Posts Tagged ‘United States National Film Registry’

Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb”   —   movie review
Today’s review is for the 1964 “comedy “Dr. Strangelove” starring Peter Sellers, George C. Scott, Sterling Hayden and Slim Pickens.  This film is directed by Stanley Kubrick and is considered a classic as both a movie and as a comedic movie.  I think it is a “classic”, but I don’t find it particularly funny.  I guess there are a few amusing moments in the movie, but, I found them “almost smile” moments, not “Ha-ha” laugh out loud moments.
This movie was one of two movies to deal with worldwide nuclear war which came out within a twelve month period.  The other was “Failsafe” (which I reviewed here).  In this movie, an American Air Force general (named Jack D. Ripper [LoL!  I get it!] played by Hayden) goes crazy and orders the strategic bombers under his command to attack the U.S.S.R.  All but one of the planes is successfully re-called (or shot down), but with its radio damaged the single jet manages to initiate the end of the world.  This result is because the Soviets have determined they cannot compete with the United States and therefore (instead) developed a “weapon” which will blowup and spread poisonous nuclear fallout around the world destroying all life on the planet.  The fallout cloud is meant to be toxic for a minimum of 93 years.
One of the distinctive things in the movie is that Peter Sellers plays three different characters in the film: the President of the United States, a British Air Force officer assigned to the U.S. air base, and a “crazy” German (ex-Nazi) scientist who advises the Americans in the War Room.  Sellers was originally contracted to play four roles in this film, but he managed to get out of one of them (the bomber pilot) and the role was given to Slim Pickens.  It’s not uncommon for an actor to have multiple roles in a single film, but normally they are passed off as twins or generational relatives or clones.  As far as I know, until Eddie Murphy came along, this was a fairly unique niche which Sellers played in a number of films in his career.
So, if this is a comedy which isn’t funny (to me), is it any good?  Is it entertaining?  Is it worth worth watching?  Yes.  Yes.  And, yes!
As mentioned above, this movie is considered a true “Classic” and has been voted onto the National Film Registry in the Library of Congress.  It makes satirical comments about nuclear weapons, the Pentagon / National Defense, the President, Texan manliness, and the communist plot to neuter the American public via water fluoridation.  (Yes, we even had conspiracy theories in the movies way back then.)
The movie is pretty entertaining with particularly noteworthy performances by Sellers (in all three roles) and by George C. Scott as General Buck Turgidson.  It is easy to see how Scott went from this role to his Best Actor role as General Patton in 1970.
Final recommendation:  Highly!  Both “Dr. Strangelove” and “Failsafe” are anti-war movies.  The former is the mostly unfunny bookend to the tense drama of the latter.  But, both are very good to excellent movies which (I believe) not enough people are aware of, let alone have seen.  In this day and age, where we are just getting past our own “Nightmare In The Oval Office” (aka: #IncometentTrump) and we are almost 30 years from the collapse of the USSR, we (IMHO) have forgotten what horrors could happen if there is a “hot” war with either North Korea or with Iran.  A war may not result in the mutual destruction depicted in this movie, but the results would be frightening to imagine.
Art, just like history, can caution us about the path(s) to not follow if we are wise enough to remember it and to listen to their lessons.
On This Day In:
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2019 Looking For A Republican With A Profile In Courage
2018 Hammers, Bells And Songs
2017 My Friends
2016 In Need Of Some Work
2015 Elections Have Consequences
2014 An Ear Of Happy Accidents
2013 Powerful Substitute
2012 Heroes Restored
2011 As You Should

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The Grapes Of Wrath (1940) — movie review
Today’s review is for the John Ford directed movie: “The Grapes Of Wrath” starring Henry Fonda as Tom Joad, Jane Darwell as Ma Joad and John Carradine as Jim Casy.  The movie is based on the novel written by John Steinbeck which was published the year before the movie (1939).  The subject of the movie is the move by the Joad family from Oklahoma to California – what causes the move and what happens during the move.  This is the first time I’ve seen this movie and I never had to read the book while in high school and haven’t read it since.  Yes, I know it’s a “classic”.  Mea culpa, mea culpa.
It seems I’ve been watching a number of Henry Fonda movies lately, so I thought I’d do this review next (after “Once Upon A Time In The West“).  In OUATITW, Fonda plays a cold blooded killer named (only) Frank.  I was surprised to find he is also a killer in this movie.  At the start of the movie, Tom is released from prison (convicted of murder which he claims was in self-defense) and he makes his way to his family’s farm in Oklahoma.  He finds the farm abandoned, but is able to meet up with them at his uncle’s farm nearby.  Unfortunately, his uncle’s farm has also been repossessed, and the family is being forced off of it.
Repossessed is probably not an accurate description, because they don’t actually own the farm.  They are sharecroppers.  As long as the land was productive, they could scrape by enough to feed themselves and pay their rent.  But, when the world was hit by the Great Depression and most of the mid-west was hit by the “dust bowl” of the mid-1930’s, the land was unable to support the families let alone pay for the rents.  Many families were forced to move or starve.
Like many families, the Joad’s decide to move to California on the “promise” of well paying jobs.  The majority of the rest of the movie is about the difficulties of the trip and the eventual realization that “the promise” was merely a means for the owners of the land in Oklahoma to get the sharecroppers to voluntarily move off the land without the owners having to use force.  And, during the course of the movie, Fonda’s character kills again.  This time Tom kills a “deputy” who has just killed Fonda’s friend (Carradine / Casy) for no reason except that he (the deputy) can get away with it.
This movie is a powerful indictment of capitalism, fascism and authoritarianism in the United States during the 1930’s.  It has strong political (anti-communist) undertones which touch on both the “red scare” and anti-unionism as the wealthy, in California, try to take advantage of their fellow Americans who have been driven into poverty and into migrant worker status by weather and economic forces beyond their control.  The movie also uses two specific scenes to demonstrate that average Americans have charity in their hearts – in sharp contrast with those with economic power / wealth.
The movie is generally considered to be one of the greatest American movies of all time – and I agree it one of the most powerfully disturbing movies I’ve ever viewed.  According to Wikipedia: “this film was one of the first 25 films to be selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” “
The movie was nominated for seven Academy Awards (1941) and won two:  Darwell for Best Actress and Ford for Best Director.  Fonda was nominated for Best Actor, but did not win.  He lost to James Stewart in “The Philadelphia Story“.
Final recommendation: very highly recommended!  Disturbing, yes!  Powerful, yes!  If there is ANY downside to the movie, I’d say the weak attempt at an optimistic ending detracted from the overall power of the movie.  Fonda’s “Joad as everyman” in the prior scene was barely believable.  Ma’s “we’re gonna get by cause that’s what we’ve always done” – far less so.  In any case, this is a great / classic movie and well worth viewing in our day due to its message about our own economic / political time.
On This Day In:
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2018 Intensity Doesn’t Make It Correct
HF2: 1940’s Grapes
2017 Proof Sits In The Oval Office
2016 Tragic Determinism
2015 Maybe It Should Be Clearer
2014 Make It Your Strength
2013 Four Score
2012 The Ruler
2011 Forever
2010 Just Cuz
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