Waiting Quietly In The Dark

If you can see only what light reveals and hear only what sound announces, then in truth you do not see nor do you hear.
—     Kahlil Gibran
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On This Day In:
2022	Waiting Quietly In The Dark
2021	Sustainable Development
	Duke, Duke, Duke (Duke Of Earl)
2020	#IncompetentDonald Is A Clear And Present Danger
	VOTE – “We The People” Can Save America (The Times They Are A Changin’)
2019	Why #45 Is Fated To Endanger Our National Security
2018	Dehydrated
	Dehydrated II
2017	And Some Of Us Have Books
2016	I See No Proof
2015	Whither Tea Party?
2014	Nothing Is Known Absolutely
2013	Decoration Time
2012	The Beatitudes
2011	Good Fences Make Good Neighbors
2010	Back On The Asphalt
	No Sweep – Rangers Win Game 3 by 4 to 2
	Greek Myths For Kids

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Atmospheric Perturbations

A person with a feel for rhythm can walk into a factory and hear the machine noise as a composition.  If we expand that concept to include light, behavior, weather factors, moon phases, anything (whether it’s a rhythm that can be heard or a rhythm that is perceived, i.e., a color change over time — or a season), it can be consumed as music.
If it can be conceived as music, it can be executed as music, and presented to an audience in such a way that they will perceive it as music…
When someone writes a piece of music, what he or she puts on the paper is roughly the equivalent of a recipe — in the sense that the recipe is not the food, only instructions for the preparation of the food.  Unless you are very weird, you don’t eat the recipe.
If I write something on a piece of paper, I can’t actually ‘hear’ it.  I can conjure up visions of what the symbols on the page mean, and imagine a piece of music as it might sound in performance, but that sensation is nontransferable;  it can’t be shared or transmitted.
It doesn’t become a ‘musical experience’ in normal terms until ‘the recipe’ has been converted into wiggling air molecules.
Music, in performance, is a type of sculpture. The air in the performance space is sculpted into something.  This ‘molecule-sculpture-over-time’ is then ‘looked at’ by the ears of the listeners — or a microphone.
SOUND is ‘ear-decoded data.’ Things which MAKE SOUND are things which are capable of creating perturbations. This perturbations modify (or sculpt) the raw material (the ‘static air’ in the room — the way it was ‘at rest’ before the musicians started fu**ing around with it).  If you purposefully generate atmospheric perturbations (‘air shapes’), you are composing.
—     Frank Zappa
From his book:  “The Real Frank Zappa Book“
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On This Day In:
2022	Atmospheric Perturbations
2021	An Afternoon Nap
	How Should I feel? (Can’t Get Enough Of Your Love Babe)
2020	Magical Voices In My Head
	I Still Need Educating (You Ain’t Seen Nothin’ Yet)
2019	And I’m Not Letting Go (A Place We Knew)
2018	The Continuing Failure Of Speaker Paul Ryan
	Day 3: Approaching The Half Way Point
2017	Orange Comb-Overs Unite!
2016	Speaking Of Which
2015	Complexity Has A Strict Architecture
2014	Just Support
2013	Wandering Free
2012	Contribute = Paying Taxes
2011	How Will You Be Judged?

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What If Nobody Believes Them Either

Get someone else to blow your horn and the sound will carry twice as far.
—    Will Rogers
[For example:  #45 – The pathological liar in the Oval Office.    —    kmab]
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On This Day In:
2023	The End As We Fear It
2022	Understanding True Achievement
2021	Avoiding Corners
	Nobody Knows (Nobody Knows It But Me)
	A Novel War
2020	First Buds
	To Fly
2019	What If Nobody Believes Them Either
2018	It’s About Heart Not Skill
2017	Winning So Much I’m Already Tired Of It (Not)
2016	Punishing Red Binge
2015	Bits In The Soup
2014	More Beef, Less Bull
2013	Where Are Your Mountains
2012	Spherical Knowledge Of Hamsters
2011	Taking Stock Over Time

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