A Series Of Observations

Today’s TV series review is for the seven season / 151 episodes / 115 hours total viewing time, drama / crime-police / mystery series: “The Mentalist“.  The show stars Simon Baker as Patrick Jane (the Mentalist) and Robin Tunney as Agent Teresa Lisbon (his long suffering boss / side-kick”Watson”).  There are three other “main” supporting characters:  Kimball Cho (played by Tim Kang), Wayne Rigsby (played by Owain Yeoman) and Grace Van Pelt (played by Amanda Righetti).  The series originally aired between 2008 and 2015.  I viewed / “streamed” the series over several weeks in 3-to-4 episode chunks.  Some spoilers follow, so if you are intending to watch this series, do so before continuing this review…
The basic premise is that a “reformed” con-man / fake psychic (Jane) assists law enforcement (the California Bureau of Investigation [CBI]) with solving crimes (mostly murders).  Because the CBI is a state law enforcement unit, the crime is generally on California state property or CBI involvement is “requested” by someone with sufficient political influence to warrant the notice of the CA State Attorney General.  Sometimes this aspect is a REAL stretch…  and then has to be narratively explained away by dialogue.
The main character – Jane – has highly developed observational skill, exceptional memory skill and high intelligence which combined with his years as a con-man / magician / fake psychic allow him to “solve” each case in intuitive (sometimes illegal) ways – much to the discomfort of the supporting cast (professional law enforcement officers).  Jane becomes involved with CBI after recovering from a nervous breakdown following the brutal murder of his wife and daughter by a serial killer (“Red John”).  Red John’s modus operandi is “generally” a rape, disembowelment and then throat slitting of his (mostly female) victims.  Red John is a cult leader type criminal, generally following the “Dr. Moriarty” character type from the Sherlock Holmes genre.  Lisbon is Watson to Jane’s Sherlock.
The series has two over-arching series themes:  the developing romantic relationship between Jane and Lisbon and the developing friendship(s) between Jane and the rest of the law enforcement supporting characters.  Within this there are also three main seasonal story arcs:  seasons one through three are single episode murder mysteries developing the two main arcs.  Seasons four, five and half of season six are devoted to both episodic crimes and the hunt for Red John.  Red John is revealed (and killed) and then the last half a season six and all of season seven is Jane assisting in various FBI cases.  Season seven is an abbreviated season of only twelve episodes.  All of the other seasons are twenty-one plus episodes. Most of the series is based in Sacramento.  Post-Red John, the series moves from CBI to FBI and is then based from Austin, Texas.
So, is this series any good?  Has it stood the test of time?  How is the acting?  Is the show realistic for leadership, psychology or law enforcement?  And, finally, is it worth investing 115 hours of your life?  In order:  yes, mostly, poor to excellent, more often than not, so-so, “I sure hope not”, and yes.
More specifically, overall, this is a VERY good series.  It is as predictable as any police procedural:  crime, investigation, resolution.  It is mostly predictable for character development – but at a surprisingly / interesting slow pace and then – bang – your in rapids, and then – back to slow pace.  The series ends “happily” from a romantic perspective it is well rapped up – the two main couples wed.  So, bottom line, the good-guys win and live happily-ever-after.
Test of time / acting / theme portrayals:  As a police procedural – I hope not.  As a romantic drama, yes.  As a “Sherlock Holmes” genre, so-so.  In practically every episode, some person’s rights are either ignored or aggressively violated.  This is morally acceptable because the team is putting very bad people (mostly men) behind bars (or killing them).  No matter how honorable the character starts in their role, they are always corrupted by Jane and the concept of acting for “the greater good”.  On the romantic side, a big part of every drama is how long can you maintain the sexual tension between the main characters.  Although obvious from the first episode, both main relationship arcs are well developed.  As a super-sleuth / Holmes procedure series, the show has problems, but it (the show) still works because of the believability of the actors in their slowly developed / multi-layered character portrayals.  The portrayals of most of the bad-guys are mostly flat and one dimensional, but there are notable exceptions.  As the series progresses most of the other (non-super-genius) characters say:  “This is what Jane would (would not) have us do…”  For me personally, I found the various depictions of leadership styles / personalities to be one of the most interesting aspects of the series.  The whole gamut of leadership from criminal to sainted is represented and the strengths and weaknesses of the various styles is examined, critiqued and accepted or rejected.
Investment:  I feel there has been an on-going transformation in home entertainment happening over the course of my lifetime.  The progress is roughly equivalent to that of written literature.  In writing we have daily comics, short stories and comic books, short-moderate-long books (texts and novels), books series and encyclopedias.  In TV, the corresponding genre would be animated / cartoon shorts (multiple stories in a half-hour show), episodic stories (half-hour to hour long shows), movie length (90 minutes to mini-series [sub-30 hours of total viewing time]), and seasonal arcs (episodic, but with 3-5 minutes devoted to long-term character / story development), and then generational shows / series.  I consider “generational” series to be any series over 15 years / seasons – so, most day-time soap operas and multi-series franchises (“I Love Lucy“, “The Simpsons“, “StarTrek“, “Law & Order“, “NCIS“, etc).  I (personally) do NOT consider game shows to be “generational” series, even though many have gone well beyond 20 seasons, because they are normally not re-watched after the initial viewing.  Although, there is now some give on this characteristic, too, as you can “watch” some of the prior episodes (on TV-history channels).  The point of the “re-run” (though) is to view the contestants (famous personalities from yesteryear) and not viewing the contests, themselves.  At any rate, I would put a seven seasons series in the “War & Peace” – lengthy story grouping, but not in the generational level group.
Final recommendation:  This is a moderate to strong recommendation for an initial viewing (see caution later), a low to moderate for re-viewing in its entirety and a strong to highly for individual episodes (if you develop a favorite character or mini-story arc during your initial viewing).  For me, 100-plus hours is almost certainly too long to spend re-watching the entire series. I purchased my “series-bundle copy” on steep discount ($30 as I recall), at which price this a bargain for entertainment value – even if only viewed once – $.25 per hour or $.20 per episode.  One note of caution:  there is the occasional swear word used at least once per season and there are repeated scenes of victims injuries (almost one per episode), so this is not appropriate for viewers under 12 years of age.
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On This Day In:
2022	And Longer To Stay That Way
	A General Guideline For Voting In The 2022 Mid-Terms
	A Series Of Observations
2021	Press On
	Mama Said There’d Be Days Like This (Love Yourself)
2020	AMA
	Still Shiny (Sunshine On My Shoulders)
2019	Things That Go Bump In The Night
	Hoping I’m Careful
2018	I Must Be Truly Wise
2017	My Sensei
2016	The Worst Sin
2015	Rules Of Thumb
2014	A Prayer
	Orange October (IX) – Giants Lose Game 2 In Bullpen Collapse
2013	Complacent Reality
2012	Two-minute Sex
	Just Staring, Why?
2011	A World Of Difference

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