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Warning:  This is LONG post…  It won’t hurt my feelings if you’re not interested in my guitar reviews and go now…  (LoL)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    kmab]
* Guitar Acquisition Syndrome
Background:  For the last 19 months, I’ve been trying to teach myself about music and playing guitar.  To date I have now purchased nine “inexpensive / cheap” guitars.  This is the review of my latest:  a Fesley “Strat” style Electric Guitar (Sunset color)…  What is a “Strat” style?  If you’ve ever seen a picture of Jimi Hendrix playing guitar, it was probably a “Strat”.  Strat is short for Stratocaster and is one of the two “main” styles of electric guitar.  It is characterized by two “cutaways” (one on either side of the neck where it attaches to the guitar body);  “horn” shapes which are more reminiscent of bulls horns than of devil’s horns;  and, the guitar body is solid (not hollow) with six steel strings.  The “horns” are usually of slightly different shape and are normally slightly offset (not mirror images) with the more forward horn on the base-string side of the guitar.  The “Strat” was created in the 1950’s by the Fender corporation.  The Strat usually comes with three single-coil pickups and may also come with a tremolo bridge.  The “pickup” is what translates the steel string vibration in front of a magnet and converts it to electrical impulses which are amplified into the sounds you hear coming from the amplifier.
Anyway, as stated in several prior reviews, I’m retired and I have a significant price point and life time (mine) limitation when making discretionary purchases.  I haven’t found my music / guitar sound or style (or hero), so I’m playing around at the bottom of the market in search of one, both or all three.  For those of you readers who are unfamiliar with the price of music instruments, a decent quality, name brand guitar “probably” runs near USD $1,000.  (If you are lucky, you can find the same model used for half that.)  At half that price (USD $500), you can also normally find the same name brand (or their subsidiary) selling a new entry-level model of substantially lower quality.  You can also go (quickly) the other direction to many times that price before you even get to custom guitars.  Specific historic guitars sell in the tens and hundreds of thousands of dollars!
I now have nine “cheap / inexpensive” guitars of various style / types, and, not counting books and accessories (tools, tuners, picks, cables, gig bags, straps, etc), I’m just over the $1,000 “all-in” mark.  My wife believes I’m a hoarder and while she supports my trying to learn music / guitar, she does NOT approve of my continuing guitar purchases.  I (on the other hand) still feel the need for one last guitar before pausing to concentrate on the “right” one – which I may never find / buy.  I will probably get that “last” inexpensive one before the end of next year (2023).  I actually have my eye on two types I don’t already have.  After that, I will be playing them each, and, over time, upgrading the bits and pieces on them until I’m more or less happy with each.  Some, like my three-quarter size acoustic are so minimalist it really can’t have much changed out.  Of course, as my luthier skills improve, there is a seemingly endless pool of tools to spend (my wife would say “waste”) money on.  And, there are also amplifiers.  On the issue of amps, I only have my initial 20-watt amp from the purchase of my first electric guitar.  I’m sure it’s “crap”, but I very rarely use it, so it may be some time before I get a second / replacement amp.  At the moment, I play my acoustic guitars in the day and my electrics sans amp at night.  The main time I use my amp is when I get a new guitar and want to verify the electric bits work.  Because I just starting to gain an ear for electric sound, I still can’t tell if the electric guitars are good or not – only if they play at all.  As an aside, in my prior reviews, I mistakenly said my amp was a 10-watt amp.  It turns out it is a 20-watt.  Not that it matters, as it is NEVER turned up, and still rarely used.
Start of review:
Ordering:  I ordered the guitar on Amazon.com.  The general price on Amazon varies from $169 to $119 (depending on the color chosen), not including tax or shipping.  I have NO idea why the price varies by color!!?!  But, of the colors available, the one I wanted was the least expensive anyway.  I purchased the item via my daughter’s Amazon membership, so shipping was free.  The price ended up:  $131.54 (delivered).  I “earn” $100 gift cards for Amazon about once every six months by answering questions on a marketing / polling / survey site.  Although this is “real” money, it does not come out of my retirement money, and since I’d be answering the surveys anyway – it’s “free” money (to me, but not to the IRS).  The price of a “moderately” decent padded guitar gig bag is $20-$30 on Amazon.  So, basically, I got an electric guitar and gig bag for the price of a gig bag:  $31.54!! (LoL)
Delivery:  I ordered mine on Thursday 28 July 2022 (evening) and it arrived on 4 August, mid-afternoon.  Amazon’s delivery estimate was spot-on.  On delivery, the exterior box was slightly crumpled on several edges;  the interior box had no damage at all.  On opening the interior box, the guitar was inside the padded gig bag and there was no damage at all to the guitar.  This is the first guitar I’ve received “double-boxed”.  My only comment is the interior box was free-floating and slid around inside the larger exterior box.  All-in-all, I am very happy with the delivery.
What you get:  (Specifications)
Brand:  Fesley
Model:  Fesley ST Electric Guitar Morandi Series
Style:  “Strat” with tuners on one side of the headpiece
Price:  $119.85 — my price was $32 including tax (out of pocket).
Orientation:  Right handed
Guitar Color:  Sunset (Front and back)
Weight:  9.73lbs
Number of frets:  20
Number of strings:  6
String Material Type : Nickel Steel
Guitar Pickup Configuration:  H-S-S (humbucker / bridge, single / middle, single / neck)
Guitar Bridge System:  Cold-rolled Steel Block Bridge with tremolo system (push-in “wammy” bar)
Controls:  4 – 1 switch (5 positions), 1 x Volume, 2 x Tone;  the three knobs are black plastic with no numbers
Color – Black:  Zinc Alloy Tuners, a Single String Guide, Cold-rolled Steel Block Bridge, Wammy Bar, Volume and Tone Controls, Inlaid Fret Dots
Body Material:  Poplar
Neck Material Type:  Poplar
Fretboard Material Type:  Hard-maple
Neck Info:  C-shaped neck profile with satin finish;  20 frets, marks (dots) on the neck and top of the fingerboard help guide / play;  430mm radius
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Unspecified (I think it’s plastic)
Pick Guard:  None
(Package Includes)
1 x Guitar
1 x Wammy Bar (pop-in style, not screw-in style)
2 x Spanner Tool (for adjusting the neck / truss rod and one for setting intonation)
1 x Padded Gig Bag
Double boxed for delivery
First impression:  right out of the box, the guitar has a beautiful, dark, rich sunset (sunburst) front AND back.  It is thin and feels small and light.  I run my left hand up and down the neck.  The edges of the fret board are smooth and fret sprout is non-existent!  I could NOT feel the frets from the side of the neck.  I had to slightly curl my fingers around the edge.  They are not rounded on the ends – ball-bearing style – so you still have to be a bit careful running your fret hand up and down the neck, but this is among the best fret work I’ve ever gotten on any of my guitars. It remains to be seen if this continues after the guitar has had a chance to acclimate for a couple of weeks.  I don’t think it will be an issue…  The guitar was in a plastic bag with the wammy bar and tools rubber-banded to the neck.  The strings were paper bound for their protection.  There is a little card indicating the guitar was inspected and listing the action height at that time.  I will compare this info later when (if) I do a full complete setup with action and intonation.  It’s also a useful reference for future string changes…  The frets are shiny and smooth and the fretboard looks moist without being shiny.  NO crud comes off the frets on my fingers as I check them (sometimes you can get a bit of blackening on your fingertips) and there is no gritty sound on string bending at a few test points.  (I’m laughing to myself!)  This is the best looking first impression of a fretboard of any of my guitars!!
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – discolored plastic.  Not white, so you almost think it’s bone.  The string groove depth seems fine to great.
• strings – strum… not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny (matte NOT high gloss) finish.  I don’t see ANY dents or faults!!
• pickups – are all magnetic.  I can’t tell much else visually.  The “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.  I would say there is an “unsightly” gap around the pickups.  My other guitars’ with single pickup slots are covered by the pick guards, so you don’t see the gaps.
• controls – the switch is responsive without being resistant, the volume and tone(s) both turn smoothly. I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on).  One slightly disconcerting thing is the knobs seem to turn past “0”.  I don’t know what that means.  All of my other guitars fully stop at “0” and “10”…
• tuning pegs – all are smooth and don’t appear to have dead spots.  They are the smallest tuners I have ever felt!  They are functional, but they feel “tiny” between my fingers and thumb.
• action and intonation – the strings seem fine (eyeball test).  I will measure them (for action) in the future.  The intonation is WEIRD!  The intonation is perfect open and at the 5th and at the 12th frets.  All up and down the neck with no dead frets on any strings, but ALL of the other frets are slightly sharp.  To me, this (probably) means Fesley took extra care to get the open, 5th and 12 frets exactly in the right place but were slightly less exact on the remaining frets.  I should point out the difference is similar (if not exact) for all of the other frets and for all of the strings AND I can’t actually hear the difference – but the electronic tuner can.  Just slightly…
Strum… the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  (Except the intonation issue mentioned just above.)  I’m a happy camper…!!!
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections seem solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  All the knobs on the amp and the guitar seem to work.  The slippage on the knobs doesn’t seem to affect anything.  When the knob gets to zero (unmarked), whatever is supposed to be changing stops changing.
Strum… I play for a few minutes – chords and scales.  I spend a few minutes practicing “Ode To Joy“, “Taps” and “God Save the Queen” and then noodle a bit before deciding to pack it in for the evening.  The main thing I notice is the guitar is VERY comfortable to play.  The neck seems short, I don’t have to stretch to play open chords and the body (depth / width) seems to be made just for me.  Mainly the thinner body means it’s easier to hold the guitar body under my strumming arm and against my body.  This guitar has a slightly different cut out angle (from the Glarry) at the elbow which seems to make it even more comfortable for me.  Now, a point of clarification:  This is not a “Full Size” strat style guitar.  At least judging by my Glarry 38.6 / 39in strat style it isn’t.  Just eyeballing it, I’d say the Fesley is almost an inch (maybe only 3/4in) shorter.  FYI:  Glarry says their strat body size (38.6in) doesn’t include the strap button on the bottom of the guitar.  Standing the Glarry and Fesley face to face, the bodies are the same length, yet, the tip of the head-piece is clearly shorter than the Glarry’s.  The difference “seems” to be the bridge on the Fesley is larger than on the Glarry AND it is set farther down the body than the Glarry’s because the Glarry’s pickups are S-S-S while the Fesley’s are H-S-S.  The double thickness of the humbucker requires the bridge to be set down the body.  I also point out the Glarry is a 22 fret guitar.  The Fesley is only 20 frets. Interestingly, this (moving the bridge back) makes it easier to right-hand strum mute the strings on the Fesley than it is on ANY of my other guitars – acoustic or electric!  Go figure…
Next?
Nothing out of the ordinary…  Just tune and noodle.
Check the fret sprout for about a week and do the light maintenance on it for playability.  Then it’s add to the rotation and enjoy!!
Final Recommendation:  LoL!!  Are you kidding me?  Very Highly!  A beautiful, almost perfectly playable instrument for under $35!!!  (Okay, $135 to you…)  I’m laughing all the way to the bank.  (And, still practicing about an hour a day…)
Thanks to anybody who made it all the way through this lengthy post!!
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On This Day In:
2021 Born Again
Begin Writing
2020 Nah… I’m Still Chuckling
Squeaking By With “C’s”
2019 Consider Me A Phony
2018 Last
Day 10: Double Digits
2017 Could You Repeat The Question?
2016 Still Busy?
2015 Why, Just This Morning…
2014 Just Kindness
2013 Now Shaking
2012 Absurdity, n.
2011 Minor Changes
Things I’ve Learned From Life – Nana Carter
Acting Out

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This post marks the first day of my 14th year of blogging here on WordPress.  A great deal of this post is a repetition of last year’s post…  (And, yes, it’s a long one…)
With almost no change from last year…  The number of countries who’ve visited this site continues to (slowly) grow and the number which haven’t continues to decrease.  North Korea and Cuba are still among them (the latter…)  I’m also still missing a belt across the middle of Africa (but it’s no longer coast-to-coast) and a few spots in Asia.  (Slowly, slowly…  Resistance is futile.)
On reviewing my content over the past year, I’m mostly back to one post a day.  They are almost entirely just quotes with occasional political opinions, infrequent film reviews and rarely book reviews.  I haven’t added near as many posts about learning guitar or music as I thought I would.  I’m not terribly sure why.
My blog is continuing to be part of my “normal” retired life (since 2017).  I routinely receive about 20 to 60 emails (per day) from the roughly 300 blogs I follow.  I say “roughly” because I don’t check how many I follow.  I just looked, and I (still) have fewer than 2,000 followers myself.  Every year there is a trade-off:  you pick up a few steady followers and a few drop off.  Those who actually post about leaving (their own sites) say they are simply moving on to other things.  Most, don’t bother and just stop posting.  A few come back after some period of time.  Many do not.  It doesn’t necessarily mean they’ve stopped blogging.  Some just move to a hosted service to try to monetize their thoughts and don’t provide me a way to follow them.  Or maybe they did and I simply missed the link…
I do have bone to pick with some (many?) of the posts I receive.  Three bones, actually…  First, I receive a large number of posts which don’t contain “Like” options.  This means I have to click to your site and log into WordPress to give you a like.  Most of the time, I will not do this.  I’m just lazy and if you don’t want the feed back, I’m happy to not provide it.  The second is an email with a title and five or six words from your post and then a “read more”.  Again, sorry – PROBABLY 95% of the time, I no longer click through to your site.  If you don’t give me at least a paragraph to hook me, you’ve lost me for that post.  It’s different if you are running a visual / photo site, but not by much.  If you give me one (or two) image(s) per post – fine.  If you regularly have 10 – 15 – 20 images in a single post, I might view one post a week.  And, lastly, in general I only view one post a day from a single source and it’s kind of random…  Sometimes it’s the first.  Sometimes it’s the last.  Sometimes it’s just whatever…
At any rate, I easily spend an hour per day reviewing the posts I get (via email subscription) and sometimes that is simply overwhelming.  It’s not always the average blogger’s fault.  If you post something interesting, I (still) will go off and investigate it further:  authors, artists, locations, books, movies, science / math / history topics – they will all lead me off down the rabbit hole.  And that hole can be DEEP!   There are a few (a handful) of sites which I know are visual and I more frequently click through to the actual site, because I’m interested in the bits which are not offered in the smaller / limited / text based emails I tend to receive.  I apologize if my failure to click-thru affects your view stats negatively…
So, besides this blog, what am I up to?  My health has been mixed.  I’m still morbidly obese and none of my “lifestyle” changes (diets) have stuck.  The problem I have is I’ve had some changes in my meds so I’m not sure if they are affecting me or if I’m just getting older and less motivated – or a combination.  As always, one has to balance the good of the med versus the adverse (potential) effects.  The two which seem the best (for me) are the juicing / blending and the “40hr water fast twice a week”.  The former for losing and the latter for maintaining.  If I can get my meds stable, I’ll probably go on an alternating schedule of these two for a prolonged period.
In January 2021, I purchased my first guitar and I’ve been practicing most every day since. (I miss about one day every other month.)  I “know” my basic (C, A, G, E, D, F, Am, Em, Dm) open / “cowboy” chords and major / minor scales – single string and in first position.  Strumming, finger-picking (Travis style) and chord changes are coming slowly (slower), but they are getting better now that I’m practicing them more consistently.  I now own three acoustic guitars and five electrics, and I have another acoustic on loan from my brother.  I had them on a monthly rotation calendar, but shifted to three weeks at the start of the year (2022).  I’m planning to move to a weekly rotation.  I’m looking into picking up a few (three) more inexpensive guitars and I’ve dropped the idea of basses (for at least a while).  There is no time pressure.  It’s all about my ability to save (here and there) until I can justify a purchase.  [Wife:  How many guitars do you NEED?  Me:  …One more.]  At the moment, the plan is one more strat (type), one more tele (type) and a round-back acoustic.  I didn’t really even think about round-backs before.  I thought they were only over-sized guitars for Mariachi style music, but I’ve learned otherwise.  Anyway, they “tend” to be plastic / fiberglass backs, and I’m interested in what that sounds like.  I have a distinct memory of strumming an “Ovation” (round-back) guitar MANY years ago, but I don’t remember anything about it (sound or feel).  We’ll see…  I am also going to start looking into amps and pedals for the electrics.
The few things I’ve learned (mainly about myself) have truly been amazing (to me).  I do seem to have a smidgen of musical ability (although it’s still buried under layers of doubt).  I’m (still) finding the ability to concentrate on practice to be as relaxing as zoning out in computer programming used to be (in my youth).  Sixty to ninety minutes can easily seem like five or ten minutes.  There is also the complete exhaustion which results from prolonged concentration – however “relaxing” it may feel at the time.  In a strange way, it feels good to be mentally tired at the end of a practice session.
But, am I getting any better at playing?  An objective opinion would be:  Yes!  Am I any “good”?  An objective opinion would be:  No!  Does it matter a whit?  No.  Why not?  Because, like blogging, I’m doing it for the enjoyment of doing it and not for the expectation (mine or anyone else’s) of being any good at playing guitar.  Again, like blogging, as long as it’s fun and interesting and fulfilling, I’ll just keep doing it…  My not so secret goal remains to write a song (lyrics and music) for my wife.  (LoL)
I posted a while back about my guitar goals for the remainder of 2022, but I can easily see them (the goals) extending into 2023.  If I have ANY disappointments over guitars it’s that developing my luthier skills has definitely fallen by the wayside.  I’m happy being able to change strings, round fret ends and play with action and intonation, but it turns out, if you buy inexpensive instruments, the decent quality luthier tools and better quality parts are almost as (or more) expensive as (than) a new instrument.
So, it’s guitar playing and blogging to keep me occupied (and mostly out of trouble).  LoL!!
Other than that, we got one of our bathrooms remodeled back in February 2022 and we’re hoping to get our other one done in early fall.  All things in their time (LoL – and with available funds!)
Once again…  “Excelsior!!
.
On This Day In:
2021 Happy 12th Anniversary Of Blogging
We ARE…
2020 Happy 11th Anniversary Of Blogging
2019 Happy 10th Anniversary — Thoughts On My First Decade Of Blogging
2018 Happy 9th Anniversary — Three Thoughts
Day 2 – Notes On Progress
2017 Happy 8th Anniversary
2016 Happy 7th Anniversary
2015 Happy 6th Anniversary
2014 Happy 5th Anniversary
2013 I Resemble That Remark!
2012 Happy 3rd Anniversary
2011 Is America Safe Tonight?
2009 Hello world! (See how it all began…)

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The following is my “goal” for learning / playing guitar for the remainder of this year (2022).  (It will be quite a stretch-goal for me.  LoL!)

Guitar Test

1.) How much do you practice  —  # of Day (6) / week (52);  # of Hours (1)
2.) How well do you know the fretboard
3.) Knowledge of major & minor scale for natural notes
4.) Knowledge of major & minor chords  —  open & barred
5.) Perform three:  Maj7, Min7 & Dom7 chords
6.) Playing & modifying a chord progression
7.) Perform three different Arpeggios  —  anywhere on the fretboard
8.) Build A Major scale (at least 3)  —  demonstrate a knowledge of scale formulas (along 1 string)
9.) Name the tones of four major key signatures
10.) Name & explain three time signatures  —  count, beat, stresses & accents
11.) Explain note duration  —  whole, half, 1/4th, 1/8th, & 1/16th
Of course the object of “learning” these things is not the inherent value of knowledge.  It is the ability to put the knowledge into use why playing the guitar.  Some of the items on the list are things I already “know”.  They are just (still) not yet under my fingertips.  That will come with time and practice…  Inshalla
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On This Day In:
2021 Waiting For The Sting
Right From The Start
2020 Reward Truth In November
2019 Prepare For The 2020 Election
2018 Why #45 Is Uncivil And Sinking
Ole! … Ole, Ole, Ole
Is This Still The United States Of America?
2017 Go Where?
2016 Returning To The Same Box
2015 The Hunter’s Music
2014 Dedication
2013 Unhappy Alternatives
2012 Implications
2011 Never Let Us Down

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Indio (by Monoprice) Retro Classic Solid Body (“tele”-style) Electric Guitar w/ Gig Bag  —  guitar review  (Images follow the review)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    KMAB]
Background:  I am a rank beginner guitar player (particularly when it comes to electric guitars), so please take all of my advice / opinions with a healthy grain of salt…  This is another in a series of reviews of guitars and kit I am writing as I learn how to play guitar.  All of my purchases have been at the bottom end / inexpensive side of the market.  (Obviously, this is not really a box-opening / initial receipt review like my prior ones.  I just procrastinated…)
Start of review:
Ordering / Delivery:  I ordered on a Saturday evening (11 Dec 2021), and received the guitar the following Tuesday (14 Dec 2021).  I consider this pretty phenomenal service!
Price:  $79.99  (Yes!!  This is NOT a mis-type!)  My son asked what I wanted for X-mas and agreed to go half with me.  He gave me $40, and I paid the difference (just under $90, w/ taxes, but free shipping).  So, I was all-in less than $50!  (My wife is [was] still not happy as this is [was] my sixth guitar purchase in less than 12 months.  LoL!!)
Buyer’s caution:  Indio / Monoprice sells another “tele” style model which – at first glance – looks exactly like this model.  However, it has no “through-body” strings and it has the three post / two string bridge (traditional) as opposed to a post for each string (non-traditional).  I specifically wanted the individual posts because I want to be able to set intonation on each string, not balance between two strings per post.  Does it matter?  Probably not, I’m just OCD.  (images below)
What you get:
(Specifications)
Guitar Brand:  Indio (by Monoprice)
Model:  610264
Orientation:  Right handed
Guitar Color:  Blue (Dark Royal)
Number of frets:  22
Nut width:  42mm.
Scale length:  24.75″ (“full size”)
Number of strings:  6
Pick-up Style:  Single (lipstick);  Single (standard / exposed / ceramic)
Guitar Bridge System:  tele-style modified ash-tray
Controls:  3 – 1 x switch (3 positions), 1 x Volume, 1 x Tone;  the switch and knobs are metal and mounted on a metal oval backing plate (traditional “tele” style.
Body Material:  Basswood;  NO pits, gaps or faults.  A surprisingly beautiful instrument for the price!
Neck Material:  Basswood
Fingerboard Material:  Maple
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Plastic (well cut and trimmed)
Bridge Material:  Metal
Bridge Type:  Through body stringing with a modified “ash-tray” style metal piece
(Package Includes)
1 x Guitar
1 x Gig Bag
2 – 1 x Allen wrench (for adjusting the neck / truss rod);  1 x small Allen wrench (for adjusting the bridge intonation / action)
First impression:
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – Plastic.  Looks perfect.  Well cut and rounded
• strings – strum…  not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny finish.
• pickups – both magnetic.  I can’t tell much else visually.  My “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.
• controls – the switch is responsive without being resistant, the volume and tone both turn smoothly.  I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on)
• tuning pegs – no loose spots on turning (tightening or loosening)
• pick (“plectrum”) – none – a missed opportunity for marketing.
• strap – none – another missed opportunity
• action and intonation – the strings are high-“ish” and the intonation is off.  Neither are “bad”, just not spot on.  The guitar did not come tuned, but this is not unexpected.
Strum…  the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  I’m actually loving this at first touch…!!!  Despite the neck looking pretty unvarnished, the slide is very smooth and comfortable.  It is described as “fast satin”.  I’ve no idea what that means.  Okay, “nothing significant” ONLY means everything seems normal.  There is “normal” fret sprout and the fret ends are not rounded (“BB” style).  Both of these conditions ARE “normal” – particularly at a price point under $100.  The sharp edges are much worse than the sprout.
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections are solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  Both switch and the knobs on the guitar seem to work.  As always, the tone kind of changes the sound, but I still don’t know what I’m doing or what it should sound like, so I set both back to “0”.  The volume is MORE than enough (perfect) for me to play in my bedroom or living room after everyone else goes to bed.  It is quieter than an acoustic, but no louder than any of my other electrics.  Maybe just a little “twangier” in the base strings.  Not buzzy, but not like clean strings.
Strum…  I play for a few minutes – chords and scales.  I spend a few minutes “playing” Ode To Joy and then decide to pack it in for now.  The guitar is very comfortable to play.  The neck and the body seem to be made just for me.  It is lighter than my Donner “LP” style, but heavier than the Glarry “strat” style.  Also, the single cut top end of the body does make the higher frets more comfortable to reach (compared to full / acoustic bodies).
What’s happened since then?
Mostly, I played with the action and the intonation.  I’ve set the action very low and the intonation is as close as I can get it to perfection – at least to my Snark.  I waited a week or so and then filed of a bit of the fret sprout and rounded them, too.  I also ended up raising the action back a little bit and then re-adjusting the intonation.
Next?
Check the fret sprout periodically and do the light maintenance on it / them for safe play-ability.  The guitar has (since) been added to my rotation and I’m still enjoying it.
Final Recommendation:  This is a beautiful guitar and once I sorted out the fret ends and added a strap, it’s been a pleasure to practice with.  I still don’t know enough about electric guitars to comment about that aspect (using with amps).  I am starting to tell differences in sound, but only on head to head comparison.  If I separate the instruments by any length of time (even more than a few minutes), I don’t have enough perception / memory to say if one is “better” than any other.  Please recall:  I have a VERY inexpensive ($30) starter amp.  I’m hoping to experiment more with this later in 2022 or get another “inexpensive” amp in 2023, to use for comparisons.  I am VERY grateful to my son for going half on this with me (for my X-mas present).

As Advertised…

…Delivered in Gig Bag

…Still Wrapped

Unwrapped

More traditional three post bridge

My preference… Six post bridge

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On This Day In:
2021 Allowing For Compromise
Whoa-whoa
2020 Why #LyingDonald Hurts The US
2019 Blow Between Your Ears
2018 Thinking Ahead
2017 I’d Like To Try
2016 Or Blog (And Bound)
2015 Welcome The Virtuous
2014 Closing The Gap?
2013 On Parenting
2012 What Knowledge Is
2011 The Indefinite Accumulation Of Property

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Try to play easy pieces well;  it is better than to play difficult ones in a mediocre style.
    —     Robert Schumann
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On This Day In:
2021 I’m An Optimist
Talent Is A Ticket To Ride
2020 Works For Me
Rivers Versus Waterfalls
2019 Better To Do
News: Drunken Party Girl Saves Seoul
2018 Keep Moving
2017 Fighting Good
2016 Size Matters
2015 Maybe The Best Thing
2014 Ready To Be Fried?
2013 A Real Lover
2012 Winning Wars
2011 A Different Lesson

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GROTE Full Scale Electric Guitar Semi-Hollow Body Guitar w/ Bone Nut (Red GRDB-TR35)  —  guitar review  (Images follow the review)
[Disclaimer:  I have not received as a promotion any guitar or music related product, nor am I mentioning anything in this post to secure compensation / income for myself or the manufacturer(s) of the products mentioned.  I am only posting about this / these item(s) because I personally purchased it / them and am excited to be learning about music and playing guitar.    —    KMAB]
* Guitar Acquisition Syndrome
Background:  For the last fourteen months, I’ve been trying to teach myself about music and playing guitar.  To date I have now purchased eight “inexpensive / cheap” guitars.  Here’s the review of my latest:  a Grote 335 / 338 style Electric Guitar (red)…  What’s the difference between “335” and “338”?  I don’t know…  I can’t tell exactly.  It seems there is “some” difference in the body size, but I’ve not been able to see / read and / or find a description of which is which.  As near as I can tell, the 335 was created / invented by Gibson Guitar Corporation back in the late 1950’s.  Rather than a full body (figure-8) guitar, the top of the body has two “cut-aways” to allow for easier access by the fretting hand to the higher (closer to the body) frets.  Gibson bought Epiphone (also in the late 1950’s) and used that brand to sell a much less expensive version of the the same model.  I gather “335” is a legal brand, so other companies can’t say their guitars ARE 335s, but they seem to be able to say their guitars are 335-style.  Others just say their guitars are “338” and then slightly modify the size / shape so they are not getting sued by Gibson / Epiphone.  This is very similar to the issue of headstock shape many “knockoff” guitar companies have with the Fender headstock style.
Since starting on this journey, I’ve watched numerous interviews of famous guitarist saying they wanted to play the same guitar as their inspirational heroes (I don’t have any guitar heroes) or they started playing one (guitar) style that fit the sound they heard in their head (I don’t have a sound) and when the sound changed, they changed the guitar style to match their new sound.  I’ve yet to see / hear any of them say, “the company gave me a free custom guitar and an endorsement contract, so I switched“.
Anyway, as stated in several prior reviews, I’m retired and I have a significant price point and life time (mine) limitation.  I haven’t found my sound or style (or hero), so I’m playing around at the bottom of the market in search of one, both or all three.  For those of you readers who are unfamiliar with the price of music instruments, a decent quality, name brand guitar “probably” runs near USD $1,000.  (If you are lucky, you can find the same model used for half that.)  At half that price (USD $500), you can also normally find the same name brand (or their subsidiary) selling a new entry-level model of substantially lower quality.  You can also go (quickly) the other direction to many times that price before you even get to custom guitars.  Specific historic guitars sell in the tens and hundreds of thousands of dollars!
I now have eight “cheap / inexpensive” guitars of various style / types, and, not counting books and accessories (tools, tuners, picks, cables, gig bags, straps, etc), I’m right around the $1,000 “all-in” mark.  My wife believes I’m a hoarder and while she supports my trying to learn music / guitar, she does NOT approve of my continuing guitar purchases.  I (on the other hand) still feel the need for one last guitar before pausing for the “right” one – which I may never find / buy.  I will probably get that “last” inexpensive one before the end of this year.  After that, I will be playing them each, and, over time, upgrading the bits and pieces on them until I’m more or less happy with each.  Some, like my three-quarter size acoustic are so minimalist it really can’t have much changed out.  Of course, as my luthier skills improve, there is a seemingly endless pool of tools to spend (my wife would say “waste”) money on.  And, there are also amplifiers.  On the issue of amps, I only have my initial 10-watt amp from the purchase of my first electric guitar.  I’m sure it’s “crap”, but I very rarely use it, so it may be some time before I get a second / replacement amp.  At the moment, I play my acoustic guitars in the day and my electrics sans amp at night.  The “only” time I use my amp is when I get a new guitar want to verify the electric bits work.  Because I still have no ear for electric sound, I still can’t tell if the electric guitars are good or not – only if they play at all.
Start of review:
Ordering:  The company home site:  https://www.grotechina.com/ did not have the model I wanted – red / glossy and with no trapeze end-piece.  I was tempted to settle for red with the trap, but I decided to wait.  The general price at their site for this style but with matte finish was $189.00, not including tax or shipping.  I found the same item on Amazon for $179 (not including tax but with free shipping).  The price ended up:  $196.45 (delivered).  Note:  the model I purchased on Amazon is now available on the Grote home site for $169 – $10 less than my price, but you will then have shipping (usually $20-$30) costs.
Delivery:  I ordered mine on Friday April 15, 2022 (late evening) and it arrived on April 17, mid-afternoon.  The site said it would be delivered in a week or so, depending on your location.  Amazon said it would be delivered on Monday 17 April 2022.  On delivery, the box was slightly crumpled at the base.  Otherwise, there was no damage to the box.  (This was a first!)  On opening the box, there was no damage at all to the guitar.
What you get:
(Specifications)
Guitar Brand:  Grote
Orientation:  Right handed
Guitar Color:  Cherry Red (not really my desired candy apple red, but close enough)
(I’m not sure why this matters or the company thinks we care…) Trademark & Metal Truss Rod Cover:  Laser anti-false trademark, Metal truss rod cover with engraved logo.
Number of frets:  22
Nut width:  42mm.
Scale length:  24.75″
Number of strings:  6
Pick-up Style:  Humbucker, Humbucker
Guitar Bridge System:  Tune-o-matic
Controls:  5 – 1 switch (3 positions), 2 x Volume, 2 x Tone;  the four knobs are clear plastic which lets you see the number settings from the top or side.  Very cool!
Body Material:  Canadian Maple;  there is a hint of wood grain through the glossy paint.  NO pits or faults.  A beautiful instrument.
“F” holes:  2, painted the same color as the edge binding and the pain appears smoothly applied.
Neck Material:  Canadian Maple
Fingerboard Material:  Black Wood (I have no idea what that means.  Also, the fingerboard itself is slightly indented in multiple locations of the non-inlaid frets.  The “dents” don’t impact the playability and can only be seen if you are looking specifically for damage / flaws.
Tuning Peg Material:  Metal, Kidney Bean shape
Nut Material:  Bone
Bridge Material:  Metal
Bridge Type:  Tune-o-matic style
(Package Includes)
1 x Guitar
2 x Plectrum
1 x Connecting Wire
1 x Spanner Tool (for adjusting the neck / truss rod)
First impression:  right out of the box, the guitar has a beautiful, dark, rich almost burgundy wine red body and neck back.  It is thin but not particularly light.  Being “semi-hollow”, I expected lighter.  I run my left hand up and down the neck.  The edges of the fret board are beautifully bound with a kind of beige / white binding, but the fret spout is TERRIBLE!  The metal frets are visibly past the edge of the neck and binding AND they are sharp(!) AND on both sides of the neck.  I make a mental note to self:  DO NOT run your hand up and down this neck quickly or you WILL cut yourself badly!  This is unexpected because many / most of the YouTube reviews were extremely positive on this.  I will wait at least a week before I sort the fret sprout.  In the meantime, the best I can do is tune and then continue the overall inspection.  At least the frets are polished and don’t leave a residue on your fingertips.
Visual checklist:
• neck – straight, flat and not visibly warped or bent;
• nut – bone. Looks perfect!
• strings – strum… not in tune, but string ends are not excessively long or wrapped around the tuning pegs.  It tuned up very easily.
• body – again, beautiful color and shiny finish.  One VERY minor dent on the side of the body which can barely be seen or felt.
• pickups – are all magnetic.  I can’t tell much else visually.  The “visual test” is to hold something metal near the pickup and feel if it is pulled to the magnetic pickup.
• controls – the switch is responsive without being resistant, the volume(s) and tone(s) both turn smoothly.  I am able to hear the differences between the pickups on the switch (after it’s plugged in and the amp is turned on)
• tuning pegs – three seem to have “gaps” in action before turning them kicks in (both directions)
• pick (“plectrum”) – no name plastic, but you get two of them.  One has skull artwork on it.  The second has some kind of dancing Asiatic female.  They seem medium thickness.  Not bendy; not super-hard; not textured.
• action and intonation – the strings seem fine (eyeball test).  I will measure them in the future.  The intonation is PERFECT.  I can’t believe it!  Not just open and at the 12th fret.  All up and down the neck with no dead frets on any strings.
Strum…  the strings are all loose and there is no hope this is tuned “out of the box”.  I attach my Snark tuner and tune the guitar.  Nothing significant to report.  I’m a happy camper…!!!
I plug in the amplifier and plug the cable into it and into the guitar.  Both connections seem solid enough.  I turn on the amp and increase the volume on both the guitar and the amp.  All the knobs on the amp and the guitar seem to work.  They kind of change the sound, but I still don’t know what I’m doing or what they should sound like, so I set everything but the volume back to “0”.  The volume is MORE than enough (perfect) for me to play in my bedroom.  It is quieter than an acoustic, but louder than any of my other electrics.
Strum…  I play for a few minutes – chords and scales.  I spend a few minutes “playing” Ode To Joy and then decide to pack it in for the evening.  The main thing I notice is the guitar is very comfortable to play.  The neck seems long, but I don’t have to stretch to play open chords and the body seems to be made just for me.  Mainly the thinner body means it’s easier to hold the guitar body under my strumming arm and against my body.  Also the smaller top end of the body brings the neck closer to me, which is itself more comfortable.
What’s happened since then?
Nothing.  Well, because it lacks a gig bag and there’s an included caution note about resting the guitar between playing sessions, I set up one of the three guitar hangers I got for Christmas and have set the guitar to rest on the wall right next to me.
Next?
Check the fret sprout for about a week and do the light maintenance on it / them for safe playability.  Then it’s add to the rotation and enjoy!!  I will, of course, need a gig bag and a strap ASAP.
Final Recommendation:  LoL!!  Are you kidding me?  This is a beautiful guitar and once I sort out the fret ends and get a strap, it will be a pleasure to practice with.  In a strange way, I’m lucky I didn’t get this guitar as my first electric or I might never have bought my others.  Again, I don’t know anything about how the guitar sounds electrically, because I don’t have enough experience – except to say everything seems to be working.  All things in their time.  Inshallah…

Still Wrapped In-Box

Close-up of Knob Control

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On This Day In:
2021 The Heart Of Science
Too Thin
2020 Up Again
2019 Advice From #1 To #45
2018 How Much I Will Miss The Trump Administration
2017 We Need To Continue Experimenting
2016 Consistently
2015 We Must Dissent
2014 Now What?
2013 Judgement
2012 Stuck In My Mind
Life’s Hope
2011 Just Getting Up
Directions Please

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Dust In The Wind

[Happy Birthday, Sis!!   Here’s some inspiration to pick up your guitar…    —    KMAB]
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On This Day In:
2021 Stopped Counting Decades Ago
Just Enjoying The Sun
2020 To My Idealistic Sister
2019 Respect For My Sister
2018 I Trust Cows
No Boundary
2017 Don’t Sink Now
2016 A Burning Passion To Teach Freedom
2015 Before Debit (And Credit) Cards
2014 Herding Cats
2013 Ooops!
2012 Understand A Great Truth
2011 Start Here…
2010 Random Acts of Vandalism On Easter Weekend…

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Out of the depths of the mysterious box,
Flowed the marvelous symphony,
Of all the virgin voices of the forests of America
    —     Agustín Barrios Mangoré
From his poem:  “Profession of Faith
[Happy Birthday, Mom!  Love, Kevin    —    KMAB]
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On This Day In:
2021 Maybe Faith Is Based On Hope
I Want To See You Smile
2020 Thank You (To Those Who Serve)
Hanging In There
2019 Her Job, Too
2018 Just Another Song I Like
Earlier Still
2017 Ten To Go
2016 Unstable Emergence
2015 88
2014 Some One-Liners Are Too Easy
2013 Greatness
2012 Memories Of Arlington
2011 Wake Up

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I’ve been learning how to play guitar for a little over thirteen months and this morning when I began practicing I realized I’ve already “forgotten” more about guitar than I know (remember)…
Because playing a musical instrument is so much about muscle memory, practically none of the information I’ve read / watched has been retained in a usable format.  I’m reminded of what we used to say in the Army:  “You don’t know it until you can teach it and you can’t teach it until you can do it.
I’ve “learned” about so many music / guitar concepts without practicing them – until they are “under my fingertips” – that I am constantly experiencing “oh, that’s what that was talking about” moments.
Lately, I’ve been trying to tune the guitar by ear.  I’m actually starting to get close.  Of course, all of my guitars are already close to being “in-tune” (from frequent use), so I guess my next step will be to fully un-tune (de-tune?) one of them and see how close I can “really” get from scratch (on my own).
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On This Day In:
2021 And My Sister Is Taxing
What Did The Wise Men Say?
2020 One Phrase
2019 Why #LyingDonald Can’t Trust Any Honorable Person
2018 An Old Style Conservative
2017 John Q.
2016 In Trembling Hope Repose
2015 Let There Be Light
2014 Unless
2013 Divergent Roads To Similarity?
2012 In The Process
2011 What Do You Emphasize?

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The person who is free does not do what they do because of the desire to be looked at a certain way by other people, or even themselves.  Because their self image is not dependent on something outside themselves, they are truly free to act with no ulterior motive.
They are not trying to “get something” out of being a guitarist other than the plain fact of being a guitarist.  They do not come to music and the guitar and say “make me feel good about myself”.  Such a person never says “I should be able to do that, but I can’t, so there must be something wrong with me.”
They say  “Hmm, I have trouble with this, there must be a reason why, I think I’ll investigate (pay more attention).”
    —     Jamie Andreas
www.guitarpinciples.com
From her book:  “The Principles of Correct Practice For Guitar
From chapter:  “The Deeper I Go, The Deeper It Gets
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On This Day In:
2021 A Soul Passing
I Hear You Singing In The Wire
Thank You, Georgia!
2020 Implications
2019 Just To…
2018 Still Going…
2017 Great Risk
2016 Robbery
2015 Humanity Plus
2014 Dinner For Two?
2013 Exercise For Those Over 50
2012 Tearful Joy!!
Except When He’s Left

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When we see someone online play a piece note-perfect, we are seeing the fruit of more time than we would ever suspect.
Professional players have often spent hundreds of practice hours on a 3-minute piece of music.  And even more time working on basic skills and abilities.
When we see and hear them, it appears simple.  It looks easy.  So we again assume incorrectly.  We chalk it up to talent or luck.
But the reality is that high-level playing is possible for anyone (physical limitations aside).  It’s all matter of minutes and hours.
Luckily, time will pass whether we practice or not.  In three years, we will either have three more years of practice behind us, or we won’t.
We don’t need more time in the day.  There’s no race or competition.  No one cares how well we play.  Guitar is a personal challenge and pursuit.  Others may support and encourage, but they don’t care whether we practice each day or not.
The trick to putting in more time on something is to enjoy the practice.  And this is born of creating small, achievable challenges, and meeting them.  Over and over.  We find something slightly difficult then we work on it.
We get feelings of satisfaction from winning the challenge.  And our skills expand bit by bit, day after day.
We can (and should) still care about short-term results.  We need the motivation that comes from success.
But we can also keep the long-term in mind.  We can accept that pieces may take months or years to play well.  Our speed and agility may take months and years to improve to where we want them.
Like life itself, our music is made of small moments, lived well.  And the more we focus on process and quality, the smoother and more quickly we enjoy the fruits.
From a website I follow:  https://www.classicalguitarshed.com/
The specific post / page is:  https://www.classicalguitarshed.com/tq-raymond-joseph-teller-magic-time/
[Please visit the original site if you have a few moments…    —    KMAB]
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On This Day In:
2020 Two Happy
Every Time I Look Around
Boxing (Day: 3) – Double-End Target Setup
2019 Stand Up, Hook Up, Shuffle To The Door…
2018 Ridiculous Idea
2017 Waddle On!
A Severe Challenge — When The President Is A Liar
2016 The Best Of Circumstances
2015 Reverberating Silence
2014 Wrong Again?
2013 Improper Faith
2012 One More Rung
2011 Sunday Morning Earlies (Hugging trees and smiling…)
Hurry
Updates On Life
2010 It’s Gettin’ Deep In Here

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Yesterday was our 37th wedding anniversary.  After dinner together, my wife retired to the living room to watch TV for the evening.  I retired to my “computer” room to continue blogging and surfing.
About 9pm, the power went out for our entire block – at least our side of the street anyway.  About 30 minutes later, it went out for the other side, too.  We were not in the middle of a storm.  No rain.  No wind.  Just nighttime and the chill of early December…
After lighting a half-dozen candles in our open-layout kitchen / living room and with nothing else to do, my wife curled up in a recliner and I got out one of my guitars.  I proceeded to practice my strumming, chord transitions, some scales (major, minor and pentatonic) and my (very basic) attempt at a twelve bar blues.  My wife was relatively unimpressed.  She is not a fan of scales – even “enhanced” scales (they are a bit more musical).  She said my playing is “improving” and “when you are actually playing, it’s quite relaxing“.  She was referring to my strumming and chords.
Ah, well, slowly, slowly…
Power was restored just after 11pm.  About one hour ahead of the power company’s website prediction of “between 12 and 1 AM”.  I chided my wife this was the longest she’d ever sat and listened to me “play” guitar.  She normally leaves the room as soon as I start on scales.  LoL!!  All in all, a pleasant way to spend an anniversary evening.
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On This Day In:
2020 Wonder And Dreams
Gatherin’ Up The Tears
2019 I Resemble That Remark… (7!)
2018 Mueller Investigation Comparison To #LyingDonald
2017 #DonTheCon And Russian Collusion
2016 Balance The Truth
2015 Still Itchin’
2014 One Life
2013 Reason Is Your Light
2012 Bordering Manhood
2011 Even Christ Couldn’t

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Doc’s Guitar

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On This Day In:
2020 So, You Think You Know The Answer?
The One You Come Running To
2019 His Promises, OUR Hopes
2018 Where I Write
2017 At Last, An Honest Philosopher…
2016 Fake It ‘Til You Make It
2015 Hell Toupée
2014 Corrected And Amended
2013 Too Few
2012 Three Characters
2011 Universal Payment
2010 Privatizing the TSA? (An old – and long – post, but still relevant!!)

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The Circle Of Fifths For Guitarists” (2017©)   —   book review
This review is for the first guitar book (non-song book category) which I have finished reading.  Hopefully, there will be many more in the future…
The book is written by:  Joseph Alexander and is part of a series of learning about music / guitar titled:  “Fundamental Changes“.  There is an associated website at:  www.fundamental-changes.com.  It also has associated Facebook and Instagram blah-blah-blah…
Background:
In January of this year (2021), I decided to teach myself to play guitar.  I’ve now purchased multiple guitars (acoustic and electric) and about a dozen books on learning music and learning how to play various genres of guitar.  I am trying to “find” my voice on both hardware and in music.  I am doing this (journey / vision-quest) “mostly” through YouTube, Wikipedia, Google and my local second hand bookstore.  I am averaging about one hour a day of hands-on practice and another couple of hours exploring genres, music theory, musicians / bands / songs, and hardware reviews.  Although I have (probably) over 300 hours of hands-on practice, I still consider myself to be a near complete-beginner guitarist.  I have watched multiple hours worth of videos on “The Circle of Fifths” and given this book is only a little over sixty pages of material, I’ve spent far more time watching videos than I actually spent reading this book.
Review:
Having said this, the questions remain:  is THIS a good book about the topic and would I recommend it to others?  The answer to both is:  “YES“.
First (good):  this is not a particularly easy topic to cover / explain.  I may feel this way simply because I’m such a beginner, but I’ve asked a few people who’ve “played” guitar in the past and they (mostly) said:  “Just learn some chords and play songs. Nobody is interested in theory.”  The problem is: I AM!!  Not only am I interested in guitar (as a physical instrument), I am also interested in it as a means of musical expression.  I seek to “Grok” guitar.  This means I have to learn the how’s and why’s of just about everything “guitar”.  Hence, my interest in the topic:  “The Circle of Fifths” (TCoF).
Alexander has written a very easy to read explanation of TCoF and I feel this book significantly increased the depth and breadth of my understanding of this music tool.  Obviously TCoF is a tool for all musicians and not limited to just use by guitarists.  Having said this, the author appropriately makes the effort to explain things from / for a guitarist’s point of view.  He defines words / terms when he first uses them, so ensuring the budding guitarist knows what he is talking about.  Alexander also takes the time to briefly explain some things beyond the scope of the book and cautions readers when a side topic is going to get deep.  Basically, he explains fundamental concepts clearly and then builds on the foundation to round out the reader’s understanding.
As mentioned earlier, there is an associated website with audio files which can be played to increase understanding by ear training and not simply expecting the reader to “understand” a point by reading about it.  This is a book about practical application of theory to music (sound).
Second (bad):  If that’s the good, what’s wrong?  Well, my copy came to me with every third page glued together.  Not consecutive pages, but facing pages and every other set:  two pages open, two pages glued, etc.  The glued spot was pretty uniform at about two inches in from the center / binding.  Most were only spots.  A few were lengths (a quarter inch to two inches) running from binding margin to the center of text.  A couple were the full height of the page as well as being over an inch in width.  Most could be pulled free.  Three of the sets completely shredded the opposite page – which meant you couldn’t read the back of that page either, even though it wasn’t glued.  Fortunately, the worst pages were at the extreme front and end of the book.  When contacted, the response was:  the books are printed and delivered by Amazon;  take it back to them and they’ll arrange to give you another.  If this was a hardbound book or more expensive, I would have done this.  Weighing the cost versus my time, I just decided to live with what I have.  And, after all, the book was still readable.  Although annoying in multiple locations, I could figure out the missing words from surrounding context.
Third (bad):  The book had a handful (less than five) of editing errors where either a word was dropped or an incorrect word was used.  Only one was so bad (impactful) that I had to go back and re-read adjoining text to ensure I knew what the author was saying instead of what it looked like he was saying.  I would add, I personally would NEVER buy this type of book in kindle format without having seen the complete book on whatever hardware version I owned.  There is too much valuable information easily accessible by laying out two pages and seeing them next to each other in a readable size / format.  In fairness, I am a “book” person, not an “ebook” person.  Of course, with kindle I wouldn’t have had the glue issue.
Final recommendation:  strong recommendation.  If you are interested in learning a bit about music theory, how chords and keys are built and how chords work together to create music, this is an excellent beginner’s resource.  Is it going to “vastly” improve MY music skills.  Not in the immediate future.  I’m not that good, yet.  But I’ll get there some day and I believe reading this book will have helped me get there sooner than if I’d not read it.  I will look for this author and series in my local used book stores where I can open and check the pages before I buy the book.
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On This Day In:
2020 Doctor’s Orders
Make That Seven Orders…
2019 Innocent
2018 Ripost
2017 Just Asking…
2016 And 4
How Tall Do You Stand?
2015 More Prejudice
2014 Say What?
2013 Daring Errors
2012 Are You Comfortable?
I Just Have To
In Flux
2011 True New
2010 A Job Well Started Is A Job Half Done
I See With My One Good Eye

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Firefly RE01 Resonator (acoustic) Guitar   —   guitar review
[DISCLAIMER:  This product is being reviewed without compensation of any sort by the manufacturer.  I purchased the guitar with my own personal funds.  Also, nothing I say should be taken as anything but my personal opinion / observation, as I have VERY little knowledge of music or musical instruments.    —    KMAB]
 
Background:   Since January of this year, I’ve been trying to teach myself how to play guitar – starting from scratch.  And by “scratch” I mean I have (had) little to no actual knowledge of music or of the guitar as an instrument.  Although I have owned a couple of guitars (and other instruments) in the distant past (back in my late teens / early twenties), I never learned how to tune them, let alone play them.  I “meant” to, but life got in the way, and they ended up lost in the mist of time.  I think I sold one and the other I simply left with a friend (who ended up junking it).  So, the sum of my musical “knowledge” base is what I know of radio / pop music and playing “air” guitar (again, in my distant youth).  … So next to nothing.
 
In January, I got my first (acoustic / steel string / dreadnought) guitar and began physically learning – as opposed to simply watching YouTube videos – how to play.  In (roughly) March, I purchased my second guitar (an electric guitar / stratocaster [aka: “S” type] knockoff) with a small amp.  In late May, I purchased my second acoustic (third guitar).  This one is a small (3/4 size) one with nylon strings.  The intent is to have a time and location friendly guitar.  “Time” friendly in that you can play a nylon string guitar for hours without seriously hurting your finger tips.  “Location” friendly in that I can take it most anywhere without worry about it getting knocked about (because it cost less than $50).  After this, at the very tail end of July, I got my second electric.  This one is a “Les Paul” (aka: “LP”) knockoff.  All of my guitars have been from different manufacturers and ALL are at the low end of the price range with “out of pocket” cost varying from $20 to $220.
 
I also borrowed my brother’s steel string acoustic.  It is not a dreadnought, but I’m not positive what type of guitar it is considered.  It is the same body shape and length as my dreadnought, but it is not as deep (wide).  I don’t know if dreadnoughts can have variable depth (so maybe it is).  Anyway, it came with steel strings and I swapped them out for nylon strings.  So, I now have a full-size acoustic guitar which I can practice on for extended time periods.  Having said this, my “normal” daily practice is 60 to 90 minutes.  This sounds like a lot (even to me), but it really isn’t that long.  The longest I’ve “noodled” has been about four hours while watching football on TV.
 
Start of review:
So, this (Firefly Resonator) is the fifth guitar I’ve purchased this year.  It was ordered online with no “expected date” – for shipping or for delivery.  (Yeah, I know it sounds shady…)  I was hoping for delivery in less than two weeks.  It was ordered on a Saturday and delivered on the following Thursday (yesterday).  Five days:  an initial good impression.  The box had a small (two-inch) tear in the exterior, but there was no damage to the guitar.  I add that I have grown increasingly concerned about shipping as I am constantly reading about damaged guitars being received.  Knock on wood…  I’ve been lucky so far.  On YouTube, the reviewers frequently say things like:  “Firefly is a very good company for shipping. They use double boxing and the guitars are packed in Styrofoam for safety.”  Well, that may be true for guitars sent to YouTube reviewers, but neither was true for me.  NO double box. No extra packing.  The guitar did come in thicker plastic wrap (not see-thru anyway) and it did have a cardboard neck / head brace.
 
(Click on images to enlarge…)
 
Per their site (https://guitarsgarden.com/collections/acoustic-guitar), this is what I got for $216.91 all-in (including tax and shipping).  Note:  the item price on the site is $189.91;  the difference is added shipping.
 
Features / Specification:
• Spruce Top, Mahogany back and side
• Bone nut, and nickel String
• Rosewood Fretboard
The site doesn’t mention it, but you get a truss rod Allen wrench included.
 
And, that’s it…  No gig bag (dust cover).  No strap.  No courtesy (marketing) pic.  Nada…  Compared to my other “inexpensive” guitars, which came with some or all of these “extras”, this will add well over 10% to the real / final cost once they’ve been purchased.
 
First reaction:  The guitar is beautiful!
 
Second reaction:  The guitar is heavy!
 
Strum…  Sounds okay to me.  Not in tune, but definitely different to a “normal” acoustic.  The guitar is BIG and surprisingly heavy.  To my mind it feels solid, but bottom heavy.  This is not a stand-and-play instrument.  At the very least, you MUST have a strap.  All the metal in the resonator pan (I’m not sure what this is really called / named), makes the guitar look incredibly “art deco” to my eye.  I’m loving it!!
 
I extend the guitar out bow and arrow fashion and sight down from the bridge and then up from the head-stock.  The neck is visually straight (no warping).  From the side the action (string height) seems a little high, but I’ve been warned (on YouTube) this is frequently true on resonator style guitars because some players will want to use a slide.
 
Strum…  Run my left hand up and down the neck.  Absolutely no, sharp fret ends sticking out (on finger or thumb side) and they all feel well rounded / smooth.  The fretboard doesn’t look dry or in need of oiling.  The strings feel smooth and new.  The neck feels smooth, polished and maybe just a bit thick / chunky.  (Note: this is a “playing” style / round neck resonator model.  Firefly doesn’t seem to stock them, but you can get models with a square / flat-ish neck which are meant to be played on your lap or a table in front of you.)  There are no scratches anywhere on the body or neck.  The finish / polish appears smooth to the eye and to the touch.  I look around the sound holes just to see what a “resonator” looks like.  It looks and feels solid.  I feel like I’m back on my first guitar because this is SOOOO different from my others.  I do notice there is a white residue of some kind around the two screened holes nearest the neck.  I don’t know what that’s about and I’m leary to give it more than a gentle scratch to see if it comes off.  Some does.  Some doesn’t.  (see image)
 

Glue residue?

 
Strum…  Okay, attach tuner and see how close it is to “shipped ready to play“.  Result:  not very.  Half the strings require less than 360° tuner turn, two – a couple full turns, one – multiple turns.  The good news is the tuners seem very steady / responsive and there are no dead spots or slips.  I do all six strings and then go back through them a second time.  All but the last are slightly off (expected).  Total time:  a couple of minutes (15 max).
 
Strum…  Open chords time…  Sounds different, but great.  A minor scale time…  Hmmm…  Something is not quite right.  The strings don’t “feel” right.  I look at the strings again from various angles (top and then up and down the neck).  The strings are not parallel.  The “D” string runs closer to the “A” string as it approaches the bridge. Hmmm.  I thumb the string and it sounds fine, but it is definitely wrong.  I hook my index slightly in front of my thumb just in front of the bridge and press…  There is a slight “nick” sound and presto(!) the string is in place and running parallel between the “A” and the “G“.  My guess is there is some slight groove the string is supposed to rest in and it wasn’t quite there when they shipped the guitar to me.  Anyway, it’s fine now!
 
Two additional points:  Action and Intonation.  Action is the height of the strings above the frets.  I’m not sure what the action is supposed to be, but it feels comfortable to me on both chords and scales.  Intonation is (as I understand it) if / does the guitar produce true notes up and down the neck – particularly at the nut and at the twelfth fret.  To my ear (and to the tuner) it is perfect – at the twelve, five and  seven frets.
 
Final thoughts:  This is a beautiful instrument and I look forward to learning its peculiarities.  I already feel like I’m playing an electric guitar instead of an acoustic because the sustain is soooo long.  And, yes, it does sound a lot like a banjo got crossbred with a guitar.  I imagine myself doing (learning) some Missouri / Louisiana style blues finger picking and sliding with this baby.  I can hardly wait!
 
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On This Day In:
2020 A Word Of Assurance They Are Not Alone
  Is #45 Still Crying?
2019 It’s Obvious
2018 Passed Too Swiftly
2017 On Our Wall (Part 1)
2016 Or The Ripples From A Good Life
2015 Titles And Reputations
2014 Unfolding
2013 Again
2012 Needs
  Damned
2011 Potter & Prejudice
  Blink, Blink
   

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