’t kill.  We get it!
Last season, DD got his uniform / costume.  This season, DD gets his baton.  We don’t know all of what it does, but it’s very cool so far!
So, final recommendation: very strong!  This is an excellent adaptation of the comic book character into a TV series.  I highly recommend you watch the whole of the first season before trying to dive into season two.  It’ll make a lot more sense.
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On This Day In:
2015	Bits In The Soup
2014	More Beef, Less Bull
2013	Where Are Your Mountains
2012	Spherical Knowledge Of Hamsters
2011	Taking Stock Over Time

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Just Spicy

Best Of Enemies  (2015)  —  movie review
Today’s review is for the documentary “Best Of Enemies“.  The documentary purports to show the start of today’s version of acrimonious televised pundit’s political analysis by referencing back to a series of ten debates between conservative commentator William F. Buckley, Jr. and liberal commentator Gore Vidal which occurred during the 1968 Republican and Democratic conventions that summer.  The operative word in this last sentence being “televised”.  There should be no doubt that vitriolic personal animosity has always existed (to some lessor or greater degree) between the defenders of opposing sides in virtually every political debate – especially those which deal with “moral” issues.
First, as usual, full disclosure: as I’ve stated before on this blog, I am a life-long conservative Democrat.  I grew up a BIG fan of Buckley (from TV) and have almost complete ignorance of Vidal.  I have, of course, seen his image and probably seen him on TV, but I have never (to my recollection) read any of his books.  When I saw this documentary was available on Netflix, it immediately went to the top of my “must watch” list because I anticipated a contest between intellectual giants casting Zeus-like bolts at each other in their arguments of liberalism versus conservatism.  And this with the advantage of 50 years of history to underline which side prevailed (or at least was correct).
In the end, while fascinated and wildly entertained, I was sorely disappointed.  There is no “there” there (or should I say “there” here).
Instead, what we are treated with is a documentary demonstrating the art of the personal attack as a means – not of winning a debate – but as a means of diminishing one’s opponent, so as to appear to “win” a debate by means of embarrassment.  If this movie is to be believed, Vidal is the clear winner.  If history is the final judge, the answer is less certain.
Vidal opens with the defining challenge: can a party whose sole standing policy is greed, continue to gather enough support from the masses of the public (who live with the failures of capitalism) to elect Republican politicians in general and a President in specific.  Although, the conservative (Buckley) loses the debate, the answer is ‘yes’.  Not as resounding a “YES” as one might think, but a ‘yes’ none the less.  George Wallace splits the democratic vote in the South (with the Democratic nominee Hubert Humphrey) and Richard Nixon goes on to win the Presidency.  And beyond that, for twenty of the next twenty-four years, the Republicans control the White House and the Executive Branch.
From this time reference, one might judge Republican conservatism to have been successful and therefore correct as a political theory or somehow “better” than Democratic liberalism.   Again, as I said earlier, the answer is less certain.  The record of history over the last 120 years is that Conservative Republican policies lead to (“cause” is probably too strong a word) economic failure:  the Great Depression, the Great Recession of the 80’s, the collapse of the Savings and Loans, the collapse of the American middle class and the recent recession and financial collapse (of 2007/08).  The sad truth is that the “party of business” doesn’t know how to run an economy when it is in power.
But I digress.  Final recommendation: strong, but qualified.  This is a documentary about how business executives learned to turn political news into confrontational entertainment.  And, similar to modern political punditry, it entertains without providing the foundation of the ideas upon which the two sides rest.  Just because it’s spicy doesn’t mean it’s filling.
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On This Day In:
2015	Positive Acts Of Creation
2014	One Thing Is Clear
2013	Corrections
	See Greatness
2012	Gemutlichkeit
2011	Back On The Asphalt
	It Is Just Not The Same

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It Is Another Beautiful Day At The Red Pony Bar And Continual Soiree…

I recently finished bingeing on the four seasons of the “Longmire” TV series on Netflix.   Wow!!  What an excellent series.  The show focuses on a Sheriff in a fictional Wyoming town of Absaroka County.  The show is actually filmed in New Mexico – which appears absolutely beautiful in a desolate kind of way.  Walt Longmire (the Sheriff) is recovering from his wife’s recent death while dealing with major crimes, politics and a changing society.  The show is both a police / detective  drama and a series of mini-soap-operas.  Oh, and he’s OCD about litter! (LOL)
The two main characters are the Sheriff  and the local bar owner (“The Red Pony Bar”).  The Sheriff  is white and the barkeeper is Cheyenne Indian.  They are lifelong friends and demonstrate their “classic” Western bro-mance with strength, integrity, loyalty and stoicism.  Seriously, can you have a Western “man’s man” without cowboy stoicism?  Of course not!  And the two actors (Aussie Robert Taylor and Lou Diamond Phillips) are excellent in their roles: Walt Longmire and Henry Standing Bear.
The show works as a police procedural.  It works as a Western (albeit Cowboy-buddy).  And, it even works as a soap-opera – with every family appearing to be somehow dysfunctional.  The best news is that Netflix has recently agreed to run another series.  The terrible news is that if you start watching the series now, you will probably end up bingeing on it and (like me) you’ll have to wait another 10 or 11 months for the next (fifth) season to come out.
My son, James, recommended this show and he definitely hit it out of the park with this one.  I thoroughly enjoyed the whole four seasons and already hope it goes on for at least several more years.  Highly recommended!!  As an aside, the show was originally on the A&E network, but was cancelled after the third season because its demographics were “too” old  —  55 to 60 year old males  —  for the network’s sponsors.  (Well, I’m so sorry for that…)  This despite the fact the show was the network’s 2nd most popular show.   Go figure…  The result of moving to Netflix is the show went from 45-ish minute episodes to 60 to 90 minutes episodes.  I say, “All the better to enjoy the series.”  Nice work, A&E.  Is someone actually paying you to make these boneheaded decisions?
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On This Day In:
2014	Days And Years
2013	Currency And Transport
2012	Something Which Did Not Exist Before
2011	True Magic

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Green Binge

A few weeks ago I finished binge-ing on the first two seasons of “Arrow” on Netflix.  The series is an adaptation of the “Green Arrow” comic books series by D.C. Comics.  First, a little background bias aka “full disclosure”:  I am not really a D.C. person.  When I was growing up, the comics were basically D.C., Marvel and everyone else.  D.C. had (mostly) single issue stories which were generally run of the mill superhero fare.  Marvel tended to tell individual stories, but within story arcs which could last six or more months.  This made Marvel seem more like literature than “just” stories.  Anyway, even within the D.C. universe, there were major and minor characters.  Green Arrow was one of the most minor of characters.  He was essentially a low budget Batman in a Robin Hood suit, shooting arrows (and little else).  Bottom line: I started off with very low expectations I would like this series.
Because the comic book wasn’t one I followed, the T.V. series is a “new” story for me.  When I say “new”, I mean only for the “Arrow” character as the storyline is basically lifted from Batman “The Dark Knight” movie series.  This doesn’t make it bad, just not very original.  Here goes: rich / spoiled, under-achieving college student is in a shipwreck and gets stranded on an island for five years where he learns a number of martial arts and survival techniques from various folks on the island.  He returns to civilization and becomes a vigilante trying to clean-up the city his father loved.  He starts off as a killer, indiscriminately disposing of bad guys, but at the end of the first season he resolves to try to avoid killing anyone while still bringing them to justice.  All the while, there is an over-arching soap-opera going on about his love life and the love lives of the people around him.  And, of course, all while trying to run the company which makes him a billionaire.
Does the series work?  Surprisingly, yes!  At first I found the soap-opera-ish-ness tiring, then I kind of got used to it, then it was boring, then I had kind of an acceptance of it as a means of bringing a humanizing facet into the show.  I’m sure it (the humanizing) could be handled in a different way, but I guess the soap is there to keep the teen-and-tween audience tuning in.  The action scenes are mostly pretty good.  Not up to the level of Daredevil, but still pretty good.
All in all, pretty good entertainment for TV – certainly better than “Marvel – Agents of SHIELD”, but I digress.  So, now I wait for season three to become available on Netflix and then season four, which I understand is still broadcasting.  A final note: I’ve found this serial (as in one after another) binge-ing makes the series enjoyable in a way that going week to week would probably have never been for me.  Once again, a big “yes” vote for “the binge.”
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On This Day In:
2014	Overdone
2013	The Courage To Remake The World
2012	Minor Gifts
2011	I Love It When A Plan Comes Together…
2010	Eloquence
	Cleaning the Chalk Board

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MA Fix

Last night I was in the mood to watch some martial arts so I logged into Netflix to view “Ong Bak: The Thai Warrior” starring Japanom Yeerum, better known internationally as Tony Jaa, in the lead role of Ting.  Ting is a villager studying to be a monk – which I guess means learning to be a martial artist.  When the village idol is stolen, Ting goes to recover the religious artifact from a big-city gang.  Blah, blah, blah…  lots of fights and chase sequences, bad acting and little plot.  I believe I have seen the movie before, several years ago, but I didn’t remember it until very late in, so it’s possible I’ve only seen the fight sequences on YouTube.
This movie is a showcase for the martial art of Muey Thai.  As near as I can tell without a great deal of background in the art – it is very similar to the stronger forms of Gung Fu and Karate with a lot of close contact elbow and knee strikes.  The movie doesn’t have very much of a plot – like I said, just enough to string the action sequences together.  The key, of course, is whether or not the action is worth the price of admittance.  It is.  Jaa has tremendous screen presence and is an incredible athlete.  It is difficult to believe the sequences are done without wire (like most Chinese gung-fu movies), but they are not.  It’s just a shame Jaa isn’t given more of a chance to actually “act”.
As for the fighting itself, a purist will complain the human body can’t survive the pounding meted out in the movie and, of course, they are correct.  But let’s not forget, this is just a movie…  And that doesn’t make it any less entertaining to watch.
Final recommendation: see this for the action (martial and acrobatic) only – it’s terrific.  The acting is terrible and the plot is predictably poor, but you’re not viewing this for Oscar performances.  There are a few “bad / swear” words in the movie and there is obviously a lot of fight violence so this is not appropriate for young viewers (under 13).  Strong recommendation.
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On This Day In:
2014	Actually
2013	Unfortunate Evolutionary Accidents
2012	Tense (Past, Present And Future)
2011	What Is Your Preference?

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