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In my continuing efforts to learn more about playing guitar and making music, towards the end of last year, I began trying some  “finger-picking” styles.  Before that I was either using a “plectrum” (guitar pick) or just casually strumming with my thumb / index finger.  There is an obvious tonal difference between the two: using a pick tends to be louder and with individual notes better defined;  no pick (to me) sounds “fuller” but softer (muffled isn’t the right word to describe the sound, but it’s all I can think of).
Finger-picking is used the most extensively (exclusively) in Classical and Spanish style guitar playing and frequently in Country (“Travis Style”) and Jazz.  As these styles are all far beyond my basic skill set, I have (to date) paid little heed of the physical requirements of this / these style:  Fingernails.
As I began exploring these styles (yes, my reach exceeds my grasp), I kept stumbling on advice for how to maintain appropriate nails – length and shape.  And, in turn, I’ve tried growing my nails out…

PIMA“: P = pulgar (thumb); I = indice (index finger); M = medio (middle finger); A = anular (ring finger)

Traditional “Classical” style uses the thumb (“P”) and three fingers (“I”, “M”, “A”).  The “pinky” is unused.  Traditional “Travis” style uses only thumb and index finger, but most guitarists nowadays use at least two fingers (and usually three).

1 – 2 mm past your finger / nail join point

The traditional “strike-zone / sweet-spot” for finger-picking is the point where the nail and finger join.  This allows the guitarist to both deaden a moving string (using the finger pad) and get the most precise release point for the string (the edge of the finger nail).
Of course there are a variety of individual factors which determine how long and what shape your nails need to be, including: the shape of your fingers, the width of your nails, the shape of your nails, the distance from the join point (finger and nail) to the top of your individual fingers and the angle of “attack” you use to pluck each string.

Poorly shaped, but approaching the correct length

Bottom line?  Too much, too soon.  Yes, I can feel the difference when playing, and yes, I can hear the difference, but this is a LOT of hassle.  I have a LONG history of OCD with my fingernails.  I don’t bite them, but I keep them VERY short and just going a few weeks to grow them out this far is driving me crazy!  LoL!!
So, no, I won’t be keeping my right hand nails long…  And, so, my dreams of becoming the next Andrés Segovia / Merle Travis must fall by the wayside…  (Just kidding.  I have NEVER dreamed that!)  Now, where are my clippers?
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On This Day In:
2022 Do People Know What You Stand For?
2021 The Republican Party Can Survive Trumpism (If It Wants To)
Don’t You Ever Ask Them Why
2020 Art Work
One Person (Republican) Can Make A Majority
2019 Hopefully, Closer To Noon
Can You See The Bottom?
2018 Stock Market Sets Another Record Under #DumbDonald
#LyingDonald: About That Special Prosecutor Testimony
2017 We Ain’t Seen Nothin’ Yet
2016 But You Have To Learn It Feels Good
2015 Never Stop
2014 Caution
2013 Treat Her Like A Lady
2012 Build New Worlds
2011 I Grok Elegance
Standing Relish

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Today’s post is just an update on my “learning” guitar progress…  Two years and counting…
I’m continuing to practice most every day for at least an hour.  There have been quite a few more days in the last six weeks when it’s only been 30-45 minutes, but that’s life.  Most of those times, I’ve been playing until fatigue / sleepiness and stopping when I start nodding out.  LoL!  I do most of my practicing between 11:30pm and 1am.  I can sit out in the front room and not disturb anyone (our bedrooms are on the other side of the house).
I’m still alternating between my various guitars.  I’m now up to 11, split mostly in favor of electric (7 to 4).  I’ve had them in a rotation schedule of a couple of acoustics laying in the living room and bedroom (for quick access) and then the rest in a monthly rota, but I’ve recently shifted to a three week rota as I don’t feel like I’m actually touching each enough with now having so many.  The perils of G.A.S. (Guitar Acquisition Syndrome)…   If you’ve been counting, or reviewing my “Learning Guitar” page, you’ll see I don’t have all of my guitars accounted for (only eight reviews).  My original intent was to do initial impression reviews and then subsequent updates as and when I “modded” them.  “Life” and my procrastinating nature have more or less shot that plan down.  It’s too late to do the initial impressions and I haven’t done very many mods, but I still plan to do reviews at some point.
I am still planning to get two more guitars to round out my collection – a full size nylon-string classical / acoustic and a single neck-humbucker telecaster style electric.  After that, any additional purchases (quality upgrade) will necessitate a charitable donation to make room for the new toy.)  The “Happy Wife” policy…
As far as “playing” goes, I’ve already forgotten more than I’ve learned.  I’ve been skimming the odd book and watching a lot of guitar videos, but while they “teach” you a lot – it’s really more a case of “informing” you about motivation, techniques and concepts.  The more I’m practicing, the more I’m realizing that if “it” (a given action) isn’t under your finger tips as muscle memory, you really haven’t learned it…  And all of that muscle memory takes time and (more) practice – not more awareness / understanding.
Fortunately, for me (and not so fortunate for my family), my OCD allows me to be fairly content with just practicing things (scales, chords, spider walks, children’s songs) over and over and over again.  I enjoy the repetitive action(s) and I feel like I’m finally starting to hear the notes.  I mentioned in a prior post that I am “kind of” able to hear myself hum an “F#” and then tune the guitar from there.  I’m continuing to get better at this.  I’m also a little better at using a A400 tuning fork to tune the guitar.  This is as opposed to using an electric tuner as a default tuner.  I still (also) use the electric tuners, but I’m gaining confidence in my ear for relative pitch.  Starting out, if ANYONE had said I’d be able to do this AT ALL, I’d have told them they were crazy and it’ll NEVER happen.  LoL.  The old dog is learning new tricks!
Most of the relatives feel I’m going about this “learning guitar” all wrong and that I should be learning songs.  While I appreciate their viewpoint, I don’t find learning “songs” to be that interesting.  I have two “songs” memorized (finger-style): “Taps” and “God Save the Queen“.  I also have a couple more close to memory: “Ode to Joy” and “Drummer Boy”.  On “Ode“…, no, not the full version – get serious…  But enough so you can tell what the song is.  Random people I discuss “learning guitar” with generally say: “As long as you’re having fun, who cares what you’re playing.”  But I have a feeling they’re thinking, “TWO YEARS(!!!), and that’s all he can play?”  (LoL)
So, I still haven’t settled on a single guitar I want to specialize with.  I still haven’t decided if I want to concentrate on finger-style or plectrum-style.  I still have very poor (almost none) rhythm – which makes leaning to strum problematic.  I’m still SLOW at changing chords – even the few I know.  And, I still haven’t decided what kind of music (rock, country, jazz, classical, blues, Spanish, folk, pop) I want to play.  Slowly, slowly.
And, finally, other hardware…  I’ve added a second “amp” and a “looper pedal” to my collection of kit.  The second amp is a portable, super-mini (3 watt) battery operated job.  It sounds slightly better than my original amp, but I don’t know enough about either to have the faintest idea of why – or if I should care.  The looper allows me to record a few seconds of playing chord changes and then play it back in a loop to play lead over.  The problem (of course) is my chord transitions are soooo bad, there is little point in trying to record / loop them – particularly when there are already hundreds of good background loops available on YouTube.  Oh, well, another toy to play with…  Slowly, slowly.
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On This Day In:
2022 A Murmuring Note
2021 Satisfied If Not Fulfilled
You Don’t Know
Urban Ballroom
2020 R.I.P. Kobe
2019 Looks A Lot Like #45
2018 Trying To Stay Young
2017 Seems Reasonable To Me
2016 We Can Get Through This Together (In Time)
2015 How Long Is A Piece Of String?
2014 Heathen, n.
2013 Wisdom’s Folly
2012 When The Student Is Ready
Disconnected Leadership
2011 The Complex Richness Of Life

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Nothing is more beautiful than a guitar, save perhaps two.
    —     Frederic Chopin
[As in “Guitar Acquisition Syndrome“.  (LoL)   —    kmab]
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On This Day In:
2022 And Even Fewer Regrets
2021 Today Counts
I Hope You’ll Understand
2020 Maybe #IncompetentDonald Really Is A Great Manager
2019 Your Only Choice
2018 A Good Definition
2017 Getting It Done
2016 Getting To Know Me
2015 Why I Pay Taxes
2014 Inequality Of Sacrifice
2013 I Never Saw A Moor
2012 Fill In The Blank
Not For Naught
Cliff Notes To Life?
2011 Conference Games Sunday

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The joy of playing classical guitar extends beyond the prize (the perfect performance).  It’s the daily journey and how we travel it.  That’s where we find the gold.  That’s where we discover the humanity, in both the music and in ourselves.
    —    Allen Mathews
Allen Mathews is a professional musician and classical guitar instructor who maintains a site located at:  https://classicalguitarshed.com/
Every Tuesday, Allen posts a quote (which may or may not be specifically about music).   He then goes on to tie the quote to a “teaching moment”.  Allen’s “Quote page” is located at:  https://classicalguitarshed.com/tuesday-quotes/
[Disclaimer:  Although I have viewed many of Allen’s videos and subscribed to his emails for over a year, I have not personally purchased any of his packages of instruction as I am merely dabbling in “classical” guitar to see what it’s about.  I have no other association with Allen or his site and have not requested permission to re-post this quote.  If he requests it, I will remove or substantially edit this quote.    —    kmab]
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On This Day In:
2021 Likely To Be Subtle
My Temp’s Pretty High
Scratching A Persistent Itch
2020 A Word Of Assurance They Are Not Alone
Is #45 Still Crying?
2019 It’s Obvious
2018 Passed Too Swiftly
2017 On Our Wall (Part 1)
2016 Or The Ripples From A Good Life
2015 Titles And Reputations
2014 Unfolding
2013 Again
2012 Needs
Damned
2011 Potter & Prejudice
Blink, Blink

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Where fatigue begins, technique ends.
    —     Walter Gieseking
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On This Day In:
2021 Givin’ It All Away
Memories Will Remind You
2020 Does Blogging Count?
Just Like You
2019 None Absolutely Certain
Destroying The Republic
2018 Maps For Those Difficult Times
2017 A True American Hero
Or Desserts
2016 What #AmnestyDon Is Really Afraid Of
2015 What Are You Doing?
2014 The Ideal Man
2013 Daring Ripples
2012 Evermore
2011 Unpredictable Opportunity
2010 Giants Fall In Game 2 (1 to 6) – Leave PA With 1-1 Split !!

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Warning:  This is LONG post…  It won’t hurt my feelings if you’re not interested in my guitar reviews and go now…  (LoL)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    kmab]
* Guitar Acquisition Syndrome
Background:  For the last 19 months, I’ve been trying to teach myself about music and playing guitar.  To date I have now purchased nine “inexpensive / cheap” guitars.  This is the review of my latest:  a Fesley “Strat” style Electric Guitar (Sunset color)…  What is a “Strat” style?  If you’ve ever seen a picture of Jimi Hendrix playing guitar, it was probably a “Strat”.  Strat is short for Stratocaster and is one of the two “main” styles of electric guitar.  It is characterized by two “cutaways” (one on either side of the neck where it attaches to the guitar body);  “horn” shapes which are more reminiscent of bulls horns than of devil’s horns;  and, the guitar body is solid (not hollow) with six steel strings.  The “horns” are usually of slightly different shape and are normally slightly offset (not mirror images) with the more forward horn on the base-string side of the guitar.  The “Strat” was created in the 1950’s by the Fender corporation.  The Strat usually comes with three single-coil pickups and may also come with a tremolo bridge.  The “pickup” is what translates the steel string vibration in front of a magnet and converts it to electrical impulses which are amplified into the sounds you hear coming from the amplifier.
Anyway, as stated in several prior reviews, I’m retired and I have a significant price point and life time (mine) limitation when making discretionary purchases.  I haven’t found my music / guitar sound or style (or hero), so I’m playing around at the bottom of the market in search of one, both or all three.  For those of you readers who are unfamiliar with the price of music instruments, a decent quality, name brand guitar “probably” runs near USD $1,000.  (If you are lucky, you can find the same model used for half that.)  At half that price (USD $500), you can also normally find the same name brand (or their subsidiary) selling a new entry-level model of substantially lower quality.  You can also go (quickly) the other direction to many times that price before you even get to custom guitars.  Specific historic guitars sell in the tens and hundreds of thousands of dollars!
I now have nine “cheap / inexpensive” guitars of various style / types, and, not counting books and accessories (tools, tuners, picks, cables, gig bags, straps, etc), I’m just over the $1,000 “all-in” mark.  My wife believes I’m a hoarder and while she supports my trying to learn music / guitar, she does NOT approve of my continuing guitar purchases.  I (on the other hand) still feel the need for one last guitar before pausing to concentrate on the “right” one – which I may never find / buy.  I will probably get that “last” inexpensive one before the end of next year (2023).  I actually have my eye on two types I don’t already have.  After that, I will be playing them each, and, over time, upgrading the bits and pieces on them until I’m more or less happy with each.  Some, like my three-quarter size acoustic are so minimalist it really can’t have much changed out.  Of course, as my luthier skills improve, there is a seemingly endless pool of tools to spend (my wife would say “waste”) money on.  And, there are also amplifiers.  On the issue of amps, I only have my initial 20-watt amp from the purchase of my first electric guitar.  I’m sure it’s “crap”, but I very rarely use it, so it may be some time before I get a second / replacement amp.  At the moment, I play my acoustic guitars in the day and my electrics sans amp at night.  The main time I use my amp is when I get a new guitar and want to verify the electric bits work.  Because I just starting to gain an ear for electric sound, I still can’t tell if the electric guitars are good or not – only if they play at all.  As an aside, in my prior reviews, I mistakenly said my amp was a 10-watt amp.  It turns out it is a 20-watt.  Not that it matters, as it is NEVER turned up, and still rarely used.
Start of review:
Ordering:  I ordered the guitar on Amazon.com.  The general price on Amazon varies from $169 to $119 (depending on the color chosen), not including tax or shipping.  I have NO idea why the price varies by color!!?!  But, of the colors available, the one I wanted was the least expensive anyway.  I purchased the item via my daughter’s Amazon membership, so shipping was free.  The price ended up:  $131.54 (delivered).  I “earn” $100 gift cards for Amazon about once every six months by answering questions on a marketing / polling / survey site.  Although this is “real” money, it does not come out of my retirement money, and since I’d be answering the surveys anyway – it’s “free” money (to me, but not to the IRS).  The price of a “moderately” decent padded guitar gig bag is $20-$30 on Amazon.  So, basically, I got an electric guitar and gig bag for the price of a gig bag:  $31.54!! (LoL)
Delivery:  I ordered mine on Thursday 28 July 2022 (evening) and it arrived on 4 August, mid-afternoon.  Amazon’s delivery estimate was spot-on.  On delivery, the exterior box was slightly crumpled on several edges;  the interior box had no damage at all.  On opening the interior box, the guitar was inside the padded gig bag and there was no damage at all to the guitar.  This is the first guitar I’ve received “double-boxed”.  My only comment is the interior box was free-floating and slid around inside the larger exterior box.  All-in-all, I am very happy with the delivery.
What you get:  (Specifications)
Brand:  Fesley
Model:  Fesley ST Electric Guitar Morandi Series
Style:  “Strat” with tuners on one side of the headpiece
Price:  $119.85 — my price was $32 including tax (out of pocket).
Orientation:  Right handed
Guitar Color:  Sunset (Front and back)
Weight:  9.73lbs
Number of frets:  20
Number of strings:  6
String Material Type : Nickel Steel
Guitar Pickup Configuration:  H-S-S (humbucker / bridge, single / middle, single / neck)
Guitar Bridge System:  Cold-rolled Steel Block Bridge with tremolo system (push-in “wammy” bar)
Controls:  4 – 1 switch (5 positions), 1 x Volume, 2 x Tone;  the three knobs are black plastic with no numbers
Color – Black:  Zinc Alloy Tuners, a Single String Guide, Cold-rolled Steel Block Bridge, Wammy Bar, Volume and Tone Controls, Inlaid Fret Dots
Body Material:  Poplar
Neck Material Type:  Poplar
Fretboard Material Type:  Hard-maple
Neck Info:  C-shaped neck profile with satin finish;  20 frets, marks (dots) on the neck and top of the fingerboard help guide / play;  430mm radius
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Unspecified (I think it’s plastic)
Pick Guard:  None
(Package Includes)
1 x Guitar
1 x Wammy Bar (pop-in style, not screw-in style)
2 x Spanner Tool (for adjusting the neck / truss rod and one for setting intonation)
1 x Padded Gig Bag
Double boxed for delivery
First impression:  right out of the box, the guitar has a beautiful, dark, rich sunset (sunburst) front AND back.  It is thin and feels small and light.  I run my left hand up and down the neck.  The edges of the fret board are smooth and fret sprout is non-existent!  I could NOT feel the frets from the side of the neck.  I had to slightly curl my fingers around the edge.  They are not rounded on the ends – ball-bearing style – so you still have to be a bit careful running your fret hand up and down the neck, but this is among the best fret work I’ve ever gotten on any of my guitars. It remains to be seen if this continues after the guitar has had a chance to acclimate for a couple of weeks.  I don’t think it will be an issue…  The guitar was in a plastic bag with the wammy bar and tools rubber-banded to the neck.  The strings were paper bound for their protection.  There is a little card indicating the guitar was inspected and listing the action height at that time.  I will compare this info later when (if) I do a full complete setup with action and intonation.  It’s also a useful reference for future string changes…  The frets are shiny and smooth and the fretboard looks moist without being shiny.  NO crud comes off the frets on my fingers as I check them (sometimes you can get a bit of blackening on your fingertips) and there is no gritty sound on string bending at a few test points.  (I’m laughing to myself!)  This is the best looking first impression of a fretboard of any of my guitars!!
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – discolored plastic.  Not white, so you almost think it’s bone.  The string groove depth seems fine to great.
• strings – strum… not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny (matte NOT high gloss) finish.  I don’t see ANY dents or faults!!
• pickups – are all magnetic.  I can’t tell much else visually.  The “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.  I would say there is an “unsightly” gap around the pickups.  My other guitars’ with single pickup slots are covered by the pick guards, so you don’t see the gaps.
• controls – the switch is responsive without being resistant, the volume and tone(s) both turn smoothly. I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on).  One slightly disconcerting thing is the knobs seem to turn past “0”.  I don’t know what that means.  All of my other guitars fully stop at “0” and “10”…
• tuning pegs – all are smooth and don’t appear to have dead spots.  They are the smallest tuners I have ever felt!  They are functional, but they feel “tiny” between my fingers and thumb.
• action and intonation – the strings seem fine (eyeball test).  I will measure them (for action) in the future.  The intonation is WEIRD!  The intonation is perfect open and at the 5th and at the 12th frets.  All up and down the neck with no dead frets on any strings, but ALL of the other frets are slightly sharp.  To me, this (probably) means Fesley took extra care to get the open, 5th and 12 frets exactly in the right place but were slightly less exact on the remaining frets.  I should point out the difference is similar (if not exact) for all of the other frets and for all of the strings AND I can’t actually hear the difference – but the electronic tuner can.  Just slightly…
Strum… the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  (Except the intonation issue mentioned just above.)  I’m a happy camper…!!!
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections seem solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  All the knobs on the amp and the guitar seem to work.  The slippage on the knobs doesn’t seem to affect anything.  When the knob gets to zero (unmarked), whatever is supposed to be changing stops changing.
Strum… I play for a few minutes – chords and scales.  I spend a few minutes practicing “Ode To Joy“, “Taps” and “God Save the Queen” and then noodle a bit before deciding to pack it in for the evening.  The main thing I notice is the guitar is VERY comfortable to play.  The neck seems short, I don’t have to stretch to play open chords and the body (depth / width) seems to be made just for me.  Mainly the thinner body means it’s easier to hold the guitar body under my strumming arm and against my body.  This guitar has a slightly different cut out angle (from the Glarry) at the elbow which seems to make it even more comfortable for me.  Now, a point of clarification:  This is not a “Full Size” strat style guitar.  At least judging by my Glarry 38.6 / 39in strat style it isn’t.  Just eyeballing it, I’d say the Fesley is almost an inch (maybe only 3/4in) shorter.  FYI:  Glarry says their strat body size (38.6in) doesn’t include the strap button on the bottom of the guitar.  Standing the Glarry and Fesley face to face, the bodies are the same length, yet, the tip of the head-piece is clearly shorter than the Glarry’s.  The difference “seems” to be the bridge on the Fesley is larger than on the Glarry AND it is set farther down the body than the Glarry’s because the Glarry’s pickups are S-S-S while the Fesley’s are H-S-S.  The double thickness of the humbucker requires the bridge to be set down the body.  I also point out the Glarry is a 22 fret guitar.  The Fesley is only 20 frets. Interestingly, this (moving the bridge back) makes it easier to right-hand strum mute the strings on the Fesley than it is on ANY of my other guitars – acoustic or electric!  Go figure…
Next?
Nothing out of the ordinary…  Just tune and noodle.
Check the fret sprout for about a week and do the light maintenance on it for playability.  Then it’s add to the rotation and enjoy!!
Final Recommendation:  LoL!!  Are you kidding me?  Very Highly!  A beautiful, almost perfectly playable instrument for under $35!!!  (Okay, $135 to you…)  I’m laughing all the way to the bank.  (And, still practicing about an hour a day…)
Thanks to anybody who made it all the way through this lengthy post!!
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On This Day In:
2021 Born Again
Begin Writing
2020 Nah… I’m Still Chuckling
Squeaking By With “C’s”
2019 Consider Me A Phony
2018 Last
Day 10: Double Digits
2017 Could You Repeat The Question?
2016 Still Busy?
2015 Why, Just This Morning…
2014 Just Kindness
2013 Now Shaking
2012 Absurdity, n.
2011 Minor Changes
Things I’ve Learned From Life – Nana Carter
Acting Out

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This post marks the first day of my 14th year of blogging here on WordPress.  A great deal of this post is a repetition of last year’s post…  (And, yes, it’s a long one…)
With almost no change from last year…  The number of countries who’ve visited this site continues to (slowly) grow and the number which haven’t continues to decrease.  North Korea and Cuba are still among them (the latter…)  I’m also still missing a belt across the middle of Africa (but it’s no longer coast-to-coast) and a few spots in Asia.  (Slowly, slowly…  Resistance is futile.)
On reviewing my content over the past year, I’m mostly back to one post a day.  They are almost entirely just quotes with occasional political opinions, infrequent film reviews and rarely book reviews.  I haven’t added near as many posts about learning guitar or music as I thought I would.  I’m not terribly sure why.
My blog is continuing to be part of my “normal” retired life (since 2017).  I routinely receive about 20 to 60 emails (per day) from the roughly 300 blogs I follow.  I say “roughly” because I don’t check how many I follow.  I just looked, and I (still) have fewer than 2,000 followers myself.  Every year there is a trade-off:  you pick up a few steady followers and a few drop off.  Those who actually post about leaving (their own sites) say they are simply moving on to other things.  Most, don’t bother and just stop posting.  A few come back after some period of time.  Many do not.  It doesn’t necessarily mean they’ve stopped blogging.  Some just move to a hosted service to try to monetize their thoughts and don’t provide me a way to follow them.  Or maybe they did and I simply missed the link…
I do have bone to pick with some (many?) of the posts I receive.  Three bones, actually…  First, I receive a large number of posts which don’t contain “Like” options.  This means I have to click to your site and log into WordPress to give you a like.  Most of the time, I will not do this.  I’m just lazy and if you don’t want the feed back, I’m happy to not provide it.  The second is an email with a title and five or six words from your post and then a “read more”.  Again, sorry – PROBABLY 95% of the time, I no longer click through to your site.  If you don’t give me at least a paragraph to hook me, you’ve lost me for that post.  It’s different if you are running a visual / photo site, but not by much.  If you give me one (or two) image(s) per post – fine.  If you regularly have 10 – 15 – 20 images in a single post, I might view one post a week.  And, lastly, in general I only view one post a day from a single source and it’s kind of random…  Sometimes it’s the first.  Sometimes it’s the last.  Sometimes it’s just whatever…
At any rate, I easily spend an hour per day reviewing the posts I get (via email subscription) and sometimes that is simply overwhelming.  It’s not always the average blogger’s fault.  If you post something interesting, I (still) will go off and investigate it further:  authors, artists, locations, books, movies, science / math / history topics – they will all lead me off down the rabbit hole.  And that hole can be DEEP!   There are a few (a handful) of sites which I know are visual and I more frequently click through to the actual site, because I’m interested in the bits which are not offered in the smaller / limited / text based emails I tend to receive.  I apologize if my failure to click-thru affects your view stats negatively…
So, besides this blog, what am I up to?  My health has been mixed.  I’m still morbidly obese and none of my “lifestyle” changes (diets) have stuck.  The problem I have is I’ve had some changes in my meds so I’m not sure if they are affecting me or if I’m just getting older and less motivated – or a combination.  As always, one has to balance the good of the med versus the adverse (potential) effects.  The two which seem the best (for me) are the juicing / blending and the “40hr water fast twice a week”.  The former for losing and the latter for maintaining.  If I can get my meds stable, I’ll probably go on an alternating schedule of these two for a prolonged period.
In January 2021, I purchased my first guitar and I’ve been practicing most every day since. (I miss about one day every other month.)  I “know” my basic (C, A, G, E, D, F, Am, Em, Dm) open / “cowboy” chords and major / minor scales – single string and in first position.  Strumming, finger-picking (Travis style) and chord changes are coming slowly (slower), but they are getting better now that I’m practicing them more consistently.  I now own three acoustic guitars and five electrics, and I have another acoustic on loan from my brother.  I had them on a monthly rotation calendar, but shifted to three weeks at the start of the year (2022).  I’m planning to move to a weekly rotation.  I’m looking into picking up a few (three) more inexpensive guitars and I’ve dropped the idea of basses (for at least a while).  There is no time pressure.  It’s all about my ability to save (here and there) until I can justify a purchase.  [Wife:  How many guitars do you NEED?  Me:  …One more.]  At the moment, the plan is one more strat (type), one more tele (type) and a round-back acoustic.  I didn’t really even think about round-backs before.  I thought they were only over-sized guitars for Mariachi style music, but I’ve learned otherwise.  Anyway, they “tend” to be plastic / fiberglass backs, and I’m interested in what that sounds like.  I have a distinct memory of strumming an “Ovation” (round-back) guitar MANY years ago, but I don’t remember anything about it (sound or feel).  We’ll see…  I am also going to start looking into amps and pedals for the electrics.
The few things I’ve learned (mainly about myself) have truly been amazing (to me).  I do seem to have a smidgen of musical ability (although it’s still buried under layers of doubt).  I’m (still) finding the ability to concentrate on practice to be as relaxing as zoning out in computer programming used to be (in my youth).  Sixty to ninety minutes can easily seem like five or ten minutes.  There is also the complete exhaustion which results from prolonged concentration – however “relaxing” it may feel at the time.  In a strange way, it feels good to be mentally tired at the end of a practice session.
But, am I getting any better at playing?  An objective opinion would be:  Yes!  Am I any “good”?  An objective opinion would be:  No!  Does it matter a whit?  No.  Why not?  Because, like blogging, I’m doing it for the enjoyment of doing it and not for the expectation (mine or anyone else’s) of being any good at playing guitar.  Again, like blogging, as long as it’s fun and interesting and fulfilling, I’ll just keep doing it…  My not so secret goal remains to write a song (lyrics and music) for my wife.  (LoL)
I posted a while back about my guitar goals for the remainder of 2022, but I can easily see them (the goals) extending into 2023.  If I have ANY disappointments over guitars it’s that developing my luthier skills has definitely fallen by the wayside.  I’m happy being able to change strings, round fret ends and play with action and intonation, but it turns out, if you buy inexpensive instruments, the decent quality luthier tools and better quality parts are almost as (or more) expensive as (than) a new instrument.
So, it’s guitar playing and blogging to keep me occupied (and mostly out of trouble).  LoL!!
Other than that, we got one of our bathrooms remodeled back in February 2022 and we’re hoping to get our other one done in early fall.  All things in their time (LoL – and with available funds!)
Once again…  “Excelsior!!
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On This Day In:
2021 Happy 12th Anniversary Of Blogging
We ARE…
2020 Happy 11th Anniversary Of Blogging
2019 Happy 10th Anniversary — Thoughts On My First Decade Of Blogging
2018 Happy 9th Anniversary — Three Thoughts
Day 2 – Notes On Progress
2017 Happy 8th Anniversary
2016 Happy 7th Anniversary
2015 Happy 6th Anniversary
2014 Happy 5th Anniversary
2013 I Resemble That Remark!
2012 Happy 3rd Anniversary
2011 Is America Safe Tonight?
2009 Hello world! (See how it all began…)

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The following is my “goal” for learning / playing guitar for the remainder of this year (2022).  (It will be quite a stretch-goal for me.  LoL!)

Guitar Test

1.) How much do you practice  —  # of Day (6) / week (52);  # of Hours (1)
2.) How well do you know the fretboard
3.) Knowledge of major & minor scale for natural notes
4.) Knowledge of major & minor chords  —  open & barred
5.) Perform three:  Maj7, Min7 & Dom7 chords
6.) Playing & modifying a chord progression
7.) Perform three different Arpeggios  —  anywhere on the fretboard
8.) Build A Major scale (at least 3)  —  demonstrate a knowledge of scale formulas (along 1 string)
9.) Name the tones of four major key signatures
10.) Name & explain three time signatures  —  count, beat, stresses & accents
11.) Explain note duration  —  whole, half, 1/4th, 1/8th, & 1/16th
Of course the object of “learning” these things is not the inherent value of knowledge.  It is the ability to put the knowledge into use why playing the guitar.  Some of the items on the list are things I already “know”.  They are just (still) not yet under my fingertips.  That will come with time and practice…  Inshalla
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On This Day In:
2021 Waiting For The Sting
Right From The Start
2020 Reward Truth In November
2019 Prepare For The 2020 Election
2018 Why #45 Is Uncivil And Sinking
Ole! … Ole, Ole, Ole
Is This Still The United States Of America?
2017 Go Where?
2016 Returning To The Same Box
2015 The Hunter’s Music
2014 Dedication
2013 Unhappy Alternatives
2012 Implications
2011 Never Let Us Down

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Indio (by Monoprice) Retro Classic Solid Body (“tele”-style) Electric Guitar w/ Gig Bag  —  guitar review  (Images follow the review)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    KMAB]
Background:  I am a rank beginner guitar player (particularly when it comes to electric guitars), so please take all of my advice / opinions with a healthy grain of salt…  This is another in a series of reviews of guitars and kit I am writing as I learn how to play guitar.  All of my purchases have been at the bottom end / inexpensive side of the market.  (Obviously, this is not really a box-opening / initial receipt review like my prior ones.  I just procrastinated…)
Start of review:
Ordering / Delivery:  I ordered on a Saturday evening (11 Dec 2021), and received the guitar the following Tuesday (14 Dec 2021).  I consider this pretty phenomenal service!
Price:  $79.99  (Yes!!  This is NOT a mis-type!)  My son asked what I wanted for X-mas and agreed to go half with me.  He gave me $40, and I paid the difference (just under $90, w/ taxes, but free shipping).  So, I was all-in less than $50!  (My wife is [was] still not happy as this is [was] my sixth guitar purchase in less than 12 months.  LoL!!)
Buyer’s caution:  Indio / Monoprice sells another “tele” style model which – at first glance – looks exactly like this model.  However, it has no “through-body” strings and it has the three post / two string bridge (traditional) as opposed to a post for each string (non-traditional).  I specifically wanted the individual posts because I want to be able to set intonation on each string, not balance between two strings per post.  Does it matter?  Probably not, I’m just OCD.  (images below)
What you get:
(Specifications)
Guitar Brand:  Indio (by Monoprice)
Model:  610264
Orientation:  Right handed
Guitar Color:  Blue (Dark Royal)
Number of frets:  22
Nut width:  42mm.
Scale length:  24.75″ (“full size”)
Number of strings:  6
Pick-up Style:  Single (lipstick);  Single (standard / exposed / ceramic)
Guitar Bridge System:  tele-style modified ash-tray
Controls:  3 – 1 x switch (3 positions), 1 x Volume, 1 x Tone;  the switch and knobs are metal and mounted on a metal oval backing plate (traditional “tele” style.
Body Material:  Basswood;  NO pits, gaps or faults.  A surprisingly beautiful instrument for the price!
Neck Material:  Basswood
Fingerboard Material:  Maple
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Plastic (well cut and trimmed)
Bridge Material:  Metal
Bridge Type:  Through body stringing with a modified “ash-tray” style metal piece
(Package Includes)
1 x Guitar
1 x Gig Bag
2 – 1 x Allen wrench (for adjusting the neck / truss rod);  1 x small Allen wrench (for adjusting the bridge intonation / action)
First impression:
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – Plastic.  Looks perfect.  Well cut and rounded
• strings – strum…  not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny finish.
• pickups – both magnetic.  I can’t tell much else visually.  My “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.
• controls – the switch is responsive without being resistant, the volume and tone both turn smoothly.  I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on)
• tuning pegs – no loose spots on turning (tightening or loosening)
• pick (“plectrum”) – none – a missed opportunity for marketing.
• strap – none – another missed opportunity
• action and intonation – the strings are high-“ish” and the intonation is off.  Neither are “bad”, just not spot on.  The guitar did not come tuned, but this is not unexpected.
Strum…  the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  I’m actually loving this at first touch…!!!  Despite the neck looking pretty unvarnished, the slide is very smooth and comfortable.  It is described as “fast satin”.  I’ve no idea what that means.  Okay, “nothing significant” ONLY means everything seems normal.  There is “normal” fret sprout and the fret ends are not rounded (“BB” style).  Both of these conditions ARE “normal” – particularly at a price point under $100.  The sharp edges are much worse than the sprout.
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections are solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  Both switch and the knobs on the guitar seem to work.  As always, the tone kind of changes the sound, but I still don’t know what I’m doing or what it should sound like, so I set both back to “0”.  The volume is MORE than enough (perfect) for me to play in my bedroom or living room after everyone else goes to bed.  It is quieter than an acoustic, but no louder than any of my other electrics.  Maybe just a little “twangier” in the base strings.  Not buzzy, but not like clean strings.
Strum…  I play for a few minutes – chords and scales.  I spend a few minutes “playing” Ode To Joy and then decide to pack it in for now.  The guitar is very comfortable to play.  The neck and the body seem to be made just for me.  It is lighter than my Donner “LP” style, but heavier than the Glarry “strat” style.  Also, the single cut top end of the body does make the higher frets more comfortable to reach (compared to full / acoustic bodies).
What’s happened since then?
Mostly, I played with the action and the intonation.  I’ve set the action very low and the intonation is as close as I can get it to perfection – at least to my Snark.  I waited a week or so and then filed of a bit of the fret sprout and rounded them, too.  I also ended up raising the action back a little bit and then re-adjusting the intonation.
Next?
Check the fret sprout periodically and do the light maintenance on it / them for safe play-ability.  The guitar has (since) been added to my rotation and I’m still enjoying it.
Final Recommendation:  This is a beautiful guitar and once I sorted out the fret ends and added a strap, it’s been a pleasure to practice with.  I still don’t know enough about electric guitars to comment about that aspect (using with amps).  I am starting to tell differences in sound, but only on head to head comparison.  If I separate the instruments by any length of time (even more than a few minutes), I don’t have enough perception / memory to say if one is “better” than any other.  Please recall:  I have a VERY inexpensive ($30) starter amp.  I’m hoping to experiment more with this later in 2022 or get another “inexpensive” amp in 2023, to use for comparisons.  I am VERY grateful to my son for going half on this with me (for my X-mas present).

As Advertised…

…Delivered in Gig Bag

…Still Wrapped

Unwrapped

More traditional three post bridge

My preference… Six post bridge

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On This Day In:
2021 Allowing For Compromise
Whoa-whoa
2020 Why #LyingDonald Hurts The US
2019 Blow Between Your Ears
2018 Thinking Ahead
2017 I’d Like To Try
2016 Or Blog (And Bound)
2015 Welcome The Virtuous
2014 Closing The Gap?
2013 On Parenting
2012 What Knowledge Is
2011 The Indefinite Accumulation Of Property

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Try to play easy pieces well;  it is better than to play difficult ones in a mediocre style.
    —     Robert Schumann
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On This Day In:
2021 I’m An Optimist
Talent Is A Ticket To Ride
2020 Works For Me
Rivers Versus Waterfalls
2019 Better To Do
News: Drunken Party Girl Saves Seoul
2018 Keep Moving
2017 Fighting Good
2016 Size Matters
2015 Maybe The Best Thing
2014 Ready To Be Fried?
2013 A Real Lover
2012 Winning Wars
2011 A Different Lesson

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GROTE Full Scale Electric Guitar Semi-Hollow Body Guitar w/ Bone Nut (Red GRDB-TR35)  —  guitar review  (Images follow the review)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    KMAB]
* Guitar Acquisition Syndrome
Background:  For the last fourteen months, I’ve been trying to teach myself about music and playing guitar.  To date I have now purchased eight “inexpensive / cheap” guitars.  Here’s the review of my latest:  a Grote 335 / 338 style Electric Guitar (red)…  What’s the difference between “335” and “338”?  I don’t know…  I can’t tell exactly.  It seems there is “some” difference in the body size, but I’ve not been able to see / read and / or find a description of which is which.  As near as I can tell, the 335 was created / invented by Gibson Guitar Corporation back in the late 1950’s.  Rather than a full body (figure-8) guitar, the top of the body has two “cut-aways” to allow for easier access by the fretting hand to the higher (closer to the body) frets.  Gibson bought Epiphone (also in the late 1950’s) and used that brand to sell a much less expensive version of the the same model.  I gather “335” is a legal brand, so other companies can’t say their guitars ARE 335s, but they seem to be able to say their guitars are 335-style.  Others just say their guitars are “338” and then slightly modify the size / shape so they are not getting sued by Gibson / Epiphone.  This is very similar to the issue of headstock shape many “knockoff” guitar companies have with the Fender headstock style.
Since starting on this journey, I’ve watched numerous interviews of famous guitarist saying they wanted to play the same guitar as their inspirational heroes (I don’t have any guitar heroes) or they started playing one (guitar) style that fit the sound they heard in their head (I don’t have a sound) and when the sound changed, they changed the guitar style to match their new sound.  I’ve yet to see / hear any of them say, “the company gave me a free custom guitar and an endorsement contract, so I switched“.
Anyway, as stated in several prior reviews, I’m retired and I have a significant price point and life time (mine) limitation.  I haven’t found my sound or style (or hero), so I’m playing around at the bottom of the market in search of one, both or all three.  For those of you readers who are unfamiliar with the price of music instruments, a decent quality, name brand guitar “probably” runs near USD $1,000.  (If you are lucky, you can find the same model used for half that.)  At half that price (USD $500), you can also normally find the same name brand (or their subsidiary) selling a new entry-level model of substantially lower quality.  You can also go (quickly) the other direction to many times that price before you even get to custom guitars.  Specific historic guitars sell in the tens and hundreds of thousands of dollars!
I now have eight “cheap / inexpensive” guitars of various style / types, and, not counting books and accessories (tools, tuners, picks, cables, gig bags, straps, etc), I’m right around the $1,000 “all-in” mark.  My wife believes I’m a hoarder and while she supports my trying to learn music / guitar, she does NOT approve of my continuing guitar purchases.  I (on the other hand) still feel the need for one last guitar before pausing for the “right” one – which I may never find / buy.  I will probably get that “last” inexpensive one before the end of this year.  After that, I will be playing them each, and, over time, upgrading the bits and pieces on them until I’m more or less happy with each.  Some, like my three-quarter size acoustic are so minimalist it really can’t have much changed out.  Of course, as my luthier skills improve, there is a seemingly endless pool of tools to spend (my wife would say “waste”) money on.  And, there are also amplifiers.  On the issue of amps, I only have my initial 10-watt amp from the purchase of my first electric guitar.  I’m sure it’s “crap”, but I very rarely use it, so it may be some time before I get a second / replacement amp.  At the moment, I play my acoustic guitars in the day and my electrics sans amp at night.  The “only” time I use my amp is when I get a new guitar want to verify the electric bits work.  Because I still have no ear for electric sound, I still can’t tell if the electric guitars are good or not – only if they play at all.
Start of review:
Ordering:  The company home site:  https://www.grotechina.com/ did not have the model I wanted – red / glossy and with no trapeze end-piece.  I was tempted to settle for red with the trap, but I decided to wait.  The general price at their site for this style but with matte finish was $189.00, not including tax or shipping.  I found the same item on Amazon for $179 (not including tax but with free shipping).  The price ended up:  $196.45 (delivered).  Note:  the model I purchased on Amazon is now available on the Grote home site for $169 – $10 less than my price, but you will then have shipping (usually $20-$30) costs.
Delivery:  I ordered mine on Friday April 15, 2022 (late evening) and it arrived on April 17, mid-afternoon.  The site said it would be delivered in a week or so, depending on your location.  Amazon said it would be delivered on Monday 17 April 2022.  On delivery, the box was slightly crumpled at the base.  Otherwise, there was no damage to the box.  (This was a first!)  On opening the box, there was no damage at all to the guitar.
What you get:
(Specifications)
Guitar Brand:  Grote
Orientation:  Right handed
Guitar Color:  Cherry Red (not really my desired candy apple red, but close enough)
(I’m not sure why this matters or the company thinks we care…) Trademark & Metal Truss Rod Cover:  Laser anti-false trademark, Metal truss rod cover with engraved logo.
Number of frets:  22
Nut width:  42mm.
Scale length:  24.75″
Number of strings:  6
Pick-up Style:  Humbucker, Humbucker
Guitar Bridge System:  Tune-o-matic
Controls:  5 – 1 switch (3 positions), 2 x Volume, 2 x Tone;  the four knobs are clear plastic which lets you see the number settings from the top or side.  Very cool!
Body Material:  Canadian Maple;  there is a hint of wood grain through the glossy paint.  NO pits or faults.  A beautiful instrument.
“F” holes:  2, painted the same color as the edge binding and the pain appears smoothly applied.
Neck Material:  Canadian Maple
Fingerboard Material:  Black Wood (I have no idea what that means.  Also, the fingerboard itself is slightly indented in multiple locations of the non-inlaid frets.  The “dents” don’t impact the playability and can only be seen if you are looking specifically for damage / flaws.
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Bone
Bridge Material:  Metal
Bridge Type:  Tune-o-matic style
(Package Includes)
1 x Guitar
2 x Plectrum
1 x Connecting Wire
1 x Spanner Tool (for adjusting the neck / truss rod)
First impression:  right out of the box, the guitar has a beautiful, dark, rich almost burgundy wine red body and neck back.  It is thin but not particularly light.  Being “semi-hollow”, I expected lighter.  I run my left hand up and down the neck.  The edges of the fret board are beautifully bound with a kind of beige / white binding, but the fret spout is TERRIBLE!  The metal frets are visibly past the edge of the neck and binding AND they are sharp(!) AND on both sides of the neck.  I make a mental note to self:  DO NOT run your hand up and down this neck quickly or you WILL cut yourself badly!  This is unexpected because many / most of the YouTube reviews were extremely positive on this.  I will wait at least a week before I sort the fret sprout.  In the meantime, the best I can do is tune and then continue the overall inspection.  At least the frets are polished and don’t leave a residue on your fingertips.
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – bone. Looks perfect!
• strings – strum… not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny finish.  One VERY minor dent on the side of the body which can barely be seen or felt.
• pickups – are all magnetic.  I can’t tell much else visually.  The “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.
• controls – the switch is responsive without being resistant, the volume(s) and tone(s) both turn smoothly.  I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on)
• tuning pegs – three seem to have “gaps” in action before turning them kicks in (both directions)
• pick (“plectrum”) – no name plastic, but you get two of them.  One has skull artwork on it.  The second has some kind of dancing Asiatic female.  They seem medium thickness.  Not bendy; not super-hard; not textured.
• action and intonation – the strings seem fine (eyeball test).  I will measure them in the future.  The intonation is PERFECT.  I can’t believe it!  Not just open and at the 12th fret.  All up and down the neck with no dead frets on any strings.
Strum…  the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  I’m a happy camper…!!!
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections seem solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  All the knobs on the amp and the guitar seem to work.  They kind of change the sound, but I still don’t know what I’m doing or what they should sound like, so I set everything but the volume back to “0”.  The volume is MORE than enough (perfect) for me to play in my bedroom.  It is quieter than an acoustic, but louder than any of my other electrics.
Strum…  I play for a few minutes – chords and scales.  I spend a few minutes “playing” Ode To Joy and then decide to pack it in for the evening.  The main thing I notice is the guitar is very comfortable to play.  The neck seems long, but I don’t have to stretch to play open chords and the body seems to be made just for me.  Mainly the thinner body means it’s easier to hold the guitar body under my strumming arm and against my body.  Also the smaller top end of the body brings the neck closer to me, which is itself more comfortable.
What’s happened since then?
Nothing.  Well, because it lacks a gig bag and there’s an included caution note about resting the guitar between playing sessions, I set up one of the three guitar hangers I got for Christmas and have set the guitar to rest on the wall right next to me.
Next?
Check the fret sprout for about a week and do the light maintenance on it / them for safe playability.  Then it’s add to the rotation and enjoy!!  I will, of course, need a gig bag and a strap ASAP.
Final Recommendation:  LoL!!  Are you kidding me?  This is a beautiful guitar and once I sort out the fret ends and get a strap, it will be a pleasure to practice with.  In a strange way, I’m lucky I didn’t get this guitar as my first electric or I might never have bought my others.  Again, I don’t know anything about how the guitar sounds electrically, because I don’t have enough experience – except to say everything seems to be working.  All things in their time.  Inshallah…

Still Wrapped In-Box

Close-up of Knob Control

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On This Day In:
2021 The Heart Of Science
Too Thin
2020 Up Again
2019 Advice From #1 To #45
2018 How Much I Will Miss The Trump Administration
2017 We Need To Continue Experimenting
2016 Consistently
2015 We Must Dissent
2014 Now What?
2013 Judgement
2012 Stuck In My Mind
Life’s Hope
2011 Just Getting Up
Directions Please

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Dust In The Wind

[Happy Birthday, Sis!!   Here’s some inspiration to pick up your guitar…    —    kmab]
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On This Day In:
2022 Dust Under Your Fingertips
2021 Stopped Counting Decades Ago
Just Enjoying The Sun
2020 To My Idealistic Sister
2019 Respect For My Sister
2018 I Trust Cows
No Boundary
2017 Don’t Sink Now
2016 A Burning Passion To Teach Freedom
2015 Before Debit (And Credit) Cards
2014 Herding Cats
2013 Ooops!
2012 Understand A Great Truth
2011 Start Here…
2010 Random Acts of Vandalism On Easter Weekend…

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Out of the depths of the mysterious box,
Flowed the marvelous symphony,
Of all the virgin voices of the forests of America
    —     Agustín Barrios Mangoré
From his poem:  “Profession of Faith
[Happy Birthday, Mom!  Love, Kevin    —    kmab]
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On This Day In:
2022 Guitar Music
Yesterday
2021 Maybe Faith Is Based On Hope
I Want To See You Smile
2020 Thank You (To Those Who Serve)
Hanging In There
2019 Her Job, Too
2018 Just Another Song I Like
Earlier Still
2017 Ten To Go
2016 Unstable Emergence
2015 88
2014 Some One-Liners Are Too Easy
2013 Greatness
2012 Memories Of Arlington
2011 Wake Up

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I’ve been learning how to play guitar for a little over thirteen months and this morning when I began practicing I realized I’ve already “forgotten” more about guitar than I know (remember)…
Because playing a musical instrument is so much about muscle memory, practically none of the information I’ve read / watched has been retained in a usable format.  I’m reminded of what we used to say in the Army:  “You don’t know it until you can teach it and you can’t teach it until you can do it.
I’ve “learned” about so many music / guitar concepts without practicing them – until they are “under my fingertips” – that I am constantly experiencing “oh, that’s what that was talking about” moments.
Lately, I’ve been trying to tune the guitar by ear.  I’m actually starting to get close.  Of course, all of my guitars are already close to being “in-tune” (from frequent use), so I guess my next step will be to fully un-tune (de-tune?) one of them and see how close I can “really” get from scratch (on my own).
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On This Day In:
2022 Under My Fingertips…
Seeking The Divine
2021 And My Sister Is Taxing
What Did The Wise Men Say?
2020 One Phrase
2019 Why #LyingDonald Can’t Trust Any Honorable Person
2018 An Old Style Conservative
2017 John Q.
2016 In Trembling Hope Repose
2015 Let There Be Light
2014 Unless
2013 Divergent Roads To Similarity?
2012 In The Process
2011 What Do You Emphasize?

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The person who is free does not do what they do because of the desire to be looked at a certain way by other people, or even themselves.  Because their self image is not dependent on something outside themselves, they are truly free to act with no ulterior motive.
They are not trying to “get something” out of being a guitarist other than the plain fact of being a guitarist.  They do not come to music and the guitar and say “make me feel good about myself”.  Such a person never says “I should be able to do that, but I can’t, so there must be something wrong with me.”
They say  “Hmm, I have trouble with this, there must be a reason why, I think I’ll investigate (pay more attention).”
    —     Jamie Andreas
www.guitarpinciples.com
From her book:  “The Principles of Correct Practice For Guitar
From chapter:  “The Deeper I Go, The Deeper It Gets
.
On This Day In:
2022 No Ulterior Motive
2021 A Soul Passing
I Hear You Singing In The Wire
Thank You, Georgia!
2020 Implications
2019 Just To…
2018 Still Going…
2017 Great Risk
2016 Robbery
2015 Humanity Plus
2014 Dinner For Two?
2013 Exercise For Those Over 50
2012 Tearful Joy!!
Except When He’s Left

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