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Posts Tagged ‘Texas Rangers’

The Outlaw Josey Wales” — movie review
Today’s review is for the 1976 western “The Outlaw Josey Wales” starring (and directed by) Clint Eastwood in the title role.  Other main characters are:  Chief Dan George as Lone Watie (a friend / companion), Sondra Locke as Laura Lee (Wales’ love interest), Bill McKinney as Captain Terrill (the main bad guy), John Vernon as Captain Fletcher (a Confederate officer who turns traitor to his men), Paula Trueman as Grandma Sarah (a bigoted old lady who mellows by the end of the movie), Sam Bottoms as Jamie (a young Confederate who is saved by and then saves Wales), Will Sampson as Comanche Chief Ten Bears, and Geraldine Keams as Little Moonlight.
 
The basic plot is a farmer turned Confederate soldier’s revenge for a family slaughter by some pro-Union irregulars.  As usual, the bad guys neglect to kill the father (Wales), who learns how to shoot a gun, and then joins the Confederates to fight the Union.  When the war is lost, their leader (Fletcher) betrays the Confederates to the Union soldiers, who in turn, slaughter them – again, all except Wales and a youngster (Jamie) who escape to fight again.
 
Blah, blah, blah…  Wales saves the Indian girl (Little Moonlight), his new Indian friend (Lone Watie), and a Kansas family emigrating to Texas (the Grandma and Laura Lee).  One particularly interesting scene is a meeting / negotiation between Wales and Chief Ten Bears.  In exchange for each other’s lives, Ten Bears agrees to let Wales and his party live.  Wales agrees the Comanche’s can take any cattle they “need” during their annual migration from his herd.  Wales promises to brand his cattle with the “S” (snake sign) sign of the Comanche tribe, so they will know which cattle they can take in peace.  They exchange blood to finalize the agreement.
 
The final battle set piece is Terrill tracking Wales down at the new homestead and Wales team defeating Terrill’s.  Wales then chases Terrill down and kills him (Terrill) to finally avenge his family.  At the end, Fletcher is with two Texas Rangers, but fails to identify Wales to them, so they (Wales and Fletcher) can both start their lives over.
 
So, is this movie any good?  Is it entertaining?  Did I like it?  Yes.  Yes.  And, yes.  This movie is considered a “classic” in the genre (Western / Western revenge).  It’s listed as one of the 100 greatest Westerns of all time.  It’s dirty, grimy, bloody and has the laconic humor we’ve come to expect from “Dirty Harry” – I mean from Clint Eastwood.  As for entertainment, it’s not particularly realistic, but it’s Hollywood war and the good guy is supposed to overcome all odds to win out in the end – right?  (Hint: he does.)  And, yes, I did like it.
 
A word of caution to family viewers…  This is rated “PG” for language, a bit of brief nudity, a couple of covered-up sex scenes and a couple of “almost” rape scenes may be inappropriate for younger viewers.  The Wales character is supposed to be a loner, because his wife is raped and brutally murdered at the start of the film (aka: character motivation), so Wales saves the two female companions (Moonlight and Laura Lee) when they are similarly endangered.  I felt the scenes (violence and sex) were appropriate for the movie and the period (1970’s), and pretty similar to Eastwood’s post-“Dollars” trilogy Westerns.
 
Final recommendation: Strong to highly recommended.  If you are an Eastwood fan (or a wannabe), this is a must see movie.  If you are a Western genre fan, it is still a must see movie.  I found it better than Eastwood’s average in the “Man with no name / Dollars” trilogy, but maybe not quite as good as “Unforgiven“.  I saw some clips (the humor scenes) of this film on YouTube and I missed this film on original release, so I figured it was about time to get around to viewing it.  I’m glad I did and I’m sure I will view it again.  Although, I will probably re-watch “Unforgiven” first.
 
PS:  The title of this post is a misquote from the movie.  Wales (Eastwood) actually says:  “Dyin’ ain’t much of a living, boy.
 
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On This Day In:
2019 And Autumnal Foliage
2018 Up Hill, Both Ways
2017 Trump Carnivores – The Revolution So Far
2016 Election Results
2015 Speak Louder
2014 Why I Frequently Give In
2013 Am Remembering
2012 Sustained Fear
2011 Commitment
   

 

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Should’ve Been A Cowboy

Favorite Line(s):
I should’ve been a cowboy
I should’ve learned to rope and ride
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On This Day In:
2019 Tragedy
2018 The Beam In Your Eye Adds Up
Day 18: My Body Mass Index (BMI)
2017 Open Your Eyes (And Your Heart)
2016 Privilege Too…
2015 Otherwise Obscured
2014 Fundamentals
2013 Proof – ing
2012 Deluge, n.
2011 Hail, Caesar!
Why Were You Sent?

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Today’s movie review is for the 2013 version of “The Lone Ranger” starring Armie Hammer (as the Lone Ranger) and Johnny Depp (as Tonto).  Now, I don’t know Hammer from beans, but I’ve grown to really like Depp since he went through his “Pirates of the Caribbean” phase.  This is a remake / reboot of the classic Western genre movie hero.  It is also a classic “buddy-movie”.  I grew up listening to “The Lone Ranger” as a 78-LP, even before I started watching it on TV with Clayton Moore.  Needless to say, I first saw this movie on its opening weekend and this viewing is from the DVD which I was recently given.  (You can read my first review here.)
The “Lone Ranger” myth is a classic story of good versus evil.  In this version, a man, dedicated to law and order, and to justice, survives an ambush, teams up with an American Indian (Depp / Tonto) and they seek to bring justice to the gang which slaughtered the posse of Texas Rangers and the Indian’s tribe.
Within the context of the struggle between good vs evil / power vs justice, the movie has an over-arching theme and then two sub-themes.  The over-arching theme is exaggerated action typical of the “Pirates” series (same director).  This is meant to visually stimulate and entertain the audience with “eye-candy special effects”.  The first (for me) sub-theme is that peaceful folks survive by luck and this is represented by almost slapstick comedy (basically, the first half of the movie).  The second sub-theme is that criminals can “really” only be confronted and controlled by violence (the second half of the movie).  In this movie, there is a palpable change between sub-themes when the main character (John Reid / Hammer) decides to “become” the avenger for Justice: “The Lone Ranger”.  After this inflection point, the action becomes intended instead of “chance / coincidence / slapstick”.  While I don’t agree with the “philosophy” of the decision towards violence to confront the criminal, it is (probably) mostly inescapable in real life.
So, is this a Disney / family / kids movie?  Kinda to mostly, but not entirely.  There are a few scenes which are surprising graphic and may be too intense for very young children (under 8), but all in all, it remains a “Disney” film.  I found it to be long, but entertaining, well worth the purchase price and I hope there will be sequels.  Final recommendation: with the minor qualification about age appropriateness, this is a highly recommended film.
In case anyone cares, most of the “professional” reviewers hated this movie, while most of the regular folks either liked or loved it.  I think (still) history will show it was better than the professional reviews.  When I went to see this movie at the theater with my daughter (Sarah), there was a line!  I was stunned and said aloud, “Don’t you people realize this movie was trashed by the critics!?!”  What I noticed was there were of lot of older Dads and Grand-Dads bringing their kids and Grand-kids to see this movie.  I like to think of this as cross-generational pollination of the “good and worthy” hero to those who follow.  And so the myth of that hero in the Old West continues…
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On This Day In:
2013 Warning:
2012 Thinking About Beauty
2011 A Founding Father’s Argument Against Public Funding Of Religious Education
Weekend Update
So Far, So Good

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