A Little Magic

“Matilda”  (1996)  —  movie review
Today’s review is for a children’s fantasy movie about a young girl growing up in a dysfunctional family, attending a dysfunctional school.  Ah, but the young girl is a self-taught math wiz with telekinesis power.  Basically, she is a genius and can move things with her mind.
The movies stars Mara Wilson as Matilda Wormwood, Danny DeVito plays her father (a crooked used-car salesman), Rhea Perlman plays Matilda’s mother (who spends all day off gambling), Embeth Davidtz plays Miss Jennifer Honey (the only decent grown-up), and Pam Ferris plays the wicked school headmaster / principal.
The movie traces Matilda’s life from birth through (ultimately) getting adopted by Miss Honey and them both living happily ever after.
As a kid’s movie, is it any good?  Does it work as a fantasy?  Is it funny?  Yes; definitely; and, mostly, but not ha-ha funny (for me).  This is not a “Disney” live-action movie, but it feels like one.  There are lots (and I mean LOTS) of amusing lines for adults and enough sight-gags to keep the kiddies engaged.
Final recommendation: highly recommended!  I have seen “Matilda” numerous times over the last 20+ years and it remains an amusing little gem of a film.  A couple of the scenes with the horrible principal may be too intense for children under six years old, but I think any kids, nieces and nephews older than that will enjoy the movie.  Teens may find it a bit too childish, until they are old enough to know how to listen to dialogue.
Two shout-outs: Danny DeVito is excellent in this role (even if a “little” type-cast) — pun intended; and, the movie has a great song in it: “Send Me On My Way” performed by Rusted Root.
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On This Day In:
2018	Nice To Meet You
2017	All Nations & Religions
2016	Given The Choice
	Why Is He Wearing Red?
2015	Within The System
2014	None But…
2013	Obviously Longer
2012	A Childhood Poem
	Who Are You Callin’ Leather-Faced?
2011	In No Particular Order
	The Need For Proof

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After Life

“What Dreams May Come” (1998)  —  movie review
Today’s review is for the 1998 movie starring Robin Williams.  If you haven’t watched this movie and intend to AND want to avoid spoilers, stop reading now and come back after you’ve seen the film.
Okay, Robin Williams stars as Dr. Christopher James “Chris” Nielsen, Annabella Sciorra plays his wife: Annie Collins-Nielsen, Cuba Gooding Jr. plays Albert Lewis / Ian Nielsen (Chris’ son in disguise), Josh Paddock plays Ian Nielsen (Chris’ son), Rosalind Chao plays Leona / Marie Nielsen (Chris’ daughter in disguise), Jessica Brooks Grant plays Marie Nielsen (Chris’ daughter), and, Max von Sydow plays The Tracker / Albert Lewis (Chris’ mentor when he was a young doctor).  I’ve now given away most of the movie…  You were warned!
Chris is a pediatrician.  Annie is a artist / painter and art restorer.  They meet in idyllic circumstance and fall immediately in love.  They have a wonderful life, but trouble is on the horizon.  Suddenly their two children die in a car accident.  Life is turned upside down and there are hints of other “issues”.  On one of their anniversaries, Chris is also involved in and dies during a car accident and Annie is left alone.
Through a series of flashbacks we discover the “issues”: Chris was unable to deal with the death of the children and throws himself into his work to avoid the pain.  Annie had a nervous breakdown.  In the end, they comeback from the brink of divorce and are restarting their lives when Chris dies.  Chris is not ready for death and seeks out Annie as a “ghost / spirit”.  Annie is not ready for the loss of her love, has another breakdown and commits suicide.  There follows a lengthy, colorful and brilliantly imagined (sometimes disturbingly illustrated) imagery of heaven, hell, life, death, self-sacrifice, the meaning of love and, finally, reincarnation.
The film won two Oscars for Best Visual Effects and Best Art Direction and it was almost certainly deserving as some of the imagery is at times beautiful and horrifying.  This is an adult drama and although rated “PG-13” is really not appropriate for children.  Some teens could deal with the imagery, but I am not sure they will get a lot of the philosophy.  Heck, I’m not sure most adults will, either.
Anyway, is this movie any good?  Did I enjoy watching it?  Did I find all of the philosophy reasonable and / or explained well?  Yes!  So-so.  And, mostly yes.  To start off, I purchased this movie as a one-off on discount with Vudu.  They had a sale of 5 films for $20 and I figured, what the heck, I usually enjoy most of Robin Williams’ work, so I’ll take a chance.  Just after that, one of my followers (and a blogger I follow) said in a comment that this movie was one of her favorite movies.  (If anyone is interested, she goes by “Cubby” and her site is: https://reowr.com/)  …So, I bumped this up my list of films to view sooner rather than later.
Good decision…   As mentioned, the visual effects are imaginative and stunning.  Imagine heaven as your own personal painting and you get to wake up in it and move around in it.  At first, it is blurry and “van Gogh”-ian (if that is even a phrase).  After about three minutes, it is almost funny because it makes “perfect” sense.  Well, it did / does to me anyway.
So, it is a great “viewing” experience…  But, did I enjoy watching it?  No.  And, yes.  Mostly, yes!  This mixed answer is because there are multiple levels of “enjoyment”.  The sound was variable and dipped to barely audible at points.  Because this is a “deep” movie, I had to replay some of the scenes to catch the dialogue.  This breaks the “fourth-wall” between the film and the viewer, but I recognized almost immediately that I would miss too much of the film if I couldn’t hear or didn’t understand all that was being said.  There are two other things which made the movie “uncomfortable” for me.  The imagery (some intense – as mentioned above) and the plot revolving around losing one’s family through chance accident.  The latter has always terrified me personally.  It’s never happened to me (thankfully), but it is a common plot device in movies and music and I never like it.
Anyway, this is a movie which you come to for the entertainment and stay for the philosophy – or at least I did.  Everything, and I MEAN everything in the movie is meant to make you think.  If you like that in a movie (I do), then you will enjoy / love this movie.  Does it explain “philosophy” well.  No.  It’s a movie!  It’s trying to get you to think about life and love while still entertaining you.  I think it does that.
Final recommendation: highly recommended movie.  Again, this is a sit, listen, watch and think about movie.  It may make you cry (I did).  It may leave you cold – it is not very “Christian” in it’s overall philosophy.  If you can’t get past that part of the film, you will almost certainly NOT like this movie.  If you have ever felt like you found the love of your life, not “just” a lover or a spouse, this movie will probably touch you.  It did me.
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On This Day In:
2018	Happy Valentine’s Day – 2018!!
2017	Happy Valentine’s Day – 2017!!
2016	Happy Valentine’s Day – 2016!!
2015	To My Special Lady
2014	Awakening
2013	Drowsy In Comfort
2012	Happy Valentine’s Day
2011	Own Your Bible

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Inverted U Curve

“David And Goliath”  (2013©)  —  book review
Today’s book review is for non-fiction “popularized science” / sociology genre book” “David And Goliath“, written by Malcolm Gladwell.  Now, in the interest of full disclosure, Gladwell, Steven Levy and James Gleick are my favorite three “modern” “pop”-science writers, so I have a natural inclination to review this book favorably.  (Of course, my “All-time” favorite for this genre is Isaac Asimov, who could explain almost anything to the common reader – and with over 500 books to his name, he certainly tried.)
Anyway, as stated, I was (am) predisposed to a favorable review.  And, I’m giving it that…
It’s not a “great” book and it didn’t make me feel like I just hit myself on the side of the head (“Wow!!).  But, with Gladwell, you pretty much know what you’re getting when you hand over your dosh.  One, two or three observations about human behavior, a bit of socio- / psychological support (a few facts to support the point and not much to contradict the point) to bolster the observations, and then a bit of storytelling to make Gladwell’s conclusion seem more palatable.  Generally, if you “want” to agree with Gladwell’s observations you won’t look too closely at the support, because, heck, you already agree.  Right?  And if you are not predisposed to agree, Gladwell offers almost twenty pages of “Notes” for further research.  But, if you’re going to all that trouble, you probably have some subject matter expertise and don’t need to read a “popularized science” book on this topic.   Do you?
Per his normal format, Gladwell breaks the book into three main sections:
1) The advantages of disadvantages (and the disadvantages of advantages);
2) The theory of desirable difficulty; and,
3) The limits of power.
Amplifying the observations:
1)  Underdogs win more that we (the average reader) would expect – in some specific categories as much as 30%.  Why?  Because we see our disadvantages as their disadvantages, when they (the underdogs) don’t.  And, if they don’t see themselves as underdogs, they have no incentive to quit before they even try to succeed.
2)  Sometimes disadvantages turn out to be advantages and vice versa.  Great schools and small class sizes don’t necessarily produce the best employees or academics.  Gladwell introduces the idea of a inverted U shaped graph to explain this phenomena.
3)  People with challenges (dyslexia, early family tragedy, ADHD) can still become very successful.  Sometimes / somehow the “challenges” early in life prepare them better than their peers for challenges later in life, so they are “ready” when the real life test happens.  And,
4)  You can never “really” know how people will react when they are placed under pressure.  You generally, expect them to fold (because we believe we would, too), but sometimes they exceed your expectations.
My reaction to all of this?  Yes, it may all be true, but how do you build a society around the observation / hypothesis?  With no controls, you have observations, but you cannot test hypothesis.  And, if you could create similar situations, is it ethical to do so?  …For a hundred people, just so five or ten or thirty percent can overcome them?  What does society say to the others who don’t overcome and become super-achievers?  We’re sorry we ruined your life, but we wanted to see if you were “destined” to be elite.
Final recommendation: moderate to strong.  The book presents some interesting ideas and promotes thought by the reader.  (It certainly made me think!)  It successfully brings academic observations to the masses by means of popular writing.  However, in the end, I was left feeling neither individuals nor the government have the ability (or wisdom) to use power effectively in attempting to control the actions of others.  But for me, making me think is enough to prompt me to recommend the book.
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On This Day In:
2018	Still More Prejudice
	A Well Trod Path Of Hopes, Expectations And Surprise
2017	…And With It Civilization
2016	Just Like My Mother
2015	All Omissions Are Mine
2014	Precise Order
2013	Uh, No. Not Really…
	Deep Regions
2012	A Pre-Valentine’s Day Message
2011	Easy Like Sunday Morning
	May I Have A Little More, Please…
2010	Valleys and Peaks

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Iterum Vale Tres*

“Goodbye, Mr. Chips”  (1934©)  —  book review
Like a dog with a fresh bone, sometimes I find it hard to let go…
Over this last weekend, I indulged my OCD and read the short novel “Goodbye, Mr. Chips” (1934©), written by James Hilton.  Amazon says the paperback is seventy pages, but there are eighteen chapters and most seem less than a full page long.  I read the novella in under two hours.  The book is in public domain, so you can download it and read it for free.
The book has a number of adaptations, including movies made in 1939 (a drama) and 1969 (a musical – review here), a TV series from 1984 (BBC) and a TV movie from 2002 (ITV).  More on these later…  (OCD remember).
The author, James Hilton was the son of a school headmaster and he attended a public boarding school.  Note: a “public” school in England is a “private” school in the U.S. Hilton is said to have based the work on both his father and a master (“teacher / instructor”) at his own school (although it is believed to be mostly based on the teacher at the school he attended).
The main character of the novel and movies, Mr. Chipping, spends the majority of his life (50-plus years) teaching Latin (and Greek) at a single school (Brookfield School) and the book is a reminiscence of his time there.  There are two notable occurrences: one is the meeting of a best-friend Herr (Max) Staefel, the school’s German language teacher and the second is a chance meeting with a young lady who ultimately becomes his wife.  The “shock” of the wedding is not just the marriage of a “confirmed” bachelor, but that the bride is considerably younger than the groom (on the order of 23 years) AND she is as attractive as he is staid.  The book is unclear how long they are wed (roughly one year to eighteen months) as she passes away in childbirth (on 1 April – “April Fool’s Day”).  Chipping stays long enough at the school that he instructs four generations of one family and, on his deathbed, only his housemaid is aware that he was ever married (over thirty years before the death scene).  This results in the famous lines that it was a shame he never had any sons of his own who might have attended the school.  Chipping’s dying response is that indeed he did, thousands of them – and all boys.
Final recommendation: very highly recommended!  I would recommend reading this very short book before viewing any of the four adaptations, but I have seen all of them (three of them in the last week) and you won’t be put off by reversing my call.
“Goodbye, Mr. Chips” (1984)  —  TV series review
This version of the novella was on the BBC in six half-hour episodes (roughly three hours run time) and starred Roy Marsden as Chipping and Jill Meager as his wife.  I am fairly certain this is the first version I saw of the adaptations as I have a distinct memory of the cricket scene which appears in the this version.  I believe I saw this version on PBS, and probably first viewed it with my new (British) wife in 1985, the summer after we married.  The series is available on YouTube, which is where I watched it this weekend.
Final recommendation: strong to highly recommended.  As stated above, this was my first exposure to the “Chips” story, so it has a special place in my heart / memory.  I will add this version is closer to the actual time frame depicted in the book and the first (1939) movie version.  It also is much closer to being an anti-war movie than the book or other adaptations.  Finally, in this version, Katherine (Bridges) Chipping is an unemployed governess living with her aunt in London, as opposed to the stage singer / dancer portrayed in the 1969 musical adaptation.
“Goodbye, Mr. Chips” (2002)  —  TV movie review
Staring Martin Clunes (of Doc Martin fame) as Mr. Chipping and Victoria Hamilton as Katherine (Bridges) Chipping.  This version appeared on ITV and Masterpiece Theater as a two hour “TV movie”.  I watched it on YouTube where it runs as six episodes of approximately 15 min.  This version is not only an anti-war movie, it is also anti-bullying.  It goes out of its way to critique the hazing of new students and bullying of the younger and smaller students by the bigger, older and / or wealthier students.
At first I found it difficult to get past the “Doc Martin” typecast I have for Clunes.  I didn’t care for his aging (special effects / makeup work) as it looked like glued on rubber pieces.  It was more than halfway through, before I could finally see the role and not the actor in the role.  I have a feeling that was as much me as Clunes, though.  Also, the YouTube version I was watching lacked the start of the movie, so I was left wondering if any other parts had been cut out / off.
Final recommendation: moderate to strong.  If this (YouTube version) is the only version you can find, it is good enough for you grasp and enjoy the movie.  Clunes ends up convincing as Chips and Hamilton is equal to the role of Katherine.  She is not nearly as “young beauty” as Meager or as winning as Clark (in the 1969 musical), but, in her own way, I felt she owned the role – particularly in her telling of the tale of the “sun vs wind wager”.
So, all in all, my reading and three viewings of “Goodbye, Mr. Chips” have been very enjoyable.  Each offered a slightly different aspect of what is considered a “classic” English tale and have hi-lighted (to me) what a true gem the story remains – even eighty years on (and counting).  I look forward to watching the 1939 version as soon as I can find it and to re-watching the others when they eventually become generally available (instead of broken up on YouTube).
* The post title is my weak attempt at a Latin translation of: “Goodbye Again, Three Times“.
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On This Day In:
2018	Tweets From The Disrupter-In-Chief
2017	Do We Still Listen To Her Silent Lips?
	Not Now, Not Ever
2016	Why Do You Write/Blog?
2015	Can Your Repeat The Question, Please?
2014	On Faith
2013	My Name Is Charles Stein
2012	Faiths And Sorcery
	Made And Kept Free
2011	Multi-Source Learning

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We Should Never Give Up On Our Dreams

“Leap!” (2017)  (U.S.)  /  “Ballerina” (2016) (France)
Today’s movie review is for an animated, “rise-to-fame” / dance, kids movie which was originally released in France / Europe in 2016 and then released in English / America in 2017.  The story is of two orphans who escape an orphanage to seek their fame in Paris.  The young girl wants to be a Ballerina and the young lad wants to be an engineer / inventor.  By hook and by crook, they both get their wish.  And the boy gets the girl’s heart along with it…
As most anyone who follows this blog for any length of time will realize, I am all about this sentimental, rags-to-riches, ugly duckling to swan story / genre.  As a former computer programmer I am also predisposed to “liking” an animated film or one with technical special effects.
So, does this movie work as a kids film?  How is the animation?  How is it as an adult film (will the average adult enjoy it)?  Good.  So-so.  And, probably.  Will kids like this film.  Yes, up to about the age of 6 to 8, I think they will, particularly if their parents have filled them with dreams that anything is possible.  But the animation is only “good”?  Yes.  Basically, that’s about it.  Most of everything possible has been done and probably done better in other films.  Shading, shadows, color, textures, skin tones, hair, facial expressions.  All of it has been done, and, if I’m honest, better in other movies.  That doesn’t mean it’s bad.  It’s not.  It’s just not done at “super” hi-def levels.  Also, and this really isn’t a criticism either, the movie lacks the required one or two “fabulous” take-away songs which would make it (the movie) a HIT movie.   And, maybe, it doesn’t need to be for this kind of “kids” movie to be “okay”.  Is it an adult movie?  Not really.  It’s a bit too simplistic for an adult or a “date” movie.  It is an excellent auntie / uncle or grand-parents take the niece / nephew or grand-kids to the afternoon matinée movie.  And, sometimes that’s really all a movie has to be.
It is rated PG for some “suggestive” scenes / themes and it has the requisite good and evil adults and a notable bullying child.  Like most movies for this target age group, the movie resolves hopefully for the children and leaves the adult issues mostly unaddressed / unresolved.  Again, it’s a kid’s movie, so children can “win” without “justice” for adults.
Final recommendation: moderate to strong.  For what it is, it is a “good” movie.  It doesn’t really try to be a great deal more than entertaining – in a kid-sie / hopeful way.  I enjoyed it, and it was a pleasant enough way to spend 90 or so minutes.
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On This Day In:
2018	As I Recall
2017	Truly Generous
2016	Choose Your Destiny
2015	Fast And Firm
2014	Neither Head Nor Heart
2013	Lonely, Foolish, Love Songs
	Batting 1.000
	Coward, n.
2012	At Least A Little More Difficult
2011	Speaking Of Fear

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Hopefully, Closer To Noon

“Goodbye, Mr. Chips”  (1969)  —  movie review
This movie is a musical adaptation of the novel about the life of a schoolteacher, Mr. Chipping, written by the James Hilton.  The book was first adapted into movie form back in 1939 (also a great movie).  This version is a modification of both the novel and the original version.  It’s placed later in history – around World War II instead of WWI; Chipping is married longer; meets his wife differently; and, it’s a musical (instead of a “normal” drama / romance movie).  I have not read the novel, but I have seen the 1939 version several times before.  Hopefully, I’ll be able to find it somewhere and watch it again so I can do a review from a fresh viewing.  This was my first viewing of this movie!
Mr. Chipping is a staid and stern housemaster at an English public school.  (That’s a “private” school to those of us in the U.S.)  The boarding school is where the upper crust of society send their boys to learn to be proper British gentlemen.  Chipping teaches Latin and Greek.  He gets talked into going to a play to see the future bride of a friend.  The lady doesn’t realize this is the “arrangement”.  Chipping unknowingly embarrasses himself and his friend.   Chipping goes on his holiday (vacation) to Pompeii, where he coincidentally meets the lady again.  As he is an expert on Greece, she asks him to be her tour guide for the day – which he does.  They hit it off and she falls in love with him (and he her).  Blah, blah, blah.   Mild comedy and laughter ensues.  They marry and she returns to school with him.  They become popular at the school.  She dies during the war.  He spends the remaining years of his life at the school.
The movie stars Peter O’Toole as Arthur Chipping (“Mr. Chips”), Petula Clark as Katherine Bridges / Chipping, Michael Redgrave as The Headmaster, George Baker as Lord Sutterwick (the wealthy donor who is at odds with Chipping due to his own previously sordid background), Siân Phillips as Ursula Mossbank (a famous actress who has a “background” with Lord Sutterwick), and Michael Bryant as Max Staefel (a German teacher who “must” return to Germany).  Phillips is “simply marvelous” in her take on being a famous actress.  Bryant is also impressive in his subtle expressions.  In fact, I repeated several scenes just to re-watch his facial reactions.
So, is this movie any good?  Does it work as a musical?  And, did I enjoy a rom-com musical?  Yes.  Mostly yes.  Emphatically yes!  I know I’ve seen Peter O’Toole in other roles (obviously “Lawrence of Arabia” and “Becket“), but I really think this is my new favorite role for him.  He was nominated for the Oscar and a Golden Glove for Best Actor for this role.  One of his eight Oscar nominations for Best Actor.  (He holds the lifetime record for nominations without a win.)  Interestingly, his wife (Siân Phillips) at the time was also nominated for a Golden Globe for Best Supporting Actress for her role (Mossbank).  He won the Golden Glove.  She did not.
As a musical, the movie is not “great” – in my opinion.  With the exception of “Fill the World With Love” (see videos below) only a couple of the other songs were entertaining, let alone memorable.  This is partly why the movie was panned by the critics on its release.  In fact, I understand several of the songs were removed from the theatrical release because initial audience reviews were so poor.  The songs have been re-added for the “TCM” version which I watched.  The result is the movie is a “classic” movie with an introduction, intermission and exit production which add almost 15 minutes to the viewing time.  The total run time I watched was over the 2hrs 35min of the “official” run time.  But, it is worth it!!
Final recommendation:  VERY highly recommended.  While at one level, this is the story of one man’s struggle with the apparent mediocrity of his life, at a more profound level it is a love story – personal (husband and wife) and general (Chippings love for knowledge, teaching, manners and character).  I am sure some will find this a bit of a “chic flick” and a tear-jerker.  I did not find it the former.  I did find it the latter.  But then, I often find movies about character and integrity (and love stories) to be tear-jerkers.  So, get the Kleenex ready.
As a “bonus” for this review I am including two videos.  The first two verses of this song are performed by: Petula Clark (from the 1969 musical: “Goodbye, Mr. Chips”).  The last verse is performed by Peter O’Toole and is slightly different from the “actual” lyrics as he is singing to his deceased wife at the end of the film.  (Listen for the “Shhsh” and watch for Bryant / Staefel’s expression during Clark’s singing.  Priceless!!)
I sang this song many times back in my senior year of high school.  It was the first year of our high school choir – and they were taking anyone who was willing to volunteer to sing in public.  LOL.  I did not know the song was only a few years old.  Nor did I know it came from a movie / musical.  But then, I had not seen either version of this movie – 1939 or 1969.  I think I’m better for now having seen both.  If you can find them, I highly recommend them!
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On This Day In:
2018	Stock Market Sets Another Record Under #DumbDonald
	#LyingDonald: About That Special Prosecutor Testimony
2017	We Ain’t Seen Nothin’ Yet
2016	But You Have To Learn It Feels Good
2015	Never Stop
2014	Caution
2013	Treat Her Like A Lady
2012	Build New Worlds
2011	I Grok Elegance
	Standing Relish

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Latina Fish Story

East Side Sushi  (2015)  —  movie review
Every now and then you find (or someone recommends) a small independent movie that really entertains and moves you.  This is one of those movies.
“East Side Sushi” was recommended to me by the younger brother of my best friend from childhood.  He currently lives in Hawaii and we communicate mostly by email.  He provides me with insight to things happening on the island and in Asia.  He is the one who clued me in to the Korean pop music videos I posted about a couple of years ago.  Anyway, he said he saw this great movie, filmed in Oakland, CA and it reminded him so much of the Bay Area he could almost taste the food being prepared in the movie.  I told him I’d keep my eyes out for the film.  I guess it was released on HBO and I didn’t subscribe at the time, so I didn’t have access to it.  To make a long story a little shorter, the film is available on my library streaming service, so I finally got a chance to view it.
The basic story line is old news: someone at the bottom wants to improve their place in society and then works to achieve it.  The twist in this movie: the lead is Mexican / American and female and she wants to become something (a sushi chef) which is “traditionally” both Asian (mainly Japanese) and male.  Apparently, female hands are too warm to prepare fish and they wear too much perfume, which changes the flavor of the fish.   Blah, blah, blah…  Racism and sexism neatly bundled into one plot.  Oh, yeah.  She’s a struggling single mother who also looks after her widowed father.  Strangely though, it works and it works well.
Diana Elizabeth Torres plays Juana (the Mexican lady who wants to become a sushi chef), Yutaka Takeuchi plays Aki (the senior Japanese sushi chef who mentors Juana), Rodrigo Duarte Clark plays Apa (Juana’s father), Kaya Jade Aguirre plays Lydia (Juana’s daughter), Roji Oyama plays Mr. Yoshida (the sushi restaurant owner – and also a sushi chef), and Miyoko Sakatani plays Mrs. Yoshida (the co-owner and maître d’ who originally hires Juana).
Now before we get too into the movie, let me make clear: while I have sampled sushi, I am nowhere near competent to evaluate the food preparation or display demonstrated in the film.  But, and this is a BIG but, I think I’d like to go to a restaurant and try some different types of sushi.  Just to see what all the fuss is about.  (LOL)
I found the movie well acted.  The Mexican family was very much the way I would imagine it: from the father not wanting to eat raw fish, to his complaining about why can’t Juana get a job cooking in a cantina.  I also found the white customer objecting to the restaurant owner about having a Mexican preparing the sushi a fascinating little scene.  It “justified” to the Japanese owner the position that ONLY males and ONLY Asians could prepare “true” sushi.  It reaffirmed the owner’s prejudice without him realizing / acknowledging the customer was as prejudiced against him as he was against Juana.  There is also an amusing staff lunch scene where Juana misunderstands the Japanese accent of English words and the other staff (various Asian and Hispanic) laugh at her error.  If you’ve ever been at a mixed culture meal / event, you’ve probably seen this happen in real life.
Final recommendation:  very highly recommended!  This is a pleasant movie which doesn’t break new ground, but which does cover the same ground while pointing out different scenery which you might not otherwise notice.  It’s a genuine “feel good” movie which can be watched by the whole family.  I emailed my friend to thank him for the recommendation and ask him to pass along any more he might have.  “That’s what friends are for…”  Now, I’ve paid it forward.
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On This Day In:
2018	Blocking The Light And Air
2017	It’s Even Dimmer When You Don’t Have It
2016	Inconvenienced By Degree
2015	Sincerity
2014	Prayers For Junior
	Senseless
2013	Interesting Drink
	Super Bowl XLVII Declared A No Bird Zone
2012	Smile
2011	Come Forward

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